Hey, that’s not fair.

Shape

L’Arc is great, isn’t it…?

A song like No-Face from Spirited Away is good, right?

EEEE~

>>7

I like it too.

Today, there were many good things that happened.

Um, something fleeting yet eternal.

I remember it too vaguely…

I like it as long as it’s not the opening beyond the tears.

>>15

It’s great how the O-Raiser is stabbed in a weird spot.

>>18

It’s nice how Anu’s hair briefly reflects beyond the swaying laundry in the lock-on part.

>>15

There is a part that expresses the relationships of each character through their outfits, but the part between Louis and Saji is the most memorable.

>>15

I still remember hitting the bonds’ heads to that rhythm, even now.

>>36

Wasn’t it a wild bear?

Haha!

The impression of prototype and trust you is too strong.

When I watch season 1, I remember that there was this ending…

I remember all four songs of the OP.

Every time I watch it, I’m left wondering if there was an OP because the impression of the theater version’s OP and ED overrides my memory.

I was a bit confused that the song “Namida no Mukou” transitioned from the high tension of that opening scene in the final episode of Season 2 to the regular opening sequence.

It’s only one season, but I really love traps.

I don’t know what the theater version OP is about, but there’s an eerie feeling that something unsettling is starting to move.

Forge your destiny!

Love begets love.

The second season’s ending theme captures the unsettling world of the first half and the understanding world of the second half, which is really nice…

The scene where the fleeting yet eternal sorrow is replaced by the princess reaching out in vain and gripping the saber is striking.

I think the use of “Hakanaku mo Eien no Kanashi” in the promotional CM for the second season was perfect.

The story of 00 is really about the roundabout mutual understanding between Setsuna and the princess…

Traps are nice, aren’t they…

I used to dislike Back On’s songs, but now I like them…

>>34

Isn’t that Build Fighters?

>>34

It’s a bomb!

>>35

I love the four lights flowing over the Earth at the end.

Everything is like that, right?

The score boost from the OP visuals in “The Other Side of Tears” is significant.

I also like the song.

I trust you, that’s nice… I like the scene where Saji pulls back Louis’s hand…

I like that the last cut of the opening, aside from L’Arc, shows the trail of GN particles.

I can’t believe Ash Like Snow hasn’t risen this much.

The atmosphere matches well with the second half of the season, and above all, the last cut of CB vs Trinity is really great.

>>45

I’m telling you it’s the second season!

I love you, but I’m keeping quiet!

Protype

The Back Horn’s switch after the main story is really good, isn’t it?

Isn’t that the case with everything?

If a clear future comes, even grass and flowers will harbor weapons.

The day’s brake bell is nice, isn’t it?

The sweets are a bit hard to read, but…

The most touching moment in Double O.

It might have been the moment when Tieria from the ending theme turned around and pointed a gun at the Innovades.

>>52

That is really good, isn’t it…?

Is the stomachache from Tieria Curry in the first season?

I feel like the way the ending starts has been good every time.

I can’t help but love hearing the guitar intro coming in from an unsettling start in the first episode.

The Double O OPED anime was quite intense, right?

I like how we try to hold hands but end up gripping weapons instead.

There are too many old men with vague memories…

>>58

I have to do air commentary again to remember…

AI GA AI WO –

None.

To be honest, at the end of the second season when I heard the day’s brake bell, I realized this was it for me…

Qualia was a perfect ED.

I love both the melody and the lyrics.