Forget about impulses and just perform.

I would even commit a suicide bomb attack for the sake of Mutsumi.

Back when you were driven by Kurata to start the classic and then blew it up, you were shining even more!

It’s neither light nor darkness anymore, right?

The mental power has worsened compared to the Mujica era.

In terms of how bad it is, it’s worse than a father who is soaked in alcohol…

Well, last week I was busy and nothing good came of it…

I, the weak one, have died.

I, who was strong, have also died.

Is this a description of a band character?

If it’s for Mutsumi’s happiness, it’s fine even if those around me, including myself, become unhappy…

No matter how burnt out I am, since it’s a story that began with Kurata, I have no choice but to keep walking.

If you have a meltdown, learn from that lazy old man who seriously does nothing.

No, you shouldn’t imitate it.

If I move, it becomes bad, or rather, it’s being ruined by what lies ahead after I move…

The face is seriously good, but…

It ended up being like a damn old man…

If you say that the development of suddenly becoming a good person from here is unrealistic, then wouldn’t it be better to instead pursue the path of evil?

That has its own charm.

This won’t do, will it?

Let’s confiscate Mutsumi-chan too.

Saki-chan, it’s better to keep some distance from Mutsumi-chan… let’s just stop it already.

I’ve said it many times, but Shoko looks just like Dad.

Everyone is pretending because she’s a beautiful girl with a nice face.

>>26

Well, the fact that Shoko took action to revive the classics.

It can be said that Mortis’s desire to survive accelerated and allowed him to surpass and kill Mutsumi…

Are you able to kill your heart?

The scene where you say “give me a person’s life” in a greedy manner is still there, so a fall to darkness seems possible.

But since Mutsumi said she wants to do a classic…

Even after saying that I hate myself, nothing changes.

While showcasing unusual events, nothing changes.

What does the staff want to do about this?

Shoko’s suggestions are in a terrible state, and I feel sorry for the person behind it.

The director said, “Is it okay for Muzika to end up like a lost child trying to restart?” so it will probably end in a messy way.

I wonder if they thought that reducing hate would be for the sake of harmony…

I’m disappointed that you asked for a classic reunion.

Don’t overturn it in an instant when I become the substitute.

>>34

Seriously, there are many times when I wonder what that line was about.

The most ridiculous thing was that I kept saying I had nothing but ave mujica, but it actually wasn’t like that at all.

This is more about Shoko being at fault or the production being at fault.

>>40

It seems like the Mujina anime is solely focused on subverting viewers’ expectations.

At this point, everything I’ve done feels so disingenuous that I can’t help but go even further.

Hate control is broken.

It was indeed a yuri double suicide after all.

Hana said that juggling multiple jobs doesn’t become a habit.

>>43

You don’t come to practice, do you?

>>48

Shall we stop? Let’s talk calmly…

As expected, she’s the daughter of that damn old man…

While others are gradually revealing their humanity after taking off their masks, Shoko-chan is going in the opposite direction and becoming more and more like a doll…

Sayo is a villainous noble lady who was executed in another world and has been reborn in the modern era…

Poor Sayoko…

It’s solely because of your actions…

The success of Mujika has been clearly stated as a scam that selfishly relied on connections, so there are really zero points to praise now.

>>52

As I thought, you were the type of person to make me buy crystals…

Even in a grand finale, Hikaru’s Shoko (early model) won’t come back 100%.

It’s painful to watch this anime because I’m a fan of Shoko.

At least if the response to Shoka had been normal, it would have been better.

>>55

Other situations have their circumstances, and it seems tough for a girl to handle on her own, but when it comes to the relationship with Shoka, it’s really all Shoko’s fault…

Rainer!?

Whether you can like or accept Shoko is tied to everything in this anime, including mygo.

>>57

Will Shoko become someone who is laughed at just for being on screen like Den?

>>57

Well, mygo isn’t really related, right?

Mygo mitigated the hate towards characters with strong quirks like Den and Rikki by making Shoko the hated character.

In the work, there are hardly any characters who say they dislike Sayoko.

That’s exactly the kind of thing Mortis would do.

>>58

Most of the office mob probably hated it.

>>61

Those mobs in that world are just fickle weathervanes that change their opinions all the time, aren’t they?

Shoko Reiner

>>59

Hmm?

In four more episodes, it will become Hanzawa Naoki, right?

If you’re going to die, give your body to Shoka.

Personally, I still find it more pitiful, so it’s within the acceptable range.

I understand that after causing a burden to Hoshika by juggling with Musica, the feeling of wanting to avoid causing any further trouble after the disbandment is understandable, but the way of completely cutting off all contact is quite extreme.

If you could express those feelings a little more, it would be easier for the viewers to understand, but you’re spending too much time on Mutsumi and Mortis.

In the end, will it settle on a character like the one in the current Comic Seymour commercials…?

Even if outsiders say not to involve lost children, the group of lost kids is quite calmly advising them, so what are they even talking about?

It’s painful that I couldn’t see through Mortis, who was disguised as Mutsumi, at the crucial moment.

Mutsumi is too much of a toy for the staff.

I didn’t expect this guy to keep the conversation going with his multiple personalities all the time.

>>74

It seems that when it actually came time to create the Musica arc, the setting emerged with the thought, “Isn’t it strange for Mutsu’s personality to become like this in this environment?”

>>82

Yeah…

>>82

Is there really a way for things to escalate this much?

Mortis, who has become a popular character, seems to have some hate directed towards him because he clearly dislikes certain characters.

Moreover, Mortis indirectly said it’s fine for him to disappear.

The story of Mutsumi and Shoko is overly elaborate, while the other three don’t seem to have much to offer, making one wonder if the other kids are considered just an afterthought.

>>78

If I’m going to be talked about like this with more appearances, I might as well have fewer appearances.

Only the new character Mortis is benefiting.

In the story, the MyGO kids are all so kind and supportive of Shoko that her shortcomings become even more pronounced.

There are only people like Nyamuchi who say harsh opinions to Shoko, wondering what right you have to say that.

>>79

After all, almost everyone except Nyamu has experienced being brainwashed by Shoko.

Actually, ever since Mujica quit, there’s nothing left…

If there’s only a feeling of atonement toward Mutsumi, then there is no passion in the music.

In reality, AveMujica is broken, and my heart is dead to this extent.

“It’s not wrong to say there’s only Mujica.”

Lost the light, banished by darkness, what remains.

The empty shell that was once Shoko.

It’s fine if your heart dies, but I want you to share it properly with those around you.

I’m worried that I’m not doing any band activities at all.

I feel like I watch the part where Mutsumi-chan doesn’t understand anything every week.

The fact that they gathered those members to establish CRYCHIC alone makes Shoko’s evaluation from Akari and Soyoden unshakeable… Without that, MyGO wouldn’t even have been born in the first place.

Even though the lost child and the stray cat felt like an accompaniment…

In episode 5, the scene of leading a mundane, crappy everyday life is so pitiful that it becomes exciting.

What am I being shown after the latest episode with a persistent Unjashu skit that ends in a personality death…?

It may have been drawn out to make one think that Shoko being captured by Mutsumi is inevitable, but Mutsumi is just too incomprehensible to understand.

By the way, what happened to Diggy saying he made five new songs for the anime before the broadcast…?

>>98

You’re coming from now on, right?

I like Mortis, but to be honest, I didn’t really have a problem when he wasn’t around.

Even during the formation of mygo, the shadow of CRYCHIC was lingering, that’s right.

Even though I had already given up on everything, the fact that Tomorin launched sticky note bombings twice a day is pretty bad, isn’t it?

>>102

It’s my fault for not telling Morin about everything I’ve given up on and the circumstances behind it.

In other words, even though the band hasn’t reunited yet, will there be new songs revealed every week…?

>>103

I think we can manage it with 2 or 3 songs in the last two episodes.

When creating the music, there were too many foreshadowings! Contradictions emerged! It seems they managed to resolve them as they went along.

It doesn’t need to be done every week.

Since it’s a fundamental part from the previous work, it would actually be a lie not to allocate time to it classically.

>>107

That being said, it’s actually a smaller number, 2 out of 5 for the people involved compared to mygo.

>>110

It’s half of the main 10 people.

>>107

Then there’s no need for Mortis! That’s the point.

There’s no trace or shadow of the previous work.

Mygo had one song cut, but they performed three songs in the first episode, right?

You’re going to cram it all into the final episode, right?

It’s fine to just let those who just want to complain do so.

Classic settlement is necessary, so it’s completely fine.

I don’t need Mortis.

There are songs for anime, including OP and ED, so there are still three songs that haven’t been revealed yet.

>>116

There are five more song titles that have not been publicly announced in addition to the OPED included in the album tracklist.

I want to have Kasuga Kage in episode 7, just like in mygo.

In the end, it’s clear that this was the primary culprit in the construction.

>>118

If this allows Classic to find peace, then I think that’s fine.

It’s terrible because instead of ending, it just keeps getting worse.

>>126

Classic is at peace.

>>133

I’m glad for you.

>>133

If there is even one person who is fixated on former members, then they are not at peace.

Initially, it was planned to be made without Mortis, but as a result of adding Mortis, it’s ridiculous how much time is spent on Mortis; it must be a joke or something.

By the way, why did Mutsu suddenly die again?

Are you still doing it?

>>121

I feel like it’s fine to just let me die like this and have Mortis practice guitar.

I wonder what this anime would have been about if there had been no story about Mortis, which didn’t exist at first…

>>122

It might have been resolved in the length of 1 to 2 theatrical films.

It seems that Kasukage was supposed to be done at the end, but it’s better to handle it in the middle instead.

Is it a complete denial of the existence of Kokoro-chan, who continues to remain innocent?

>>125

It seems like Kokoro-chan’s environment is good…

>>125

Kokoro-chan is not weak, and she’s frighteningly sharp when it comes to understanding others’ subtleties; she has created a mechanism to forget unpleasant things with enjoyable ones.

Actually, the initial plan was for the discussion about the classic to end in episode 8 of Musica, right?

If Mortis disappeared in episode 7, it would be careless, and it would just make me wonder what was going on with this guy.

It’s natural for there to be differences between the initial and final forms since we think through the structure and work on various ideas during the scriptwriting stage.

>>131

I’m not saying that being different is a bad thing.

>>135

So what are we talking about here?

>>138

I feel like I’m struggling with a setup that emerged later.

Why does a character I’ve been cultivating since the previous work have to suffer because of a suddenly introduced new character?

I thought this was a thread talking about the Saki Mutsu Yuri double suicide, but it’s just a complaining thread.

>>134

You’re getting too wrapped up in the inner turmoil—Mutsu Saki’s yuri double suicide!

Yuniko said it’s difficult for her to see both the details and the whole, so she’s not in charge of the script.

It seems like things would be much clearer without Mortis…

For now, it feels like I’ve been misunderstood as someone who likes to be tense and irritable, doesn’t it?

>>139

It’s not like I’m making it after the MyGO broadcast…

>>142

I’ve been into anime for almost 10 years.

It’s amazing that, despite nine episodes, Musica’s escapism has only turned into a redemption machine and there’s been no progress at all.

I don’t understand why the name “Yuniko” comes up.

In the first place, both “Lost” and “Musica” are ideas from Director Kakimoto.

>>146

It’s probably because it’s the series composition…

It is not bad that the initial plan and the final form are different.

It must be a matter of the quality of the finished product.

I mean, it’s really the director’s fault for adding strange elements to the story.

Why was Yunico being criticized?

Sakimitsu doesn’t need to say anything when we disband; let’s just quietly move on, while Uirin is getting passionate about starting over, and Namuji, who acted impulsively for his own convenience, is fine too as long as he blames other members when things don’t go well.

It’s just too pitiful to see Shoko, who has been treated so roughly by Anna, especially when she’s been so worried about Shoko, who has taken on the heavy burden of being both a guitarist and a lyricist while supporting the group’s existence until the end.

It feels like I’m writing the script in a rushed construction style, but it was completed over a year ago.

>>152

In the first place, the dubbing itself was finished two years ago.

Do you think I’m criticizing it because it’s boring in the first place?

It’s incredibly funny!

>>153

It’s probably because they are really into it that there are so many people passionately discussing character analyses.

It’s just that some people are using strong words like trash or bad work and are sticking out.

Don’t make a final judgment on a work that is not even finished yet.

It’s just that Classic is being dug up from the grave for the happiness of Shoko and Mutsumi.

And it doesn’t have to be classical.

Those people who say Musica is trash and Maigo is a masterpiece are hilarious, considering their evaluations up to episode 9.

I feel sorry for Hatsuhana, but I think she will just end up being useless, cutting off on her own in the next story anyway.

The fact that the story has become almost entirely focused on the character development of Mutsumi is quite distorted.

I hope that after watching the final episode, it will be a story that has significant meaning, but I’m not expecting too much.

There are still a pile of unresolved issues that just keep dragging on without any definitive conclusion.

I thought the classic was put to rest with the funeral, but it’s still smoldering.

Since even my damn old man has given up on me, there’s probably no solution.

The fundamental reason for the disbandment of Mujika was Mutsumi’s poor condition, so it is only natural that this becomes the focus when considering a reunion.

>>163

The root cause is Shoko’s lack of thought!

>>169

Up until then, it was already tense and divided, but the final blow to the dissolution was Murtis, as Mutsuki could no longer play the guitar.

In the first place, Mortis was born because Yutenji suddenly took off his mask and messed up the schedule.

>>197

I have multiple personalities from the beginning.

Do you think about the balance when portraying things like mental landscapes and the momentary feelings of violence exactly as they are in the visuals?

Doesn’t the realism or persuasiveness of the live scene in the future diminish?

>>164

Kurata, I can’t forgive you.

The root cause is probably Shoko, the original instigator, being reckless.

>>165

The root cause is the ground master, right!!

>>173

At that time, it would have only ended with the classic breakup.

The reason for Musica’s issue is that it became even more reckless due to the pleasant spring weather.

For now, it’s confirmed that Shoko will grow and there will be musical changes in episode 10, so just wait a bit.

>>167

Is that so?

>>167

Can I suddenly grow in episode 10…?

It makes me uneasy because if someone changes and becomes awakened, it could be just the opposite.

Well, Tou also got motivated in episode 10 by the words of Hikari, but it seems like the feelings might be different from that.

The classic is a solution for the four people.

I killed the last one! Yay!

There are still 4 episodes left, so it’s okay, it’s okay.

It’s not that the characters are being deepened, it’s just that we’re carelessly expanding the settings.

As usual, the voice actors and staff were saying that episode 10 of Musica was amazing, but up until now, there has never been anything that exceeded my expectations like that.

>>175

Minami-chan will appear next time.

They might show a really terrible parenting side.

Speaking of which, is that damn father going to do anything in the future? Is it problematic to just leave things as they are?

>>176

I feel like there’s nothing I can do about that shitty old man anymore.

There’s no way to follow a life that’s fallen into a loss of 16.8 billion.

>>176

I want to feel inspired enough to say, “I have to work hard too!” after watching the live show.

>>184

Compared to that, I’ve been thinking like that… I wonder if I’ll change my mind.

Although the lost ones had scattered, everyone except Soy had resolved their issues by episode 9.

Mujica hasn’t resolved anything, so there’s a long way to go.

It’s strange, there’s not a trace of Huwaka-chan’s presence in Saki-chan’s heart.

Well, I guess the dad will end up showing that he’s got a job in the epilogue of the final episode, and it’ll feel kind of nice to wrap things up that way.

Character depth, lol.

It’s good that Shouko is growing up, but what about Mutsumi, seriously?

If you’re going to depict Shoko’s growth, you have to deal with her grandfather and that shitty father; otherwise, it’s a lie.

>>187

Well, considering why my grandfather is stopping Musica, I think that’s something Shoko will have to face, but in the end, I don’t understand what to do about the motivation for Musica.

The negative seasoning is too overpowering.

I can only accumulate stress from being shown my crappy dad’s crappiness over and over again.

I’ve been shown it so many times that I can’t even say it anymore.

>>192

Is it about two times in episodes 1 and 5?

>>192

You’re probably repeating all the episodes of Musica every week.

Well, I guess you just don’t have to watch it then…

I wished there were weekly drinking parties like “Umiyamu” at the sea.

Ah, this…

By the way, it’s quite sad that my grandfather lost his daughter, had to kick out his son-in-law, and even the grandchildren have left.

While Shoko and Mutsumi are saying “I want CRYCHIC to make a comeback” for each other, they are unaware of this and are hearing it from the sidelines, leading to a terrible miscommunication where they both think “So they really wanted CRYCHIC to come back!”

It seems that the reason Shoko didn’t notice the issues with Muka that led to Muzika’s disbandment was because the two of them were always too close to each other, and if they don’t create some distance, it might not be good for either of them.

>>200

After all, the one that suits Shoko is Hatsuha, right?

>>200

It seems like it’s Sororin’s fault for bringing us face to face after being apart.

The dissolution of Mujika being too vaguely attributed to Shoko’s lack of consideration is too much.

I want Sakimutsu to be happy.

Everyone is saying they’re looking forward to episode 10, so I’m looking forward to it too.