>>13

Since the sweet ending has come, I’m okay with it.

>>4

Ah! I won’t let you say you forgot about the Wunder battle!

In a typical anime, a big-breasted ending would be ridiculous! But well, it’s Anno, so there are parts that can be forgiven.

>>7

But I wonder how it is that the only way to bolster it was by introducing an outsider element from outside the old framework.

I was satisfied, but my friend kept dwelling on the fact that Shinji and Asuka didn’t end up together.

I think that world is kind of like an extra scenario of a fan disc.

The fact that there’s an Asuka clone means that the original Asuka is already dead in that world, right?

At first glance, it seems that a foreign object has mixed in and solved the problem.

I think that resolving complicated relationships and overall harmony is more important.

It seems that it would have been impossible to directly alter the old theatrical universe.

Well, saying something like this is rather uncouth, but…

Basically, there was only negativity, but the part where Yui saved Shinji was a plus.

>>21

Asuka’s tough attitude is really grinding down my mental state.

The Pokan wave was good.

I thought that the appeal of Eva’s combat lies in the urban battles where the sense of scale is clearly understood.

I wonder how it would have ended if we had created it right after the breaking point with that same tension.

When I think about it calmly, I should be puzzled… it’s frustrating.

I would have died if it weren’t for Hikaru Utada.

>>39

The sense of finishing a read is amazing, isn’t it?

>>30

Eva would be better off with battles like those in Showa-era special effects.

Because I’ve been following it since then, it’s amazing that it’s completed! That’s a bonus point.

I wonder what kind of evaluation it will be when children born in the Reiwa era grow up and watch it all at once.

I’m glad that Misato-san worked hard until the very end.

Q and Shin might be tough to enjoy unless you like works from before Nadia…

By concluding it, the Shin series was able to begin, so +100 points.

I think Utada Hikaru is good, but I wonder if it’s to that extent.

I quite like the part where the last three people gather.

I didn’t really understand the rest very well.

>>44

I had been thinking about the period leading up to Q.

Honestly, saying “let’s not” is…

Asuka gets dumped.

Endure and stay at zero.

Kensuke and

No matter how much I subtract, it’s still not enough…!

It’s impressive that you actually finished it.

I especially feel that way when I watch Star Wars.

>>47

Star Wars is complete as it stands, only producing sequels afterwards.

>>56

I think they’re saying that it hasn’t been concluded…

>>57

The main story has temporarily concluded, and what I’m currently working on is a spin-off…

>>57

If you say that, then the Universal Century Gundam and Macross will never be concluded either.

Even Eva has things like the After the Rebuild of Evangelion, right?

>>66

As long as they are continuing to make sequels by connecting everything together, I think it’s fine to consider it still incomplete.

>>71

You’re just saying that.

>>71

What kind of value standard is that…

I think the content is on par with the Sadamoto version.

If you hand over the supervision to Ghibli and take out the orange, well, this is what happens.

>>51

It’s not so much that the unfolded furoshiki is too big, but rather that it’s so oddly shaped that I was wondering if it could be neatly folded.

I have never had an experience of feeling such strong empathy for a protagonist, so in that sense, Q was an amazing work.

The transition from One Last Kiss to Beautiful World was great +100 points.

Finally freed from Eva—what a relief!

A masterpiece in that one aspect.

>>58

Don’t recreate the frustration you felt in the past with Q!

I thought so, but that was the kind of movie it was.

For now, I can only depict the rotational dive bombardment.

The lingering dissatisfaction I felt towards EVA.

In a different media or other works, where I was swallowed and calmed down by EVA.

I’m glad that the main story was finally completed with Shin.

An anime that leaves an impression so little that it’s surprising.

Eva itself has become something unimportant in my life.

It’s not that it was boring.

It’s not about some theory of how being a delinquent is good; it’s just that it ended perfectly, which ultimately means I like Eva.

After it ended with “I’m going to help Ayanami, woo!” I was left wondering what I was just shown.

People who wanted to end it already gave it a perfect score, but there were quite a few who returned to the old world as soon as they saw it.

>>85

On the contrary, I don’t think the old movie is that great when it comes to the visuals, so well…

The director, the characters, and the watching fans have all aged and become more mellow.

When I watch it continuously, I can’t help but think that the handling of Mark 6 is too erratic.

Kensuke is a really great guy, and as he gets older, he’s becoming more like Kaji-san, so it’s quite understandable that he ends up with Asuka.

But I was like, “Huh??? Is Shinji really going to get together with that incomprehensible big-breasted glasses girl?”

What was interesting in the TV version was up to the battle with Zeruel, and what was interesting in the movie version was also up to the battle with Zeruel.

I think it’s easy to understand that the movie version is also subtle because the base after Zeruel is boring.

>>75

There’s hardly anything based on that after Q!

I can’t really defend the boredom of the combat.

>>76

Well, it seems that combat was no longer the focus of the movie.

It would be nice if Shinji and Gendo could have a proper heart-to-heart conversation, which is a topic that has been touched upon in various media, but having it officially done brings a different flavor to it.

>>78

Shall we go fishing?

I don’t dislike it, but in terms of content, it’s just a rehash of what was done in the old movies.

My honest impression upon leaving the theater was that it would have been better to create a different work rather than doing a new play.

It’s more like checking the answers than it is interesting.

In the end, the fishing ending from the old game Eva 2 was the correct one.

Since the correct answer was achieved in the game instead of the anime, I got the impression that now, having the opportunity to make it into an anime, they have properly redone it on their own terms.

Shinji, I won’t say anything bad, so leave that woman alone.

It’s the same with fishing ends, but if my dad talked to me openly, that would solve everything.

>>86

The result of everyone being too much in discommunication is the old work.

I think the scene where Sakura-chan is about to shoot is really amazing.

It’s treated as quite a joke scene…!

>>88

Um… haven’t you shot it?

I wanted the fight between Shinji and Gendo to have more intensity for the first few minutes…

>>89

I know what I want to do, but…

I think the visuals are quite off, after all.

>>99

Hearing that, it reminds me of how the last battle in Shin Kamen Rider felt…

The story that when a person from Kyoto University gets serious, terrible things happen.

“I’m not saying goodbye to the Eva mass production machine – 100 points.”

I think the 14-year later setting wasn’t really necessary.

As a result of Shinji being dropped too much, the Shinji who recovers from that seems to be a character who understands everything, making it difficult to empathize with him.

>>93

It can’t be helped, since Anno has grown up.

I still don’t understand what Maya is.

Is it okay if it’s the same person who appeared in the manga version?

>>94

That’s why young men are…!

After it was over, I was able to leave the cinema feeling refreshed, so that’s worth 100 points by itself.

I never thought I could feel that way from an Eva movie.

>>96

Thanks to that, I ended up not caring about Eva anymore.

It feels like it’s already over.

The battle between Shinji and Gendo is just a farce behind the scenes, as it appears.

It seems like Director-kun enjoys messing around with other people’s works more.

>>101

I think that new theater is ultimately just cleaning up after various things and is probably not an interesting job.

I was quite surprised by the ending, which felt like it opened up to the outside.

When Shinji sacrifices himself and disappears in the end, it’ll all feel inward-looking! Just then, the glasses-wearing girl shows up and says, “Alright, let’s go!” and runs off, creating an incredible sense of liberation.

>>102

Let’s face reality! Haven’t we already done that?

>>119

What does it feel like with a real-time person?

I thought that after several decades, the director’s private life and mental state had stabilized.

The series structure is a complete mess as a four-part saga.

A scene where Mari introduces herself to Shinji at the beginning of Shin.

In the middle, there are unnecessary scenes like “Please don’t get in the Eva.”

Well, I guess it’s okay since Eva has come to a conclusion… that’s about my feeling on it.

For now, make a completely new work instead of a remake of past works, Anno.

Is it a matter of scale? It feels like everyone is becoming really understanding, or rather, they start using warp and such in the later half.

What was the reason for becoming Shikinami?

Overall, it was nice that the worldview was gentler than I expected.

It’s not a gentle world.

The scene of saying goodbye to the Evangelion just seemed like a gag.

>>109

I think they are aiming for it to some extent.

>>109

That’s probably a joke over there.

It feels like there is a problem on the otaku side for still being obsessed with Eva even after more than 20 years.

Everyone probably liked it the most when Gendo finally showed his softer side.

It was good that Yui did something that resembled a parent and then disappeared.

There was a bit of an excess when it came to the Neon Genesis stuff around there.

Fuyutsuki and Ritsuko’s intelligence is amazing.

There are times when the staff over there tries to make me laugh…

I thought it was good because it felt emotional, but when I calm down, I don’t really understand it.

>>121

Well, that’s the same for the anime version too.

“If we’re talking about the evaluation of being an ‘amazing movie,’ then the old film was more amazing.”

I feel like all the female cast talked about Gendo in the pamphlet interview.

Since the first battle to retake France was visually interesting, Shin wanted more elements like that in the latter half as well.

>>124

I was really moved when I saw that in the preview footage.

In terms of combat alone, that place was the pinnacle.

I couldn’t say anything because everyone was raving about it, but I really didn’t understand why Mari appeared at the end…

>>125

A message from the director saying, “I’ve changed because I found a woman to share my life with.”

>>125

Old drama ≒ It needed to be rescued by outsiders of old human relationships.

>>140

Just because there’s a necessity, does that justify suddenly doing something in the story without any buildup? I wonder.

>>148

It’s not possible, but that’s the kind of writer they are.

If you think of it seriously as a drama, it’s just terrible, no doubt about it.

>>125

Honestly, I feel like the completely unnoticed mob women were easier to understand.

>>129

The Shin series ultimately includes elements similar to Evangelion, and it’s not the audience that is trapped by the curse of Evangelion, but the creators themselves.

Since it’s homework, there are aspects that become lenient once it’s submitted and received.

I guess as long as Shinji and the Children are happy, that’s good enough.

I wished Shinji would fight a bit more with Unit-01…

>>135

That’s right! I agree with that opinion too!

Yet when I say this, I often get a response like, “Isn’t it only okay if it’s Ayanami or Asuka?”

So it’s fine to be with Mari, but I want to see the process.

It’s more a matter of whether to evaluate the point that we were at least able to finish Evangelion, rather than a point-based system.

The part where Shinji and Gendo reconciled was really good, but the ending felt somewhat like a canceled manga.

It’s supposed to be the final battle, but the skeleton Eva army part lacks visual interest.

In the end, it always seems to turn out okay, doesn’t it? This feels so light and fluffy.

It was a bold decision to focus solely on the essential parts while ignoring the irrelevant sections of a plot that could never be neatly tied up.

But there’s still a bit more… that should have been there!

They said it was unsatisfying because they hadn’t waited for many years.

>>141

Recently, old masterpieces have ended, and hit productions are concluding without being extended.

Focusing the theme around the protagonist brings everything together.

I just wanted to see the continuation of a work that wasn’t finished, and yet I was told it was the curse of Eva… and I felt that way.

Conversely, if this did not convey a clear conclusion, it would have been bad…

Shall we do it here and there?

Virtual Eva War Chronicles

The ending feels somehow warm, doesn’t it?

It’s mentioned above, but the visuals are amazing! I agree that there isn’t anything like that, and it does feel like they wrapped things up forcefully, but I was satisfied just with the ending where Gendo and Shinji reconcile and move forward in life.

I think the idea of otaku being captivated by Eva was quite an illusion, considering the reactions after its release.

I was surprised that the content of Evangelion has revived to this extent.

I think the influence of things like pachinko is also significant.

I thought about seeds, but the old characters have been somewhat Reiwa-ized.

Gendo being a cute old man probably wouldn’t have been possible in the past.

>>150

To put it mildly, he’s a bastard and the old Gendo…

The worst part is that it takes too long from the beginning to Shin.

I think the worst part is that after reading the manga version, it feels like there’s really no need to watch the new movie, as it leads to a similar conclusion.

I’m glad it landed on the fact that Asuka and Shinji didn’t match, so I liked them.

It’s funny how Kensuke has become the understanding boyfriend that Asuka finds convenient.

It had already been said in the spin-offs that it was mostly about family issues, so it’s good that they were able to incorporate that into the main story as well.

In the end, if we’re starting over with a spear, what was the point of bullying Q’s Shin-chan?

>>159

It’s not good because there’s no productivity among men.

>>159

You can generally think of Q as just a way to fill time.

The rest is for Kaworu fans who enjoy yaoi.

I have about five scenes that I really love, and each of them scores around 200 million points, so the point system isn’t reliable.

It’s painful that Ayanami had no choice but to end up like that.

Aren’t they throwing around the handling of the Poka wave a bit too much? Just when I thought they were saved, they continued to be trapped, and in the end, they’re mysteriously a couple with Kaworu-kun.

You might think you dug it out with a black wave, but it’s a different person…

I don’t think it’s a masterpiece, but there are many things I like about Rituko, like how she can instantly land a headshot.

It was probably better because it was someone else’s mari.

Asuka and Rei are both characters bound by the Eva.

Q and Shin are visually boring.

>>169

In response to that, I guess being depressed at that point means the creator is cursed.

I thought we might be overwhelming Mr. Fuyutsuki with too many roles.

Seeing Shin-chan stick with Mari really makes me not understand anything at all…

I should normally love something like Wunder.

Surprisingly, my likability is low within myself.

It’s being overlooked simply because it’s an Anno work and it’s Eva.

If I’m told to evaluate it without that in mind, I’d probably give it a score of 10 points.

Please redo the mountain climbing, seriously.

It feels like a celebratory gift just for being completed.

If this had been released at the pace of Jo-Ha-Kyu, it’s not hard to imagine the impression would be, “When will the next Eva come out?”

>>179

“You’re showing me a work that is so thoroughly finished?!”

The conclusion was properly resolved at the time of the old play, and it has now been understood over time.

In the end, I thought you would also go there, but putting that aside, the depiction of the countryside is really good.

Mari’s parents being her classmates is the biggest noise, you know.

I understand that Ayanami is a clone of her mother, which is why she can be excluded from the heroine category.

Q was impressive in that it really understood Shinji’s feelings.

What the hell is this situation!!

I like the village scene, but honestly, the way they handle the black waves is not good, and it feels like they are just saying, “If Shin-chan says so, then it’s fine…”

No matter how negatively one speaks about the way Asuka Langley Soryu is handled, it is never enough.

I love scenes that are like a parody of Ghibli.

But I really don’t understand why you would get together with Kensuke!

It’s not that I dislike it, but it really feels like stock clearance!

>>185

Because there’s a committee chair at Touji…

It was interesting.

After that, well, yeah.

I want a completely new Eva to be released.

It’s gonna get really rough, but…

Since this was presented when I was already cooled off by Q, it feels like a cringeworthy piece created just so that otakus could assert their superiority over other otakus…

I was watching the huge Ayanami in the middle of the story, thinking, “It’s okay because it’s Eva, but if it were another work, it would be heavily criticized.”

I never really felt anything no matter what was said about the world until now.

It was nice that they depicted ordinary people in a thorough manner.

I honestly think that Shinji and Mari getting together is the director’s contrarian spirit.

You’re great for finishing it!

Being freed from the curse of Eva and being able to create other works is a good thing.

I’m not saying that I don’t want Shinji to be with either Rei or Asuka, but…

Despite having a role in three movies, Mari didn’t really stand out as a character.

It feels somewhat unacceptable that Shinji and Asuka get together so easily.

A new character that I’ve never seen before appears, and Shinji-kun is also in the process of becoming an adult.

I found a bride, and it makes sense to me when I hear that.