Well, that’s hot!!

>>3

As a voice actor, it would make me happy if you thought that way, even if it’s a bit clumsy.

They were laughing about suddenly becoming Asian…

>>60

Other Westerners besides Americans might react that way too.

Despite being drawn as a handsome guy, in the final part, both Tsuki and Mikami are way too ugly.

Matsudaaah

Are you shooting Taaahh!?

I like the area around here.

I laughed when it suddenly became like an anime in the drama.

It’s a desperate scene, after all.

Songs from Doraemon and Sazae-san come to mind.

I hadn’t deleted Bakayaroid and ended up watching almost everything again.

>>22

I often see new releases lately, if anything.

What’s Thaaaaaaat!?

MAZDA

They were revoicing this scene in some kind of director’s cut.

It’s funny that they’re putting in so much effort here when they’re going to die beautifully in the original anime later.

The quality of the drama version is incredibly high.

Awkward! The moon!

Since Matsuda is Matsukaze-san, both are boosting each other’s acting skills here, right?

>>33

It’s Naito Rei, this is Matsuda’s voice.

Someone doing Basyo-san from Gag Manga Biyori.

It must have been tough for people like Mikami and Matsuda to keep up with the strange performances in the thread image.

During the same period, there was interstellar flight.

>>36

Sparkle⭐︎

I also like the drama version.

>>38

It had a sense of obsession in its recreation…

The beginning of a laugh, like a snicker, is too over-the-top.

The moon’s durability is too high!

There are multiple patterns of misheard lyrics, right?

The most forced part is probably the initial identification of Mikami.

How many millions of Kirara fans do you think there were during that time?

>>48

It’s understandable that the extremely handsome guy who always appears on the popular show remains in Nia’s memory, and I think this is an unavoidable aspect of the Espers in Death Note.

First of all, L is almost like an esper in the way he is convinced that Kira is the moon.

>>66

I think a lot of thought has gone into it because L’s character stands out based on the idea that “the moon moved on purpose to be identified” and “by process of elimination, the moon is the highest (even so, the percentage is incredibly low).”

>>69

L doesn’t think the percentage is low.

It seems like they are behaving in a way that completely confirms my assumption that the moon equals Kira from here on out.

Conversely, unless you’re someone like Kira who randomly hits the mark with a rough guess like Misa or Mikami, you can’t compete with Kira.

>>69

The unique tension of that chicken race, where both sides are almost certain yet the power of Kira and the investigative strength of the police barely reach each other, was a miracle.

It’s amazing how all the adaptations are interesting.

>>49

I’ve seen someone who actually supports the Netflix version for the first time.

>>50

It was deleted from my memory.

A memory of being puzzled while using Watari conveniently.

>>49

Netflix…

Matsukaze Masaya is on Mikami’s side.

Don’t kick Pooh!!!

Butter roll!!

I heard that Miyano’s performance was so amazing that they decided to change the artwork.

Anonymous

Forgot about the Netflix version of Death Note and died at 18:30.

Cucumber!

I like to glance at the places where I’ve been shot while doing the drama version.

It was a bold decision to let Miyano, who has become accustomed to voice acting and is now able to perform in anime, take on this role.

In the end, everyone dies, but it’s nice that there are different ways to die.

In the original work, they are frightened of death and shout, “I don’t want to die!!!” “I don’t want to go!!!”

I also like dying while seeing the illusion of L from the anime.

Don’t kick Pooh!!!!!!!

The anime overall emphasized the relationship with L.

The scene of dancing in the grave of the compilation is like that too.

I like Naito’s acting, but I haven’t been able to hear about it much except for works by Daichi.

I have a memory of it being bad because there was a MAZDA commercial after this scene on a Friday night or something.

I wanted to see the awkward appearance as depicted in the original work through Mamoru Miyano’s passionate performance.

The percentage is incredibly low (almost 100% in reality).

If we were lucky enough to kill Near over there.

I think it’s impossible to persuade someone, right?

>>71

“It’s up to how much SPK can grasp the aesthetic of L and Near in their principle of ‘winning by completely subjugating without killing,’ but if Near dies, they would normally just kill Light at that point.”

>>71

I will probably be shot by Matsuda.

Mikami was suspicious around that time… I’m imagining that there were similar exchanges like “It seemed like he was Shiro” happening dozens of times in my mind.

It’s a note I jacked off to!

The Friday Roadshow was really popular, especially when they had something like an anime compilation.

I’m being stared at while I’m writing on the scrap.

Even if I don’t get shot by Matsuda, I’ll probably end up caught anyway.

I win, Nia.

In fact, it seems like they might start making excuses like “Near is the real Kira…”

People like that, who are overly serious and muscular, end up losing!

>>83

I love those things that loop body movements around here.

Matsuyan!!

If the perfect copy of the notebook hadn’t been established, I would have actually won…

Did you really let your father die… just to settle things with cacao bitter?!

Black vinegar! This guy has eaten black vinegar ice cream!

The prank was a great success.

I think it’s fine to say that the reason for failure is the lack of intelligence of the subordinates.

In the end, no one can defeat the moon itself.

The original work is interesting, the anime is interesting due to Miyano’s passionate performance, the movie is interesting because of Kuzu’s intense acting, and the drama is interesting thanks to Bon’s great performance—it’s like a scene with the best ingredients.

Is the notebook the real Monaka… or a fake Monaka!

Fuuuuuck!

Isn’t Matsuda’s gun skills supposed to be amazing?

The anime has a slightly sentimental Ryuk that adds a nice touch.

I still wanted them to die pathetically just like in the original.

The OP and the potato chips and this place are having an increased destructive power in the anime.

Thinking about it, it’s tough for the anime version to be able to escape from here after being shot this much…

>>97

Because sports are versatile…

There is a scene added where Misa jumps off as if to commit suicide.

The anime is providing a nice complement…

To gain/obtain.

Do you know?

El-chan’s Jizawa World is garbage.

>>99

But the setting that you won’t die until the period written in this Death Note expires can be used!

>>109

Too much reuse!

Delete

Delete

I think it’s an outrageous level of quality that doesn’t seem like an anime from 2006.

Analog TVs and feature phones appear in the story, and my brain gets confused.

I love the scene where I pass by my past self picking up a notebook while escaping in a battered state after being shot.

Honestly, I think it’s too far-fetched to say that we can just settle for cacao bitter.

>>104

That kind of thing is also due to the poor sound quality of the playback devices at the time…

I don’t think it’s necessary to say much, but…

I love the depiction of Aizawa and the others chasing the moon at the end, ignoring Nia’s stillness.

I don’t understand why the potato chips scene became so intense…

But I laughed a lot and also imitated it with my friends, so I understand that it was the right answer…

>>107

Maybe I’ll do a bit of a flashy production in the first episode and decide the direction based on the viewers’ reactions…

→Since the reaction was good, should we make the performance more flashy and extravagant?

>>112

Mikami writing in his notebook looks just like a special move performance of a speed-type fighter.

>>118

But it was actually interesting, wasn’t it?

The second half was significantly less interesting, but I can’t say it’s unnecessary because of this part.

All I’m surrounded by are idiots who don’t understand even if you tell them…

While solving equations with my left hand and writing my name in my notebook, I reach for chips with my right hand.

The sense of the Despair Billy ending is really great, isn’t it?

I thought it was an elevator that continued to rise as if aiming for the throne of God.

I really love the part where it just flips upside down and you can see the ground, as if it’s just crashing down.

It’s summer!

I also like the version of the movie where the Moon was seriously trying to make the world a better place.

I actually like the movie version the most.

The most pathetic protagonist in Jump.

The music is really good.

It’s still being used in news programs.

I like that the number one victim in the Death Note tier is Light’s mother.

The mother of the moon has a son who is a mass murderer, a husband who is dead, and a daughter who is a shell of her former self…

Not knowing my son’s actions is the last solace, it’s terrible.

I just found out there’s a sequel to the live-action Death Note besides L Change the World…

>>122

You don’t have to watch it if you don’t want to!

It’s wonderful to depict something clumsily and wickedly without showing any conscience.

I like that Matsuda, who was looked down upon as a useless man, is the most disappointed and carries out precise gunfire.

>>125

It’s good that he is a useless man, but at the same time, he understands Kirara’s feelings to some extent and genuinely thinks of Tsuki as a companion.

You should definitely watch the Netflix version of L, who’s a muscular Black guy!

>>126

This alone conveys the charm of the Netflix version all at once!

Even if the moon has not declared victory, it’s a situation close to checkmate, but I’m curious how they plan to make excuses.

Overall, the anime is well-made, but there are a few moments, like the character dying beautifully, that seem a bit off.