
I was really on edge, flipping the pages, wondering who would win this battle.
I think the author is a genius at this time.
Are you still going to do it?
Kanzan Kaoru’s battles have a high average, don’t they?
I have depicted all the themes I wanted to express in the death row inmate chapter in this match.
I can’t remember a battle that surpasses this.
The specs were monstrous and scary.
In this match, I could have died, you know…
The death row inmate arc was subtle, but many people like this battle.
>>6
Why is that?
The durian match after this was also great, right!
At that time, the mob, which I will talk about later, was also groundbreaking.
>>7
The first time it was amazing, but gradually the reaction changed to “here we go again…”!
It’s great how suddenly a witness appears as a storyteller, even though it’s being repeated now.
“After saying ‘You guys really don’t understand the person known as Kaoru Hanayama,’ the incredible pleasure of turning the tables once again, almost losing to Specs, feels amazing.”
Hanayama is so immortal that I feel that Katsumi, who defeated him, is really amazing.
>>10
I remember that during the tournament, Kakumi was above, but there was a period of misfortune for a while.
Both Durian and Doyle had their good points.
The eel shop…
I love the part where Sikoru gets overwhelmed by Jack and gets taken down by Gaia.
>>14
The specs were in the wrong order.
It would have been better if Shikoru had been defeated first.
I can’t help but think that the depiction makes it feel less strong, like during the time of the willow and the amusement park.
>>15
There was a depiction that seemed like a yokai escape at the amusement park, so isn’t that actually the case?
Retsu: “Since you wished for defeat but couldn’t achieve it, that’s your loss.”
Durian: “Candy…”
I really don’t understand anything around here.
>>16
It’s not such a difficult topic, is it?
“I was feeling overly confident, thinking ‘I want to experience defeat’ (though I know that’s impossible because I’m too strong…), and then I was shocked when someone saw through that and said, ‘No, you’re only fighting battles you can win against weaker opponents, and you’re just pretending not to realize that.'”
>>30
What are you saying, seriously?
>>16
The victory in this manga is about how thoroughly one can stick to their selfishness.
And despite having the selfish desire to aim for defeat, in reality, Durian doesn’t acknowledge loss by any means, which means he hasn’t been able to push through his selfishness = he has actually been losing continuously.
Having this pointed out sharply, I fought for my “first victory” but lost, and all of my past victories (defeats) surged into my mind, causing me to regress to a childlike state to escape reality.
The character was really prominent, teasing Baki-chan and massacring citizens.
What was the hint about the resurrection of death row inmates?
>>20
Fan service for the new edition being released in conjunction with the anime adaptation.
I was swimming in heavy oil in the anime original, but I guess it won’t come back.
Yanagi was probably mentally weakened after all.
Shikor is definitely strong, but it’s funny that he fights only against the top-tier characters in the story and is the prisoner who has experienced the most defeats.
The scene where Baki is carrying his mother’s corpse through the streets is really impressive.
It might have been beautiful if Durian’s heart was broken by the unconscious patient Kato.
Still running away!
It was a massacre that had absolutely no meaning in terms of specs.
Other death row inmates still feel a sense of reason.
>>28
I thought that police officer had also died when it got cold.
>>32
That person seems to be a favorite, surviving even in scenes where other police are mercilessly killed…
>>37
Police Superintendent Sonoda is in the so-called reaction role in battle manga, so he is protected by the author.
At first, Doyle seemed really strong to me.
It became a good character, but in terms of strength, it was kind of mediocre…
>>29
Perhaps because they are the youngest death row inmate, their way of getting twisted seems to lean towards wanting to understand the concept of defeat rather than just fighting and losing.
>>29
In the end, I won, but it was only because Shikou could put up a good fight…
>>29
Originally, it’s questionable whether someone who can’t use Surprise Attack Breast Fire could win against Akira Shirakawa…
If you want to be defeated, you might as well fight Yujiro, right? Well, yeah…
>>31
So, shortly after, Shikoru, who had already been defeated off-screen, ended up getting completely beaten up and lost in a way that was a bit hard to understand…
If someone sticks a finger in your ear, you could die.
They say they want to know defeat, but in a lawless fight to the death, there is no definition of resolution, and they can pick and choose their opponents.
In the end, it’s a theme that there’s no meaning in defining strength since it’s all about who speaks up, so it’s expected to drag on.
There were simply too many death row inmates.
The direct confrontation with the specs made it seem like, after that, they didn’t keep up as much as I had expected.
I wonder if there was a gap.
It feels like the Doyle arc has come just as I’ve somewhat settled in.
During this time, Itagaki is really intense as he depicts matchups like Tatsumi vs. Sakura and Tanba vs. Tsutsumi in “Garou Densetsu.”
It’s a ridiculous battle where one survives a technique that normally kills, yet it’s highly rated.
Not being able to fulfill one’s wishes is truly a defeat, isn’t it?
I thought it meant something like that.
It’s great that, just like the athlete that Sikorsky mocked so much in the underground arena fight, you’re asking Grandpa to say “Ready, set, go!”
I like how the specs fly up and hit the streetlight ahead.
Since I was the last to reply to Durian, I must have won! I’ve been doing things like that my whole life and I probably realized how lame it is…
It is also a chapter where many people want to mock it, but they tend to give their impressions based on only skimming through it or looking at the wiki.
Because after clearly saying “I’ve lost” in the Doppou battle, I set off a bomb, launched a night attack, and then declared victory, returning home all excited.
In the end, I just like to win.
However, the moment I said “I want to win,” I fiercely lost, and thus the spirit of Durian came to an end.
Gaia likes to bully Sikorsky.
Sikorsky was humiliatingly defeated repeatedly in competitive battles.
The moment Durian developed the desire to win in a clean fight, he was crushed.
I think it was a conclusion that had been prepared, although there were various childish aspects.
Was it a contrast between the satisfied specs of the losing side and the shallow durian that just likes to win?
The picture where the conclusion is reached is really cool again.
The composition of Hanayama standing tall and roaring in contrast to Spec, who is face down on the ground.
The ending is weak, but the first appearance of Durian, who resurrected from hanging and forcefully tore off the restraint outfit, really looks strong…
>>55
It’s because it’s a muscular Sean Connery over 2 meters tall…
Of course it’s strong.
I like Hanayama wearing a mask for a while.
Other death row inmates seem to leave excuses for when they’ve been beaten, but Spec feels like he’s simply never lost a fight in his entire life.
Underground Durian vs. Kato loves it.
>>58
Ravie~~~~~~
>>61
I always thought this was a song by Santowamamee.
Completely different.
>>58
At that time, there were about 46 volumes in total, and this was the first match where Kato fought properly.
>>58
It wasn’t a significant damage, but using beer bottles, coating glass shards with grease, and showcasing Kato’s strengths made for a great battle.
Hanayama, tired from the fierce battle, prefers to run away from a fight with Kozue.
The line “I want to know defeat” sounds like nothing more than an overly strong appeal, yet surprisingly it is quite serious.
The specs kill people with a sense of mischief and use solitary confinement as a place to stay; it really felt like a truly crazy guy had come.
>>63
Other death row inmates probably feel like, “I really don’t want to be with that guy…”
The fact that the characteristics of the deadly willow turned into poison hands from the vacuum user without anyone noticing is also a puzzling point.
There is no particular reason for the poison’s effect on Baki to have been slow.
>>65
Compared to my beloved, poison is nothing at all.
Huh?
>>65
The characterization of Yanagi has become too scattered, whether it’s in weapon arts, Kudo, or poison hands.
>>78
The situation pointed out by the headquarters.
It’s kind of nice that the specs start aging after you lose.
I can see that this person has really done their best.
Kato, who expresses karate for Duppo and himself using the same characters for “path” and “tool,” is too fashionable.
Even though Dr. Shibukawa was counted among the first five, he didn’t fight at all.
I wanted them to let Shirakawa-sensei shine before creating a scene for the intruder.
Wasn’t it a problem for Shibukawa-sensei to overwhelmingly defeat Yanagi without the headquarters intervening?
In the following Arai Jr. arc, I’ll go on a lame thank-you visit with Doppo.
The absurd technology of adjusting oxygen levels to make someone faint was only used once and then never again.
In other words, looking at the later description, if you can place your palm on the partner’s mouth, you could easily turn it into a gruesome image by just tearing it apart.
It’s interesting that Yanagi has almost sealed away his previous combat style after the defeat at the amusement park.
>>72
It’s strange because if my techniques didn’t work, I tried various styles, and in the end, I lost to the main branch due to not having anything strong here, which makes my character seem consistent.
>>72
Instead of using the chain weights, I switched to the wind deity sickle and focused on drawing in low oxygen instead of using the air palms, and after one defeat, I gradually went astray, ultimately relying on the poison hand and the Japanese sword as a result.
I really like Durian’s reaction of thinking, “Maybe I’m a much more skilled fighter than I thought,” after being beaten up to the point where I can’t make excuses and realizing, “I always wanted to be like this…”
I thought it was pathetic when Yanagi said that the executed prisoner had lost… it made me feel like he had some sense of camaraderie.
Hanayama is super cool, standing against the unbelievably amazing specs…
Senpai Sado’s line “It’s okay to die today…” is a short line, but it conveys a strong sense of friendship with Kato, making it a very good scene.
The artistry is at its peak, and watching the fight between Doppō and Dorian makes me dizzy.
>>79
From now on, as Doppō-chan gradually falls from the front lines, the strength that overwhelms Durian is really cool.
It’s good that the weapon you ultimately rely on is your own body, and it’s also good that there is a powerful strike that explodes there.
I like that there’s a highlight in the end scene.
It feels like all the characters struggled with the balance of dirtiness and fighter vibes, but Specter was the one that came together most satisfyingly.
On the contrary, Yanagi is too lost.
It’s nice to see Matsudo using Sanchin on a roller coaster.
>>84
Although their active moment is brief, I love situations where this type of early character can leverage their advantages in terrain and skills to gain the upper hand against an overwhelmingly stronger opponent.
Why did Shikor make Gaia finish it?
If that’s the flow, then it definitely leads to bringing out pro wrestlers to fight at “ready, set, go.”
>>85
Did you want to show the difference in rank by having the super combat-oriented Gaia fight from the start?
I hit you with my non-dominant hand!
>>87
I love this to death.
Even though our allies were already overpowered, the addition of Oliver on our side made our strength even more ridiculous.
>>88
So I’ll have you fight Baki… Shio!
No one can escape from this technique → But if it’s Hanayama…? That would be good.
The climax with the vicious death row inmate is the best.
Doyle is surprisingly refreshing, as long as there’s no Yanagi around.
I like the scene where Yu-chan is silently muttering in his heart that he understands the feeling of wanting to know about the defeat of the death row inmates during the parent-child fight…
It is because of that scene that Yu-chan wanted to lose to Baki-chan based on skill.
The fact that it randomly kills unrelated people is absolutely insane, and the part where it breaks the Statue of Liberty with a barrage of holding breath just makes no sense at all, which is awesome.
I like how the reason that Doppo is unaffected by superpowers is “because he constantly imagines fighting.” It’s so characteristic of him.
What did I mean when I said I could win against Reikaiou now?
>>100
Victory turns a dragonfly into a lion.
That lion could not withstand the explosives either.
>>100
Because the conversation partner was Konomi.
“I’m even stronger than Retsu Kaioh, who defeated you in one punch.”
Takashi is even losing his moments to Kato and Suedo.
The matchup between Doppo and Dorian features early characters who are very active and it’s fun.
>>104
That scene where he tightens the jack with a “funnu!” is so great!
Honestly, the scene where Doppo’s arm was severed was really shocking at the time.
There are too many people who launch surprise attacks later even though they lost, and it’s getting boring.
>>109
After the spec battle, I was expecting a similar level of excitement, so it really dampens my spirits when that happens.
>>109
I think the reason the spec battle is being evaluated is also because this one match reached a conclusion.
>>104
On this night… America was protected without anyone knowing… I really like that kind of monologue.
A ghost in a tracksuit and a loincloth is fighting!
Each way of losing has its own uniqueness, and that is fine.
The serious battle in the thread picture is the peak of this work.
I like Shikoru because he properly admits his losses and also challenges homos.
>>116
Didn’t they keep attacking even after being beaten up by Oliver and Baki?
>>164
I challenged Baki-chan, who teamed up with Yanagi, and got completely defeated.
Mr. Doyle’s cross-dressing is a bit unreasonable, isn’t it?
>>117
In the anime, they had the voice actor use their actual voice for a female character, which was humorous.
>>104
The sense of expressing that as “The United States is going to be destroyed!”
>>118
Honestly, as a Japanese person, I didn’t realize how serious it was, but I was made to understand that it was a huge issue that shook the nation based on the reactions and desperation of those around me.
I knew Hanayama would win.
>>120
Response from Tsuneo Katahira
It’s your beloved person’s hand!!!
>>121
At that time, I was so shocked when Kuritani was killed! That scene was just unbelievable.
I’m glad it was the arm of a mob cop…
>>121
(Unknown police officer’s wrist)
>>133
The flow here had even manipulated me, the reader, into reacting exactly as intended by the specifications…
>>121
I wonder what that was.
I interpret it as a Spec-style joke.
>>121
Specifications can be scary in this regard.
A bullet exploding in my mouth is definitely going to kill me… I thought.
While we were continuing to talk about something, it got better.
There was a story about the man who was caught up in the battle between Jack and Shikoru in the side story, and it didn’t go well.
>>124
Moreover, that’s a good story…
I like the Durian that has regressed to a toddler state.
Your attacks aren’t working at all, and as expected, your physical specs are really outstanding… I’m thinking that.
>>126
Even though you are still in training, even that Reikaiou said to you that claiming the title of Kaio is too arrogant, so you must be quite a monster.
If they had just done fighter vs. death row inmate with the guys who met in the underground arena, it could have become a masterpiece, right?
>>130
There is certainly a flair in the struggle of the named weak characters from the grappler era as they confront challenges…
I’m probably remembering the flair from that time.
>>130
I don’t like it because Doyle vs. Katsumi is going to disappear.
>>143
I love the story of how Kakumi grew and learned the Mach punch after that experience.
I don’t know anything after that.
>>130
Well, when the five death row inmates came out, it was only natural that the sixth death row inmate would follow, so in that case, we can also bring out the fighters as much as we want.
Oliva is not a death row inmate, but…
I wonder if Officer Kaneda, who was taken by the hand, is dead…
Is it Shu-chan?
It’s a great direction to make that guy reveal his feelings.
For some reason, I love specs that have an explosive force in their urine flow.
It starts with Doyle suddenly picking a fight with Robinson at the final tournament.
The specs are unmatched in terms of destructive power in the story, aren’t they?
The defeated Kamase is a high-class Sikorsky.
Aren’t there a lot of scenes in works that just show off their specs, like unsettling unrelated police officers or using a gun to shoot oneself in the cheek?
I guess they wanted to differentiate it from the major tournament that was set in a closed space by choosing a city as the stage.
Shikor seems more like someone whose nature was warped by their environment rather than a true villain when you look at the side story.
It’s the kick from Rob Robinson that gets hit by something ridiculous like a razor at the collar.
Well, I was really terrible at the final tournament, so it’s not like I could lose any rank now!
>>149
Oliva is also caught up in this, huh.
I thought the scene where the meat bun was shoved into the toilet would kill me, but it turns out that Inspector Sonoda was too well protected.
“I’ll take the gun away from the delinquent and shoot myself in the cheek, Specs…”
In the anime, Doyle’s cross-dressing scene is even more interesting with Koyasu’s voice.
>>152
The cross-dressing Doyle, who is saying “how scary” from behind Oliva in a female voice, is almost like Bobobo.
The police’s latest advanced equipment!
It’s a specification that doesn’t work at all!
Hanayama blows it away with one punch!
I like this episode.
>>154
You can feel good and say “Hoo!”
But I was fed a meat bun with the hand that touched my penis after peeing…
The setting where a sea king creates a tunnel by digging through rock with just his hands is still good.
I have to come up with an episode that surpasses the hits of the same Sea King, Retsu.
What really is hypnosis…
The Kato in the sandbag is fierce, so I noticed, but it means he tried to let the students of the Shinkokai deliver the finishing blow, right?
>>160
The mentality of death row inmates distinguishes them from the fighters on the surface, so to speak.
They normally cross the line, those guys…
>>160
That guy really has a bad personality, so it’s understandable that everyone from the Kamikokkai would want to take him down.
I wanted to read in real-time whether Hanayama’s punch would be effective or not, waiting for a week.
The phone booth battle between Jack and Sikorsky is a good battle with a balance of intensity and gags.
>>167
If you’re going to lift your opponent’s body with an upper, you have to brace yourself with your legs even more, so it’s unlikely for a boxer to move like that, but I like the persuasive argument that if it’s Jack, then maybe…
Shikor’s guts in challenging the Hanma clan one after another should be appreciated.
>>168
In reality, it was mostly those who say they want to know defeat while ambushing those weaker than themselves.
Those who properly challenge the strong ones are evaluated differently.
I love the scene where the 1 million mob members of the Kamishin-kai stand up out of resentment after Kato was completely wrecked.
In anime, the background music adds to the mystery and intensity.
The X slash from Shikol looks super painful.
>>171
The sadness of the power I dealt to Igari gradually being debuffed.
>>171
Igaru’s crunching sound is nice, isn’t it…?
At first, it felt like it was okay for death row inmates to go at each other, right?
Yanagi brought up some incomprehensible sense of camaraderie…
The death row inmate edition has so many good points!
>>174
That’s right.
It’s when things start to get serious, like with Baki Hanma.
Writing an epic story about Arai Jr. who ends up being a huge letdown…
Even if anything goes, it’s ruthless for the protagonist to engage in financial schemes and then crush others, making it difficult to sincerely support them, so please stop!
>>176
Baki-kun has loved hitting the groin since forever…
Throwing a bullet into my mouth, followed by a punch explosion.
“Are you still going to do it?” was thrilling.
The only fighters who challenged Yujiro, Jack, and Baki were Sikorsky, Pickle, and the Yokozuna.
It feels like all the brutal characters have been exhausted in terms of specs.
Shikol lived freely after that, and Garlen, who has died, can’t rest in peace.
>>183
It’s too funny that I live in the same apartment as Garlen…
>>183
“I won’t die!”
The performance of the character in the anime was great.
I didn’t expect Shikor to become such a good character in the side story.
Shikoru has the most opponents among death row inmates, but since he has lost almost all of them, there are many opponents he needs to get revenge on.
I love Katsumi’s kindness of preparing a foreign-style breakfast while he eats convenience store food himself.
Gaia
Here I am!
I like your face.
>>191
😊
The side story is about how Gaia is going overboard compared to Shikoru…
I think they’ve covered all the themes of the chapter with Spec and Doyle.
The specs should clearly outline an all-encompassing battle written straightforwardly.
I am making a person who is all about anything in Doyle sincerely admit defeat.
I always think, was the Gaia in the death row inmate arc like that?
It also became Baki Dou.
>>194
Isn’t it that Gaia’s character changes every time it appears?
The change in strength is the same for all characters.
What’s wrong with having a strong headquarters!!
All the death row inmates have unclear charges, but I like the theory that Dorian was framed by Yujiro.
Due to Gaia becoming a disciple of Hombu after the fact, it essentially means that the Hombu disciples concluded the death row inmate arc.