Suzuka Ojou Yuni-chan’s Victoria is good for the ears…

Orfevre

Yaenomuteki

I hope the Esports feature is implemented soon.

CB

Fuku has a sense of being one of a kind.

Journey

Yaeno can immediately tell that this person is skilled; there’s a sense of stability.

My dad’s high notes are like a musical instrument.

Turbo has won the Hokkaido folk song competition every year, but it’s a shame that it’s ended up being his unique singing style.

>>10

It’s a turbo song, but if you ignore the character and just sing with power, that would be abandoning your work.

For now, I’m going to listen to Victoria with the girl I have!

Turbo

>>13

There are some people who think it’s a bit strange because they are trying their best to sing in the character’s voice.

>>16

Neo Uni is amazing.

Machi-tan is amazing, especially with her character traits.

Is Dura also good?

It’s good to hear about the explosive heat.

Zario’s legend is so magnificent that it makes me laugh.

I think both of the “Sankan” are really good at singing.

It’s difficult to find people singing the fourth anniversary song in character voices or something like that.

Earth’s voice is seriously strong.

I think it’s at a level where you need to think about combinations, otherwise it will just be filled in.

>>22

In real life, my voice stood out during the live performance, which was not good, but it’s a good thing.

>>22

The characters and the voice actors aren’t to blame, but…

I really want them not to come because it’s honestly annoying when characters making their first debut mix in with things like “Umapyoi!”

>>23

Every time I listen to GOCHISO, I can’t help but think what an amazing ace they are!

If I can win at my dad’s Victoria Chanmi and listen to it, I will be in ecstasy.

>>24

Victoria really suits you well…

When you sandwich with Naribu and Pearl in Legend, these two are seriously skilled…

When Ms. Victoria sings, she resembles my dad and vodka.

>>27

We’ve had several opportunities to sing together live, and we really have great chemistry.

>>27

I feel like my older sister and Brian are similar too.

Mr. Heart is great.

Deji-tan is really skilled after all.

But recently there are many skilled people, so it’s not as noticeable anymore.

Bourbon

The person behind Vodka is already a seasoned idol in other content.

>>33

The idol group members all have a considerable amount of experience.

>>37

Honestly, my sister isn’t that much…

>>36

The stage has a song that feels like it’s releasing emotions, which is nice.

I didn’t know that Digi-tan believed singing is life.

>>38

I’m fine!

Opera O is great!

>>39

Sora-maru’s singing in character voices shows a lot of experience.

>>45

I have a lot of experience with Milky Holmes and Love Live!

Machitan generally has a cute character voice, but occasionally a skilled singing woman’s voice comes through, which is alluring.

Everyone is good, so there’s almost no reverse pattern, right?

It seems like you want to say that when the café sings, it becomes Yuiko Ogura!

When she sings the song of the Arc de Triomphe with vodka, it’s amazing how she does it all in her natural voice while the others use falsetto for half of it.

Also, when Aya Fantasia sings live, I can totally tell it’s a male horse just by the strength in their voice, and it’s so good that it surprises me.

I fell in love with Tact-chan’s solo part in the new ensemble song, but I wonder if she’s a good singer?

>>51

I’m the main character of Bandori!

The V-sisters are all good at singing in character voices.

Well, to be honest, that voice isn’t really cafe-like.

I think Laurel is really good at handling the rise and fall of pitch and the way of adding intonation.

I love Chiyo-chan’s song, so when the Sing Red Derby episode arrives, I hope they somehow add the song of the weeds.

Older sister is nice, isn’t she?

>>58

It’s amazing that you’re keeping your older sister on top of being incredibly skilled.

It seems that Turbo can’t twist his fists in the story and can’t even win against Nature.

It’s understandable that the girl set as the daughter of an enka singer isn’t developing at all, but…

Tran

>>61

Character song

It’s nice, isn’t it…?

I like how CB’s singing has a strong, slightly theatrical quality to it, and it makes me think, “Wow, this is great…”

>>64

Listening to solo songs gives a strong sense of being powered up.

>>64

The strength that comes from saying “Dream Typhoon is good, right?”

I’m going to be there both days, so I don’t know which day I’ll come, but I’m looking forward to the 6th live!

>>64

When I start singing BLOW my GALE, the vocal range is amazing.

Personally, I like Taishin.

It’s stable enough to be a singing teacher.

Mr. Earth gets in a good mood during live performances.

I like Suzuka… I’m listening to the character song for sleep induction.

Every time I listen to the legend, I want them to add the ace who achieved the first victory for the Japanese team to sing as well…

Mihono Bourbon is really good at singing, so please give her a solo song…

I’m looking forward to the live performance of the i☆Ris group from Donnaravzu, where they will truly showcase their abilities!

Singing the whole song without using any vibrato is quite impressive too.

I can’t wait for the 6th Legend-Changer!

>>78

“Don’t take your eyes off it, we’re going to rewrite history! The way it’s sung, the call and response, and the commentary parts are definitely going to show an incredible excitement, right…?”

People with Ace voices are usually incredible even in their natural voice.

Is this also a kind of anime voice?

I think Takayanagi-san has become really skilled.

>>80

I was confused, wondering if I was this good with the Legend Changer.

Tama is good.

Where’s CB?!

It’s not implemented yet, but the person behind Mamechin is skilled too.

The singing voice of the Naribu type has quite high expectations.

>>83

Is this the first time I’ve heard of someone singing in a content?

>>89

You’re playing the role of the student council president in iPri.

Try listening on YouTube, it’ll fly!

>>116

Seriously, thank you.

Ai-chan can properly pick up her voice in the overall song, so I feel like her vocal quality is quite strong.

>>84

The characters are strong too.

I heard that Nakayama Festa is good at singing, but they are not here.

>>85

I was the second generation protagonist specializing in acting in Aikatsu, but I’m as good at singing as the person in charge of singing.

When I performed a double song for the first time at the Aikatsu 5th anniversary live, I was incredibly moved.

I wish No Reason’s weed character could have a slightly cooler voice since they can do that kind of voice…

A comedy voice is fine as long as it’s good!

It’s really amazing that the person inside Neo Universe is doing the complete opposite and singing with an absolutely terrible sense of pitch as a character.

It’s not out, so tap.

It might just be that I like character songs.

Nakayama is great…!

I just want you to listen to “You know me”.

Mr. Takayanagi’s high notes in the Oguri voice are clearly more stable and impressive now, aren’t they?

Chiyo is the ace of Miku’s team…

I think it’s more about being skilled in the sense of singing various songs.

When it comes to character songs, I think the acute feeling of the person from Acute is unrivaled.

Well, I don’t really understand what I’m saying either.

>>97

Cygames probably feels the most.

Falco is definitely great… The character song is top-notch, and Legend-Changer was also good.

>>98

I have no complaints about the song itself, but I really wanted to hear the Sand Falcon…

>>104

I personally like the context of standing in relation to Uma Musume.

I like the singing voices of Naribu, CB, and Yae.

Ol is already at the level of Hiyokasa, which reflects the length of her career.

Vaccine!!

I think Ol is the best.

I thought I would definitely feel the age, but after hearing the legend change, I still felt that it was extremely good, just like Hikasa.

>>106

In Aikatsu, I’m performing live, and while my knees don’t bend, I’m still dancing properly.

I’m happy that I can now sing one additional song along with the challenge song from this anniversary.

It’s good to hear about Gran’s instinctual speed.

I understand that Or is good at singing, but there’s something about it that’s just too much like Superfly…

I love Stil’s songs! It makes my heart race when I talk!

Since I like cool-sounding songs, I thought it would be great if Legend-Changer had all members singing for the anniversary song…

That said, even if it’s not an anniversary, they’re saying they want to increase performances, so I want to look forward to it.

>>113

I think it’s nice to have songs like UMA Summer and new tracks, but I believe it’s better if the songs for the main winning races and important races in the training scenario are sung properly…

Tachyon is stable, isn’t it?

I love listening to Suzuka’s singing because it makes me feel like my soul is being pulled out of my body.

>>115

Scary

The character songs of Esupo are truly impressive, as expected from a professional…

The character song of Chris S. that was playing on the jukebox was really great.

She wasn’t just an interesting older sister…

The direction seems different, but Earth is surprisingly good at it too.

In terms of being able to enjoy growth, Pocket-chan is definitely exciting.

The second half of the curling match was amazing!

>>122

It’s the same with movies, it’s too much power leveling.

I thought Pearl-san was really amazing at singing, but I realized that they’ve been in a really impressive position in the amazing singing and dancing genre all along.

No, it’s seriously delicious…

>>123

The absurd song is masked by Mr. Pearl’s skill in Shakelock.

There’s a correction for the Encore in Nagoya, but I still think Teio-san is really great.

Anniversary songs usually bring in themes of the future or hope, so the direction is different.

I agree that I want singing, but I think Legend-Changer is meant for scenario songs.

Shakelock is a gag that relies on singing ability, so if that’s low, it’s not funny at all, and Pearl is amazing.

Recently, voice actors are not only required to act, but also to sing, dance, and perform live, which is amazing.

Originally, it was a profession that was referred to as a fallen actor, so it can be said to be a regression to the past.

Pearl was singing “Chijou no Hoshi” with a mimicry of Miyuki Nakajima on Wednesday’s Downtown, right?

A live performance is like acting on stage.

>>134

“It’s completely different!! I’m sure Helios and Zephyr would be angry.”

>>146

It’s too infused with emotion… do more stage performances.

The bubble too.

It’s good…

I thought Bali-chan had a really heartfelt way of singing… so I looked it up and discovered she’s not that young!?

>>136

Because I was the youngest…

There are few bubble songs!

The bubble sounds good when sung by the empress.

The bubble has become able to sing the next frontier!

It’s a profound feeling to sing alongside a generation that was either just born or not yet born when Hikasa was doing K-On.

>>141

The Godolphin Barb watches over it.

I thought Gentildonna is really great… LADY G DONNA is good!

I think it’s amazing how some kids stand out and shine even among many people singing for about three years.

The way Shubachi sang, whether it was in group songs or character songs, had an incredible presence, seriously.

People of Zion watched the first season when they were elementary school students and thought, “I want to be like that too!”

I love Mabechin’s songs, but has he ever performed live?

>>149

None.

I performed a solo song at the release event.

It’s nice to see the cast comments from the stage version; you can sense the different struggles that come with overwhelming emotions and tears…

I like the simple feeling of Supachin.

About a year after its implementation, there was no information other than that it was good at singing.

Could it be that all the voice actors for Uma Musume are really good?

>>154

If you’re not good enough, you won’t be hired.

Many people whose spirits have been shattered have made statements about Zion.

Mabe-chin might find the live performances the most exhausting…

>>157

It’s hell to perform this while tap dancing… If it wasn’t for COVID, the number of performances would have been out of the ordinary.

When I listen to Nakayama’s L’Arc de gloire, I want to revisit the scenario of the Arc de Triomphe.

And cry.

Or is amazing because they are good at bass too.

>>160

I’m not very good at it.

Even though I’m right-handed, I was playing lefty bass to match the character.

I wonder how Cygames is recording.

It seems like I might work myself to death with songs from Granblue Fantasy and Uma Musume.

I think I would die if I danced to UMANewWorld.

>>165

I can see a future where Hikasa will die right there on the diving board.

I think everyone sings “L’Arc de gloire” really well.

I love Dia-chan’s singing style; it’s so charming.

I like Golshi’s deep voice.

Moreover, it’s a terrifying feature that experienced dancers have never encountered, as it involves tap dancing while leaning forward.

>>170

It’s strange to say that this move aligns with the race development!

I think it’s possible to enjoy the live theater twice as much by changing costumes.

Once the assigned song comes, let’s go with Special Week Teio for now.

I think there is.

I recently saw Helios and the others’ performance, and it was really amazing.

Ah, I see, it’s the moment to jump out, isn’t it…?

Is it for real that Sirius hasn’t appeared until now?

>>176

“It’s a (self-proclaimed) distraction by the quality of the voice.”

I think Golshi is good at adapting to characters because of their wide range of expression.

There are several songs of the young lady that can only be heard on stage…

>>178

Including the instrumental version after “Fade to black” that I like.

>>179

(Everyone seems to be having a hard time…)

I like the stage version, but I think the race scene is a bit surreal…

>>182

That’s what the stage is like.

Ah… so that’s how you interpret the performance… I accept that.

>>182

I think it’s much better than the race scenes in Yowamushi Pedal.

They only run with the handlebars over there.

>>186

I always remember the “Move it, move it, move it!” gang-related joke from here.

>>182

At first, it was surreal, but in the second half, it looked like a race.

The stage race has been like that since long ago…

Acting, singing, tap dancing, and the constantly changing relationships in space could really drive you crazy, right…?

I wonder if they’ll do a second stage play…

Even though the person is a professional gambler and has great singing skills, I laughed when they handed over a character song that requires abilities other than singing talent.

The running scenes in “Run, Melos!” are just absurdly surreal on stage.

The race scene, as expected, moves in exactly the same formation as the actual race.

>>192

Could it be that I was seeing something really dangerous?

>>196

That’s bad.

Because we switch positions while tap dancing.

>>196

You can see rehearsal scenes in the bonus footage of the BD, and both the cast and the director were amazing.

>>207

Hearing that makes me want the disc.

How about Furiouzo or No Reason?

>>194

Good.

I love that even though the tap dancer is a refined young lady, she sings gorgeously with an energetic and handsome voice.

The dance is really beautiful.

The 2.5-dimensional stage adaptations of things like “Yowamushi Pedal” and “Prince of Tennis” look surreal in photos.

I love VIVLOS’ songs! My brain melts.

Whether it’s Yowamushi Pedal or this, when you actually see it in motion, it strangely doesn’t feel surreal.

Well, that’s also because only those who like that kind of thing watch it…

Because everyone, including the members of the ensemble, takes a day to observe the actual race and check the movements.

Speaking of which, the person behind the plain dance is also close to the stage group.

>>204

Because I was on stage.

After all, only being able to do that is a loss for the stage.

The person who gave up on being a dancer because of their height and became a voice actor, now doing tap dance.

When I listen to character songs, I think Shion is really good at singing in the character’s voice, and I also just pure love character songs.

Did you just badmouth the cafe?

>>210

It’s somewhat unavoidable with Shatan and Kakae…

It’s been about six months since I thought I should watch the plays available on U-NEXT due to movie streaming, but I still haven’t seen them.

Is there any way we could put on a play with a different cast from another era once more?

>>213

I won’t say it’s an original cast, but I want a stage production.

Nolizun is skilled, but their singing so far has been rather one-dimensional, so I couldn’t help but chuckle a bit, thinking, “Ah, it’s the usual Kono Hiyori…”

The cafe is nice, but it’s Yuiko Ogura! But this has been said ever since Yuiko Ogura became famous!

The emotions of the Heart’s offspring group are incredible.