It feels like “pop.”

I avoid it because the style doesn’t match at all.

I can only remember works from the 2010s, and I don’t know what’s happening recently.

>>4

Agriculture

You made the Akihabara maid from the work series, right?

>>5

The afterlife

Something is off, that’s for sure.

The company that created the motorcycle bonfire anime.

I can’t help but feel that it’s because of “Amare Rampan” that I get my hopes up early on, even though many others are not like that.

I recently like mayo bread.

Demon Slayer: Moon Type

I send a round-trip postcard every year.

The portrayal of a reality that can be described as convenient just doesn’t fit, and because it forcibly tries to purify that, I personally don’t like the original work.

But I liked TARITARI and Nagi no Asukara.

My favorite might be The Eccentric Family.

To be frank, it gives the impression that it’s an animation company created by people who only know the anime industry.

Well, there’s a second season of Skilow, so just do your best as DMM’s underling.

PA face

>>18

I feel a bit on edge with the character design of Miss Sekiguchi.

I feel it’s time to go back to the beginning and create a tough winter anime in Toyama.

I love Chrome Chronicle.

So please make the continuation quickly.

>>20

Is the ugly one coming out again?

Oh right, this was the first season of Uma.

I hope that since the afterlife was good, they will establish a style of making wacky anime in this studio.

I liked Nagi no Asukara, but not much after that.

I’m watching it, but not to the point of regretting seeing it.

Iroha-chan

Desk rental fee: 6000 yen per month

I like places that feature both beautiful girls and dull older brothers or guys.

Mayo bread is good, isn’t it…?

I wonder if I made a decent profit from Project Sekai.

Lately, things haven’t been going well.

The movie we are currently making has also become a hit.

Sometimes I confuse it with J.C.STAFF.

You’re fidgeting and it’s kind of gross~

I love the working girl series.

I wonder if they will do it again.

I like Glasslip.

Wasn’t it just the Komada Distillery?

>>36

Was this part of the work series?

When I saw the thumbnail of the d anime, it looked like a picture of two men standing, and I didn’t touch it.

Watch now

There are too many anime that start off with a strong impact but suddenly become mediocre towards the end.

The reverse midnight punch was a good work.

No matter how many times I watch truetears, I still think the backgrounds and visuals are more beautiful and amazing than those in later anime.

You’re just amazing, Miku-san!

It’s a style that feels naive or perhaps virginal.

Personally, I often find that I don’t get along with the personality of female protagonists.

>>43

Me…?

I remembered that I was interested in the aquarium thing, but I still haven’t seen it.

>>44

On the way, grandpa’s aquarium was just closed, and it was a letdown.

The work anime was popular, but I don’t know what they’re doing now.

I used to like another.

A company that makes anime set in rural areas… especially on the Japan Sea side.

Enoshima was on the Sea of Japan side.

A company that creates eerie anime with no clear purpose.

Ambitious towards the original.

Wasting a whole season under the direction and screenplay of an incredibly old man.

Good at creating visuals that look like masterpieces.

I really like Nagi no Asukara.

The character design and the atmosphere of the world are nice.

There are many anime in urban areas…

The animation is strong, so watching it is enjoyable, but the content is something I personally have mixed feelings about.

Contributing to the local area.

I love Iroha-chan.

With 2 cour, there are too many unnecessary stories, and with 1 cour, there aren’t enough episodes.

It starts with an interesting setting, but then strange serious developments begin, and it ends with a lack of resolution.

I wonder what the spiritual direction of the early days of Gamagama was.

Baseball episode

I only knew about Shirobako.

I only know that the work environment is terrible and that I got yelled at.

The White Box was the last as the original company.

I realized that “becoming familiar” was different from what I expected!

I follow it hoping for a past masterpiece, but it feels like I’m being presented with something completely different… Do you understand?

It’s remarkable, both good and bad, that even when bringing in a director from outside, the style’s PA feel doesn’t change.

I can only think that Gamagama writes haphazardly all the time…

Because the picture is beautiful, it particularly sticks in my memory when the conversation goes off track.

I think it would be okay to make it a little more convenient and have a happy ending.

What was that familiarity about?

I was already feeling anxious when I couldn’t understand anything even after watching up to episode 3 in the advance screening.

Why do you want to do work-related stuff but have such a low resolution for the tasks? It’s really frustrating.

>>76

When absurd depictions are justified, it makes you think that the internal environment is like that…

Angel Beats place

When there’s an original work or it’s leaning towards gags, it’s good, but when animators start drawing what they want, it leaves a bland impression.

What was that familiarity all about…?

Become a mayopan company.

The art is relatively recent, yet it exudes a suffocating Showa-era value system from the very first episode.

I thought Akiba Maid War was the usual CyGames and MAPPA, but it was here…

Local company

Recently, “Mayonaka no Panya-san” was really well done and interesting.

I think having a proactive attitude towards originality is good.

Regardless of the quality of what is served

It gives the impression of creating an anime for tax strategies after joining DMM.

The original was the last shine of the white box.

Not much since then.

Welcome to Komada Distillery was very good for me.

I’m a whiskey lover, so I’m thinking of checking out the Komada Distillery. How is it?

I think it’s a shop for food, love, and everyday life, but Akihabara is a huge noise.

The white box is packed with variations!

I like how the protagonist, who wasn’t really enthusiastic about work, ends up becoming a regional promotion contractor at the end of the anime focused on regional revitalization.

There is something here that can only be tasted in this original form.

Whether it fits or not, it exists.

There are too many originals that give off an exciting setup but end up starting nothing grand.

I was surprised when I released three titles in one season last year.

That flower is nice, isn’t it?

The Komada Distillery was quite interesting.

It seems that those who are doing BD through crowdfunding aren’t making much profit anymore, right?

Recently, if I think of it as a battle between Kongming and maids, the batting average is not bad…

>>100

Though Skirou and Paripi were hits, I honestly think Meido falls into the category where the fans’ voices are quite loud.

I’ve looked at the list of works, but the original has a weak impression, for better or worse.

Is the underworld also a job series?

>>102

Dealing with anti-social forces is a bit…

I want you to keep making Skip and Loafer.

https://hibimeshi.com

Next term’s

“Skip and Loafer also has NHK reruns, so it might be a hit.”

Isn’t there no original works that became popular after “Shirobako”?

>>108

Well, the foundation is being established to make money from adaptations and spend it extravagantly on original works.

The original work is made with a relatively solid approach.

I remember that Charlotte seemed like it was going to be really interesting, but in the end, it felt somewhat disappointing.

It was originally a company renowned for its originality.

SHIROBAKO was certainly a result of PA’s efforts, but it’s also thanks to Seiji’s heyday.

About 15 years ago was the peak.

It gives the impression of being at its peak with works like Angel Beats, Hana-Saku Iroha, and Tari Tari.

It’s officially excluded…

https://gaga.ne.jp/pt/news/detail.php?id=1814

There was an interesting original one before, right? They say they’ll do something like that! It starts with that vibe, but then they end up putting out something that feels half-baked…

Bikes burn and buildings collapse.

I liked it, including the colorful songs.

It’s unrelated, but I found it interesting to see Hayami Saori and Marei wearing dresses at the Tokyo Film Festival during the Komada Distillery event.

It seems like there aren’t many people who remember Buddy Daddies in the PA Works thread.

Sometimes people blame DMM, but the style is pretty much the same as works not related to DMM, so it doesn’t really matter.

I heard that a second season of Sakuna: Of Rice and Ruin is going to be made quite a while ago, but is PA works going to make it?

The Komada Distillery was interesting because there were no slow moments in the work series, making it refreshing to watch.

The decline of Angel Beats and Charlotte seems to be more of a problem with Da Ma E rather than PA.

In recent years, I like Paripi Kōmei, Akiba Maid War, and Sakuna: Of Rice and Ruin.

I think it was good for both sides that Da Ma E became involved with Hepburn.

Sometimes about Sakura Quest

Many nameless individuals have had their brains fried by bike fry.