Is there a special bonus story?

At least a single disc might just barely have some demand…

Was there a preview collection announcement?

A pose like a blue dragon.

If my memory serves me right, I think it was just the word “preview”…

It’s a price full of mysteries.

Got it! If it comes with a 1/4 Super Saiyan 4 figure, then I’ll buy it!

I want you to at least include a special edition Figuarts.

Do you need UHDBD?

>>17

Enjoy it in high quality!

Sugoroku in the Reiwa era…

Is 50,000 in the box normal in today’s era?

>>20

I think it’s normal.

It seems that the regular one without the bonus is 30,000 yen.

The content aside, it’s a reasonable price.

Crazy prices are in full swing, and the excitement just won’t stop!

I just listened to the OP because I was curious, but the excitement level was lower than I expected.

Foreigners don’t buy, do they?

>>23

Many foreigners are also saying that DAIMA is boring…

>>24

Woohoo…

The value per episode is 2640 yen.

Woohoo!

I think it would be appropriate for the entire 2 cour series to be on Blu-ray.

Only if it’s an interesting work…

By the way, what was up with the red text in the subtitles of each episode?

>>29

It has a voiced sound mark.

>>31

It seems.

Ken

I’m really looking forward to gathering with about four fans of Toriyama-sensei to play the Great Demon World Sugoroku…

>>32

It feels like some kind of magical ritual.

The people who liked the bath story with sixty thousand likes will buy it.

I’ve been seeing a lot recently that if there’s no demand for collectible items that aren’t for video purposes, it can lead to terrible outcomes…

There may be people who buy it hoping that the booklet contains some new information.

I don’t know if it will sell or not, but at least I don’t want it.

I’m not buying it, but I’m glad if it sells because that means a sequel is likely.

No, I’m sorry, but I’m actually not happy about the sequel to DAIMA, so I hope it doesn’t sell well after all.

The price is full of mysteries.

DAIMA Wonderland

Dragon Ball Super TV Series Complete Box Volume 1

☆Price:

– Blu-ray / 36,080 yen (including tax)

☆Contents: Episodes 1 to 72

Dragon Ball Super TV Series Complete Box Set Volume 2

☆Price:

– Blu-ray / 29,480 yen (tax included)

☆Contents: Episodes 73 to 131

Dragon Ball DAIMA

[Price]

First edition limited deluxe Blu-ray BOX: 52,800 yen (including tax)

Standard Edition Blu-ray BOX: 30,800 yen (tax included)

【Specifications & Bonus】 (Includes all 20 episodes)

The content is not at all conscientious, is it, Goten!

For the time being, the animator who was overworked and forced to create the animation for such an anime is the most pitiable.

It’s the last work of Akira Toriyama.

Be careful with your words.

Not making it exactly 530,000 yen… what an annoying guy!!!!!

O…oi Vegeta!

Please do something about the price!

>>49

Well… the animation is really well done…

>>4

Do you need this!?

>>50

If you don’t need it, let’s buy the regular version.

>>50

It’s a mystery-filled bonus.

>>50

You’ll definitely get hooked!

A benefit of 20,000…

Since Mr. Toriyama has passed away, it doesn’t mean that he himself benefits…

A board game worth 10,000 to 20,000… I’m getting excited!

After all, sugoroku is important…

At times like this, it would be good to include limited edition figure arts…

It seemed like it could be a good topic for a YouTuber, the sugoroku.

What is this forced-looking benefit…?

Is this the retrieval of foreshadowing in Sugoroku Space…?

Well, I think a large part of the 20,000 is occupied by UHDBD.

Isn’t it a time when they make really awesome figures or something…?

>>65

Uhhyo hyo…

It’s incredibly such a great deal…

The sense of alienation when seen all at once in the sugoroku space was incredible.

Which is worse, the Hollywood live-action version?

>>69

That one is crap, but if there was a punishment to watch either one again, that one is at least a bit better since it’s shorter.

>>69

What’s definitely worse is the live-action version, but at least over there, they can clearly separate it by saying this isn’t Dragon Ball at all, which might be a bit better.

>>69

Hollywood is terrible, but since it’s live-action, it’s easier to compartmentalize.

Since the plot where Nerd-kun saves the world with superpowers is not off track, in terms of script breakdown, Daima has a higher level of failure.

>>94

Except for the fact that it’s not Dragon Ball despite borrowing the sign, DAIMA is just not interesting and doesn’t have any coherence.

It’s a boring and flawed scenario that you can be sure is written by Akira Toriyama.

I wonder which one is better.

>>100

It’s more painful for the latter, as the original creator is involved, making it impossible to disregard.

>>69

The damage here is worse because it’s being handled by Akira Toriyama.

>>69

This way.

I don’t know if it’s Toei Animation or Capsule Corporation Tokyo, but these guys no longer have the ability to create interesting things.

It’s like the last Getter Robo made by Dr. Saotome.

Maybe if I look for notes or something, I could create about two more series.

Are the pieces of the sugoroku really well made or something?

Sugoroku is

Incredible…?

The bonus is cheap for a limited edition luxurious version.

Gundam Breaker

I’m not interested in anything other than the Great Demon World Sugoroku.

>>77

Are you interested in the Great Demon World Sugoroku…?

>>80

Thinking about how many times planes have crashed and come back is exciting!

Even if I poke at a super awesome figure from DAIMA, it would probably be DAIMA4 or DAIMA4 Mini, so I don’t need it.

Everyone! Ultra Vegeta No. 1 is being implemented in Dokkan Battle! We have no choice but to roll the gacha!

If the bonus was something like a third eye, I might have wanted it a little.

You better buy it!

An anime with unprecedented lack of value in its preview collection.

In a few years, will people say things like “DAIMA was only better because of its animation”?

>>88

If the animation was at a level of super early stages with that content, it would be the end of the world.

I really think it’s a complete idiot who silenced the voice in the preview.

The preview for episode 19 will probably be over in about 2 minutes.

It’s probably only bored Gomara and Diges who would enjoy something like sugoroku…

>>91

If they had included a backgammon-style ending cutscene, more people would have wanted it as a fangoods.

At this price, it feels like the game pieces are mini figures.

Well, it’s not needed anyway…

There are likely quite a few people who would buy it since it’s Toriyama-sensei’s posthumous work.

I could have just barely accepted it if it came with a Super 4 figure, but what is this game of sugoroku…?

If your sugoroku turns out really well, you’ll just flip your stance anyway, right?

>>98

Even if the board game is well-made, it doesn’t change the evaluation of the anime.

>>98

There’s no one there even if it’s a good place.

Even if there were mini figures or something included as pieces, it doesn’t relate to the quality of the board game.

Isn’t there at least a newly drawn design by Akira Toriyama!?

It’s a crappy anime, but it gets a good reputation for the quality of the bonus game.

>>105

The Artec Sugoroku is quite interesting even for adults.

First of all, what is a well-made sugoroku?

Sugoroku space remake?

If it were a setting material collection drawn by Toriyama or at least 3D goods of in-game items…

You better pull it!

It’s quite normal to have a deluxe edition for 50,000 yen for one season, so if it’s 20 episodes, didn’t they do well?

>>112

It depends on the luxurious content of the deluxe edition…

Even if I like DAIMA, I think I’d be happier if I used the money to collect Figuarts instead.

The bonus features are surprisingly unappealing.

The official name is Giant Gomar…

Include the footage of the event where Episode 1 was broadcast the earliest as a bonus feature!

There’s nothing particular to say.

After Akira Toriyama’s passing, will anyone create an incredibly interesting Dragon Ball?

I can’t expect much from that either…

>>120

Well, regardless of the animation, it won’t be easy to create a work that falls below Daima.

>>127

Guns are cowardly! Vegeta being tempted by a bath with Bulma is probably not an idea that would come from the perspective of fans or the anime staff…

>>4

It’s not just about Dragon Ball, but there is a culture of excessively promoting a simple box as if it has extravagant benefits.

Given the current times, wouldn’t it be better to focus on streaming?

I never want to look back at it again.

Evo has a low psychological barrier that allows you to watch it without expecting Dragon Ball from the start, which reduces disappointment, but DAIMA is the original author’s last work, so that’s the current situation.

Everyone has expectations.

>>123

It’s pretty crazy that the live-action version with only desperate information is being compared alongside DAIMA, which was created in collaboration between the author and the original source.

>>123

When I watched the first episode, I was excited.

What! You want to do Dynamax again without commentary!?

>>125

It seems like you want to say that everything will be fine if there’s a live commentary, doesn’t it?

>>128

Watching it while doing commentary significantly reduces the feeling of emptiness.

>>125

You’ll definitely get hooked!

It’s crazy that not even one person pointed out that this design overlaps with Jiren.

>>129

It’s understandable to be scared that if you offend Akira Toriyama while being in the industry, you’ll get killed.

>>138

If the writer is that scary, I wonder if the staff who exaggerated Broly have been fired by now?

>>143

It says “just in case.”

It’s not so strange for someone to take the safe route if their own job could be at stake, regardless of their actual character.

>>158

If they were getting fired for that level of reason, I think there wouldn’t be anyone left at Toei.

>>138

Isn’t it better to change this up to here from the gods? Even F has given their opinion while making the story, isn’t that just plain laziness?

>>138

There’s this company called Capsule Corporation Tokyo, and the rights have become quite complicated…

I feel that the silly Goku and pathetic Vegeta jokes will continue to be used in the future.

>>132

Which is better, making Goku a calm adult or turning Vegeta into a pointless troublemaker?

>>132

It has always been like that since the original work ended; even if the original author draws him, Goku is a goofy character.

In the original work, they were so clever.

“I’m going to leave Dragon Ball to screenwriters and directors who are thriving in Japanese films like Conan.”

You’ll definitely get hooked!

>>133

Aren’t they gods and gods?!

>>133

Kunihiko Watanabe from “God and God” worked on scripts for “GANTZ” and “20th Century Boys,” but Akira Toriyama rewrote about 90% of the script.

I think things would change quite a bit if the original creator were to disappear.

>>145

First, Beerus and Whis are evil beings that destroy the universe, and Super Saiyan God is flashier than Super Saiyan 4 with a cape growing out.

>>149

I’m starting to get scared of leaving it to Japanese movie screenwriters…

Let’s do a DAIMA marathon around Abema!

You’ll definitely get hooked!

>>136

Aren’t there going to be a lot of people dropping out halfway like in GT, Dad…?

Compared to the movie, the most difficult thing is that it is unnecessarily long.

The unnecessary parts are really useless.

>>140

In the second half, even the battle scenes become hard to keep up with emotionally.

Although it’s called a preview collection, wasn’t each one only about 3 seconds long?

I have a tendency to do the opposite, but I don’t really see Akira Toriyama as that scary of a big shot.

>>146

They’re engaging in tax avoidance, so aren’t they just a bit on the thug side?

>>146

Rather, I have the image of someone who would completely entrust it to the anime staff if given the chance.

>>146

Make sure that there’s no disrespect towards Mr. Toriyama, even if he himself didn’t have it! Because if a person below him has that attitude, the outcome will be the same…

>>155

Iyo…

>>146

Rather, when I look at the conversation with Toyotarou, it gives off an image that is almost too carefree.

>>157

In the discussion with Nakatsuru, I was completely flattering him, wasn’t I?

>>157

When I drew a muscular character based on the peak era style, it was crossed out in red with Toriyama’s handwritten scrawny muscles, which I think is tough in a different way.

Is it expensive because it’s UHD?

But is this made with 4K and HDR in mind?

There are places where others might unnecessarily conspire, even if the person themselves does not get angry.

It would have been nice if they had added a Super 4 figure.

Is it enjoyable to see the desolate wasteland of DAIMA, the degraded Namek, and the strangely red earth in 4K?

If you can’t produce it without fully endorsing Akira Toriyama, then…

Super Broly and Super Hero also became bad works, right?

It’s not so much Akira Toriyama himself, but rather the people from Shueisha around him that are scary…

Now, please release Broly in 4K!

>>4

I agreed with the price, but don’t bundle this with it in the first place!

Release it in a different specification.

(Since it was created by Mr. Toriyama, I don’t understand it myself, but I’m sure it’s interesting.)

Did everyone involved think this way?

>>165

It was probably a mindset of just thinking it was a simple job, doing only what you were told and getting paid for it.

>>166

Well, you said I could work on it without a deadline, so why are you starting production on your own?

Isn’t it already strange from there?

I can’t go against it, and even if I try to redo it, I can only produce something similar anyway.

It’s not just that the surroundings are not doing it.

>>168

But I was going to say that Dragon Quest 11 was good, but then I remembered that it was a game from 7 years ago, so the design was done even earlier.

>>175

But I don’t think it would suddenly decrease like that in just about seven years, so I really think they were just writing it casually.

>>183

Regarding Dragon Quest, at the time of 11, the creator commented in the commemorative art book that “there are originally few ideas to draw from, so I’m making do with what I have.”

The mechanist was still skilled even in their later years.

(Although it resembles Jiren, the fact that Toriyama-sensei designs it this way must mean it’s important conceptually…)

The ultra anime is also thriving, and it’s incorporating Toyotaro’s ideas in the manga version.

As for DAIMA, it seems they couldn’t make a timely adjustment since they fully entered the market midway.

>>176

It’s not halfway.

30,000 yen for a 2-cour anime is normally cheap.

Well, this kind of selling method is quite common in shonen manga.

The trend of losing muscle after the ultra was not really good…

>>179

Orange Piccolo has been getting quite a regular power-up in recent years, huh…?

>>188

I thought I must be dreaming when I saw that Akira Toriyama would release a transformation like this AF, just like Gohan Beast at the time.

But the name was completely in line with Toriyama’s current sense.

Isn’t it ridiculous how Toriyama is trying to come up with various excuses without admitting that he was heavily involved in a poor work?

>>180

Well, anime isn’t something that is made by one person’s effort alone.

On the contrary, isn’t it ridiculous that some people are trying to blame Toriyama no matter what?

For example, if this time I said to let Toriyama-sensei do as he pleases, then I can’t say anything, and I don’t understand the situation on the ground.

In Dragon Quest, I can’t freely design characters because I’m employed.

>>186

For that, they had some awful character designs coming out, but is that the sense of the Dragon Quest production team?

Why did JoJo and Dragon Ball escape from muscles?

In a negative sense, Inou is too much of a yes-man towards Mr. Toriyama.

Someone like Mashirito or Editor Kondo seems more suited for assistance.

I guess that type is something that Mr. Toriyama dislikes.

>>189

Ioyoku probably got liked with that kind of sycophant move.

I really think DAIMA is only allocating resources to animation.

I’ve never seen a television series at Toei that has been this stable.

I wonder if Dragon Quest 12 will become the final work for the character design.

Human design would have been fine in the later stages, but the boss design…

It seems that they had a lot of difficulty depicting the handsome Kucul in Dragon Quest VIII…

Human Design was finished, but instead, Orgo Demira had a nice design.

Nizuzelpha has a terrible inner face that gives off a DAIMA vibe, but I think it’s fine as long as it keeps the mask on; it’s eerie and good.