Forbidden Resistance

Zips

Strike deployment

A’s Dream Color Chaser

Overwhelming power

Launch! The name is Giant Robo.

I really think the arranged intro of BLAZING surpassed the original song.

vigilante

X’s Blazing

My heart is like a bright mirror, calm water – yet these hands are like fierce flames.

LOVE Survivor

TimeDiver

Of course, I also like Kushi Diver.

Galactic Gale Sasurai-ger

The Demon of J has appeared.

Heat wave! Gale! Cyber Buster!

>>17

I wonder if these guys are copyright BGM.

ABAYO

In return for GC’s true kiss.

D’s Heats

J’s STRIKE deployment

Z’s storywriter

the gun of dis

God and devil

Live for tomorrow, Baldios.

Majin Kaiser

Immortal Machine Getter Robo

You get to burning.

Apart from copyright, I like how the march of the warriors feels like a tearful effort.

Ryu Dork’s theme (not Ryu Dork’s theme) too

When reinforcements arrive.

THE GATE OF MAGUS is great, isn’t it?

The insert song from Denno Coil.

Surprise in the new darkness.

In the distant beyond.

PROUD

The second-generation Famicom is really making the drums stand out in the Gundam.

Awakening, Zeorimer

J’s In My Dream?

The one that plays during the emotional scenes of Super Robot Wars Z.

Staring at you

Demon appears!!

Machine Robo Blaze

Dog Fighter

The theme of Iron Man No. 28 is cool… right?

>>46

The intro is super cool! I was shocked to find out that the original song was also incredibly cool.

To that which approaches.

The string flies.

UX in the blue sky

Cried.

Love is a miracle.

TRANS-AM RAISER of the Rebirth Chapter

D’s BEYOND THE TIME

Not limited to this, I’m weak against fast-paced arrangements.

The text appears to be a series of characters that do not form a coherent phrase or sentence in Japanese. If you intended to provide different text for translation, please do so.

Eupho!

This text does not contain any recognizable words or phrases in Japanese. It appears to be a random assortment of characters.

Yay for Eupho!

Yamato is so strong that I start laughing when I listen to the intro.

F’s Mazinger Z

I don’t know why, but it’s really stylish.

>>57

When I think of Super Robot Wars Mazinger, this version comes to mind.

GC’s FIRE WARS

Voltron

God Sigma

I love the background music of God Sigma’s special move.

The theme of Z is nice, isn’t it?

I can’t remember the name of the song that plays when enemy reinforcements appear…

>>63

The Detestable Visitor

A’s sorrowful warrior

I really like the warriors’ march; it looks amazing.

PROUD of UX

Great Battle

BGM of enemy phase α: Shaking Light Star

O2 of Z2

There are many, but the one I like is The Empire of Fools.

Speaking of which, there was the UX Galian.

>>73

That’s BX!

Burning Love of α

>>74

I’ll do something unprecedented with this intro! It’s great, isn’t it…

D’s SEVENTH MOON

HEATS of D

D has been like that since the opening.

It leaves a great impression.

>>77

It was my first Super Robot Wars, so it really captured my heart.

The UC series is cool, but it has been overused as a joke to the point that it’s a bit much…

D has that development in the early stages, and the Getter team, which has been acting like straight-A students until now, is like that, and the background music is extremely cool.

I like α’s Godzilla-like songs.

>>80

For the future of this planet!

For the sake of tomorrow on this planet!

General Bat’s Theme

>>81

It’s good, isn’t it? THE ARROW OF DESTINY.

>>87

I’m not sure if it’s original or copyrighted, but I like it.

The Arrow of Destiny

TWIN ICON

Someday, let the impact reach the sky.

D likes the pyramid of love.

Without the God Mars downing, it doesn’t flow much.

In exchange for a real kiss.

I like fast-paced arrangements.

It’s a battle, so that’s fine.

Listening to C2’s Steel Lone Wolf in stereo is moving.

Pop.

Pew

Phew

Pew

The use of sound is skillful, but since an earphone adapter is essential, the barrier to listening is high.

I love the sound of the stage start music and the units appearing in a whimsical way from the Super Famicom era.

>>93

I like the fourth one/F, but I was feeling lonely because it was cut in the PS version of the fourth one S.

Like a master assassin.

Speaking of arrangements for battle BGM, it’s the song from D’Artagnan as a return for a true kiss.

Intermission from the era of F

O sweet death of Sulfa, come to me, my love.

For a while, I thought that DunKuga’s only emotion was burning rage, and I wished for a little more…

It’s not that it’s a bad song, but as a battle theme, it lacks excitement…

New love, far away.

Just Communication for Saturn F

It’s good, the love of impact, gazing at the miracle and you…!

It was my first Super Robot Wars, so I was disappointed that it wasn’t used in any other games!

>>101

It’s adopted from the flow of compact, so you can hear it at WS.

Moreover, it’s really cool.

Somehow or another, D’s HEATS.

MX in general

I want the VIOLENT BATTLE’s SFC Third Battle’s GYUUUUUUUUUN…

I remember that WonderSwan was quite impressive and created catchy songs.

The often parodied new enemy phase BGM.

Isn’t that not bad at all?

>>107

What’s wrong is that the BGM during the enemy’s turn is fixed, and it’s also bad that the silent reinforcements sound like they’re being torn apart and flattened.

Wasn’t compact far away?

>>110

I’m sorry, I could only see you staring.

Zubaban

I think the way NEO uses the enemy turn BGM fixed to its advantage for its special move is incredibly powerful.

In the OG version, Shouting Black was shocking.

I didn’t expect this eerie arrangement to be able to do something like this.

The song for the new enemy phase is way too high in comedic value because it plays throughout the enemy turn.

>>114

The previous work, “Genocide Machine,” was a straight-up cool song, so the contrast is amazing.

Dancouga has “Burning Love” in Compact and “Love, Far Away” in 2.

Matte black bullet, I like it.

I like the XO version just like Melos.

I think it’s a nice arrangement, but

AP’s CHAOS, which is poorly impressioned and overwritten immediately, is extremely close yet infinitely distant in a heightened state.

>>121

Zubaban

I love Sulfa’s Realize…

The arrangement of the BGM might be from the less favorable side of Super Robot Wars, but when it plays, it definitely gets me pumped up.

Good evening! I’m your eager host, Gattsukitai!

I’ve been hearing auditory hallucinations lately, and I can’t take it anymore during serious scenes.

Staring at you, the compact version is also a nice arrangement.

>>124

It starts suddenly from the A melody, doesn’t it?

>>124

I can even hear the sound of the Gatling’s ppppp.

The Demon God J Appears

It might not get much attention since it’s DLC, but the Non-vanishing Space of 30 is really good… I wish it could be used in Y as well.

Memory of the Z’s Military Boots

Since it starts from the chorus like the next episode preview, it feels great to have the climax right from the beginning.

I love the MEN OF DESTINY by Nilfa.

>>132

The way the light hits in 0083 is incredibly cool, isn’t it?

Proud… is already out, so linebarrel.

ZEST SEVEN

>>134

I like that it includes phrases from CLOWN MASTER.

It’s ordinary, but the fleet battle in Z Gundam.

>>135

Isn’t that quite a sophisticated choice, rather than a typical one?!

The intro of the fiery Chinese physical education teacher is incredibly cool.

I really liked the high level of reproduction of the Patlabor music from OE.

I want you to participate more.

I think the BGM for IMPACT, both the licensed tracks and the original ones, is generally good.

I really love the one during the intermission.

The seeds of tears and the flowers of smiles that are finally released at the very end.

>>141

I believed that the Z series, which was used until the second installment, would definitely be utilized somewhere, but it was great that it ended up being used in such an impressive place…

What awaits beyond the trials (Intermission BGM of the first generation α)

I’ve been listening to it for so long, so it holds a lot of memories.

The BGM for Kvolé was so cool that even I, seeing it for the first time, thought it was awesome! It must have had an incredible impact on those who played the previous series.

I’m still captivated by MX’s divine title call.

The king’s love is for the people.

I love the background music that plays during the finishing moves in the group scenes around the time of Z3.

The opening of the far-off battle of MX is etched in my memory.

BX’s Gallean World

I think there are a lot of good BGM tracks in the completion maps.

The distant battle begins.

>>152

(End-of-century-style intro)

Be a perfect

OGMD version of Fate

There are no misses with the BGM of MX.

The songs are all ones I hardly ever hear anywhere else.

V Gundam of the 2nd Generation

Steel Fox Wolf

The IMPACT thing.

I think it’s more of a MAP BGM than a battle song.

Nirfa’s BEYOND THE TIME really got me excited, and I think it’s the best arrangement.

I don’t think there are any bad songs with lyrics in the original super robot genre.

When someone says it’s not the singer’s power, I can’t help but think, Yeah.

A song that feels like Char is coming.

Gun Gun Leon

It’s great that the dancing blue performance allows you to listen to an entire song perfectly without fast-forwarding the animation.

The introduction of Kaimeira and Insalaum.

>>165

It suddenly started playing and I was like, “What is this? It’s so cool!”

The intro of Brave Raideen really gets me pumped up!

The Uninvited Stranger

Bandilia Travel Group

The arrival of the omen bird.

L’s Northern Cross

Hemisophia

Immortal Machine Getter Robo

The theme of debt.

With the Quattro reinforcements from AP, Char arrives right from the start, but what an impactful flow it is.

There are times when I want a work that doesn’t include the vocal audio.

It’s fine if it’s something like a gag character like Gunleon.

STRIKE Launch

Fiery soul

The original version of “Iron Lullaby” is also amazing…

Salfha’s POWER TO THE DREAM

MX’s Hemisophia

The soul refrain of α got me excited.

For some reason, it’s recreated in a full chorus version: Hiroshi’s theme from Sulfa.

You can also hear the drum solo part.

>>183

I wonder if that area is Terada’s hobby…

The 30’s Vigilante is almost the original song, but it feels lacking without that karaoke-style melody line.

I look forward to the new recording of the chorus for “Brave King Dai GaiGar” every time GaoGaiGar joins the battle, even though it’s different from what I like.

I love Another Time Diver.

DD’s DIVER#2100

Bird’s song

New spa, love oh far away

The Tyrant Super Machine.

Rock Cafe

I was captivated because I didn’t know about Megazone.

I like it enough that every time I hear the Realize ion arrangement playing in the supermarket, I wish they would switch to a slower tempo.

In UX, I like how the theme of the protagonist’s machine in the second half is an arrangement of the sad scenes in the story.

I was disappointed that the 2Z soundtrack didn’t come out even though I wanted it.

The original characters were included in the 3Z soundtrack, but…

Perhaps the reason Hiroshi’s theme was that the full ending of the TV show was playing.

It seems that there are differences and shortened versions depending on the location.

K’s Zips

Secondary α Dividing Driver

This burns my brain as the final battle with the dinosaur empire begins in the flowing and curved field.

>>198

The way Musashi and Black Getter are handled here is absolutely mind-blowing.

>>198

The song is cool and the design is good too.

Isn’t this supposed to be a weapon!?

The original that plays during a nice scene in V.

It’s great, isn’t it, the Master of Special Techniques?

>>202

The intro makes you think, “Oh, is someone going to show off some skill?” but after 5 seconds, it turns into something like “Wow, this is a professional!”

Like the new Melos

J’s REASON

The genocide machine became incredibly cool in OG.

I like the song by Superwoman 64 because it tries too hard to be a top hit.

I wanted to use End of Reverse in my daily life with the awakening of human will…

It may be minor, but it’s the EvoLT from OE.

I might like it more than the original.

I love both of the top 2 songs from the third Z Hell chapter.

Meteor

It’s true that I just like the original song.

I like it with a gentle arrangement.

The other day, I was playing EX and thought this BGM was cool.

I also liked the fast tempo of the fourth “Silent Voice.”

I remembered it was this.

“K’s King Gainer Over! has reproduced up to the interlude instead of the intro.”

I love that the backing chorus is clearer than Z and includes the “Nkoshi Kekerra! Nkoshi Kekerra!” from the last chorus that isn’t in the first or second.

I love the background music that plays when the big boss appears.

>>219

The scene where Char rides the Sazabi in the early part of X is impressive.