I was able to enjoy High Evolution without any attachment to Eureka.

Holland

Even if you hit a big jackpot, if you don’t trigger a bonus, you won’t increase by even 200 coins.

I don’t really understand it well, but in the end, is it okay that the original Eureka and Renton have a happy ending…?

Suddenly laid off Kenichi Yoshida.

>>8

In the previous project, I insisted on the standard of “Since there are plenty of materials, we’ll reuse them to lower the animation costs!”

In reality, it was found that the aspect ratio changed due to the terrestrial digital broadcasting standards and film standards, making it almost impossible to reuse.

Even so, it was a project I was deeply involved in, so I forcefully pieced it together as it was, despite the clear discomfort.

In the end, Anemone is 80% new animation.

Pachimonies come in various forms, don’t they?

For now, it was a series where they put all their effort into visualizing Summer of Love, and then went with the flow.

The mistake was that it didn’t conclude in just one anime production.

There’s no need to follow in Eva’s footsteps to the point of becoming disorganized with remakes.

I wonder why I continued.

Oversupply relative to demand.

Whether it sells or not, the production cost money will go into MBS’s pocket, isn’t it?

It seems that a sequel was made because slots became explosively popular.

I think it’s quite questionable that Bones has not launched any original titles beyond Eureka.

Due to the popularity of the original works.

Is the movie about Eureka, who has lost Renton, starting a Renton survival gacha and the people in that world being flustered?

I think the original is good enough, and if I were to compromise a hundred steps, the only other thing I could consider is something like AO, including videos related to pachinko.

Poké Rainbows and High Evolution are kind of… I wonder what they are…

It seems like there were quite a few interruptions, according to the director’s notes and stage greetings.

During the production of High Evolution 1, they flipped the table on the original story that had been completed until the end.

EUREKA has made it so that the story can continue the Eureka Seven IP even if the characters change.

>>23

No matter where you ask, the only answer you get is that the war criminal is Kyoda…

>>24

Afterword

Is it okay that only AO is contiguous?

Is PokéRainbow also technically in the same world…?

>>25

The world has infinitely expanded due to the departure of the Coralian.

>>25

Parallel world

The story itself is not bad, but the way the characters of the Gekko are portrayed is just too harsh for those who liked the original series.

Stop with the voice like Holland.

It seems like they’re thinking, “Didn’t that already air on TV?” regarding Eureka Seven.

It was interesting to see the mysterious route called Eureka Anemone End.

High Evo 3 is seriously like, what the heck…

What fans want to see is Eureka and Renton, right!

I like AO because it has a refreshing aftertaste when you include that footage.

It’s difficult because people tend to wonder what the buildup of the previous scenarios was for when it comes to world-rewriting gimmicks…

>>33

That’s why the history-altering gun was the ultimate weapon, and I was struggling with whether to use it or not.

I hate things like reckless attacks or the game’s protagonist dying; I really dislike that kind of thing.

Eureka is no longer special, so my final answer is to not be fixated on Eureka.

Isn’t a new Eureka being born?

I really didn’t understand why AO was made Renton Fujiwara Keiji.

It was unfortunate that both Tsujitani-san and Fujiwara-san passed away one after another.

The anemone was interesting, wasn’t it?

The parts before and after are just kind of boring.

I felt that the confidence in the worldview and setting was just showcased after the original series.

>>43

It seems like there isn’t much willingness to respond to what the customers are asking for…

Everyone knows what happened between 2 and 3 in Hi-Evo, so it progressed without much explanation, which was quite confusing.

I wanted to see a story centered around Eureka and Renton, including a rescue for Ray Charles and a completely happy ending!

>>46

They said they won’t do things like that fan disk.

I knew you would understand.

In a way, it’s amazing how EUREKA completely overlooked the high expectations that were built up at the end of ANEMONE.

No way Renton doesn’t appear for even 5 minutes in the continuation of that last scene.

The director dislikes Renton because Eureka becomes a woman who is protected when he is around…

>>49

So don’t end up as a gorilla like City Hunter in the end.

I feel like the master character has been replaced, and the AO version seems to have a higher level of completion.

PokéRainbow was really interesting when it appeared in Super Robot Wars.

In the end of Eureka Seven, the Scabs left so beautifully, and yet they ended up causing trouble again wherever they went.

Are you out of your mind?!

The fusion of the known and unknown worlds in ANEMONE was really exciting.

The character design has changed and everyone has become someone unknown.

I thought it was the director’s life work, but it seems that it has finally come to an end.

>>53

Eureka Seven has that kind of aspect, doesn’t it?

Since I can’t create my own highlights, I just steal existing emotional scenes and do them as they are.

There has been something like that since the first generation.

The director said it was funny that everyone was tired of the story of Eureka and Renton, right！？

I wanted to see a strong Eureka, so making it muscular was good, even though it’s not what I was looking for.

If it weren’t for character designer Yoshida and mechanical designer Kawamori, it would be quite worthless.

I feel like the common thread from the first work is the mysterious contrarian spirit.

I like AO, but I don’t need the parts that seem like Masaharu…

If contrarian betting or intentional shifting is successful, then it’s fine, but that’s not really the case, is it?

I don’t have strong feelings for High-Evo Holland, but it was unfortunate that the brothers were getting along well in this world only for everything to go off the rails, and Dewey’s rampage leading to his demise was certainly sad.

It’s pretty crazy that Dewey has returned to a state where he can live a normal life from the state of High Evo 2.

The protagonist of the spin-off was minced and died…

1 was terrible and 3 was interesting in the first half but was terrible in the second half.

The Anemone was exceptionally well-made compared to the entire Eureka Seven series, so it ends up being a net positive.

It was a classic romantic scene that I sometimes see on TV.

Stop being so aloof after thinking “I can make entertainment with Anemone!”

I only needed the anemone.

I wonder why Anemone was such a masterpiece.

Kyoda, just please do the direction.

I like directing.

>>73

The TV version was a really intense project.

“I think there was a strong feeling that ‘it shouldn’t end like this in terms of sales!'”

>>87

No matter how you look at it, it’s neither Yamato level, nor Gundam, nor Macross, nor Evangelion.

At most, about Aquarion?

I’m really glad I went to see Anemone here after being promoted.

I regained my heat for a moment.

When the playback scene was at 1, I really found it confusing and disliked it.

The impact when it flipped over at 2 was incredible.

Well, it’s true that there are many works in Bones that go against the mainstream and are quirky (but not really that interesting)…

Content that has been consistently throwing sand on the TV version.

But they have the achievement of creating ANEMONE.

>>80

A work that overturns that achievement.

>>86

The previous work was used nicely.

3 is… well…

Renton grows up properly, and the story comes together nicely as a boy meets girl narrative. Therefore, the slow spots and indecisive developments along the way are accepted as part of the process or a spice, but it wouldn’t work if it were just spices alone in the dish…

In the second round of Anemone, I kept watching it from a parent’s perspective and really felt my age.

Not to mention children, I haven’t even gotten married.

I understand…

>>82

Stop it.

Anemone had a uniquely twisted and parody-heavy style typical of the Eureka Seven series that somehow fit perfectly and was irresistible.

3 was all off, though.

>>83

By making the side character, little bear-chan, the main character, they’ve taken quite a clever and twisted approach.

It was good that you went to meet Renton right after ANEMONE…

What meaning does Eureka Seven have if there are no riffs and the character design isn’t by Yoshida?

It’s better to kill the Coralian… that’s how it goes.

The action using the riff is best done in the TV version, right?

To be honest, it was worth going to see the trilogy just to see what would happen to Eureka if Renton died.

Prayback hell is awful, but because of this hell, the emotion of ANEMONE was particularly amazing.

“Looking at ANEMONE, people should first experience the hell of High Evolution 1.”

>>94

I went to see it on the opening day at the Anemone Cinema, but…

I remember the audience being reduced to about half since the first time.

>>97

Hievo 1: 211 million yen

ANEMONE: 127 million yen

EUREKA: 105 million yen

That feeling is generally correct.

>>112

Those who saw ANEMONE, I guess, did believe it and went to watch it until the end.

Well, what was presented is that…

>>112

I wonder if this is being paid back.

At first, I thought High Evo 1 was garbage, but after watching ANEMONE, I could accept it.

The Hi-Evo 3 is, um…

>>95

The director saying, “I didn’t have enough time, so I’m feeling incomplete,” was the most frustrating thing.

>>100

The audience shown that…

To wrap up all of Eureka Seven with Anemone and then have that ending is just unacceptable.

>>96

The theme of finishing what has come before, including mechanical design, and connecting it to the next generation through updates makes sense after summarizing it.

As a viewer, I want to loudly say that it’s fine not to end it.

I was surprised at myself for still being like “Huh?” after seeing the news that Kaori Nazuka is pregnant with her third child.

You only need to watch the first 30 minutes and the ending of Hi-Evo 1.

The exchanges between Iris and Eureka in Episode 3 are really great.

Actually, the first half is pretty interesting.

The second half…

Why didn’t they just do Morning Glory in 3?

If only you had played STORYWRITER, I would have forgiven everything.

I’ve been told many times and have said it many times, but I think ANEMONE is the pinnacle of all the media mixes in Eureka Seven.

I quite like EUREKA as a story about Eureka and Iris.

Well, other than that… I mean… well…

They didn’t do everything I expected from ANEMONE…

I guess they are releasing it because of pachinko, but is Eureka really an IP worth dragging out like this…?

I love the scene where you can tell what Kazahana Papa was looking at in the end.

>>109

At that moment, the version of Ballet mecanique by Maruetsu that plays is really good…

A battle scene unfolding against such a great song, reminiscent of Gamera vs. Biollante, is also good.

To be honest, it’s not a work that can be made into a trilogy.

Anemone had Kyota, Yoshida, and Sato all gathered together.

It was amazing that you played Ballet Mechanique with Anemone.

All three works have surpassed a hundred million, huh?

I’m stuck with the impression of “Boys’ Heart” and “days,” but it seems like it’s okay to leave it just like that…

>>117

No, look at ANEMONE.

For that reason, also look at High Evolutionary 1.

>>122

Just look at Eureka as it is.

>>122

I want you to leave an impression of Glory Days as well…

I wonder if there will be no new visual works of Eureka anymore…

Do you want me to come out?

Bring out Renton!

One of the few drawbacks of Anemone is that Dominique is too handsome.

Eureka is interesting in the first half, but I was wondering when Renton would appear in the second half.

You might think that I’ll appear at the crucial moment and create a miracle.

You’re slow.

Personally, I like AO, but they should just publicly release the pachinko footage.

>>127

It seems that the content itself was originally planned to be played at the end of the anime…

It’s just that Aikawa-sensei miscalculated the timing a bit…

Please understand that works that fan directly are more interesting…!

>>128

It’s a staff that does twisted things even if they understand!

What I’ve done is irreversible, but I like how Fubuka-chan and Eureka are having a childish argument.

I love the scene where Fūka says she won’t let go of Renton.

Speaking of which, I was thinking of watching it but never did.

Isn’t it being streamed somewhere?