It’s 3.0!

Did you not do it?

I want to experience this old man’s lip service-filled dialogues and stage greetings again after a long time.

What determines the conclusion in this case?

>>7

If we’re going to do it, it seems impossible unless it’s about 1.5.

But what is it that I didn’t finish doing…

If we’re going to do it, will the Major become Maya?

Well, in terms of setting, it wouldn’t feel out of place to have a random reason for the voice change…

The original 1.5 was digested by Innocence!

>>13

It’s not like it was all the story.

>>13

Isn’t the original source of Innocence from a story in the first volume?

>>20

The base is 1, and on top of that, there are complex stories involving Batou’s former colleagues at 1.5.

In the first place, it’s a continuation of the original work, so they’ve changed the cyborg body…

I wished that the conversation in the online space could remain in the original voice, but it can’t be helped.

I haven’t read the original yet, but which story corresponds to Innocence?

Is Ito-kun from the literature club going to participate again?

Innocence Volume 1

Voice-less element…

It seems that if the Shinto ability user sister is shown, it will turn into a gag dimension.

Well… can Oshii cook it just right…?

If that’s the case, Akio will go over there too.

I’ve probably watched all of Oshii’s recent anime, but none of them…

>>28

As expected, I’m getting older… I want to have hopes, but honestly, I’m more anxious.

It is in 1.0.

The reason why Batou got angry is quite different in the original work and in Innocence.

>>29

I remember a story like this…

When read again, it evokes a sense of the times with Motoko waiting for contact from Aramaki while enjoying a drink with the Tachikoma.

>>38

Is it not Fuchikoma?

>>47

The one Motoko is using in the manga is a Fuchikoma…

>>29

Well, just try to imagine the feelings of a disposable doll! It’s way too twisted and unreasonable…

>>29

Batou’s last line hasn’t changed, huh…

Hurry up and do the Blood Drive one more time.

I definitely want to see the new work from Blood Lab.

Volume 2 is interesting as science fiction, but in many ways, it’s not the content that the fans of the anime Ghost in the Shell are looking for…

If it were made into a movie, the entire film would turn into an Oshii time.

>>35

I want that.

>>36

Well then, I guess we have no choice but to have an anime produced by the 100% investment of that mysterious real estate company run by Oshii freaks.

>>36

From the company’s perspective, as long as it’s profitable, it doesn’t really matter what it is.

The original Batou is too normal.

Speaking of which, I was surprised that the price of the Kindle version of Ghost in the Shell exceeded 2000 yen.

How did it get that expensive without me noticing…?

I didn’t even look at erotic images because Bladrab is too much like Oshii’s anime.

>>42

The character design was really good.

It must have been someone from Extreme Hearts.

>>54

Also, the OP is extremely high-end.

I think it’s fine for Oshii to be faithful to the original work since he is the one doing it.

There’s no need to do the same thing as Kenji Kamiyama.

It’s one thing if it were Oshii in the vibrant 90s, but it seems like it wouldn’t work even if made now.

>>44

In the first place, Ghost in the Shell 2.0 was a product that made unnecessary changes…

It’s too late to get up…

At least five years ago…

I don’t remember if I finished Innocence without understanding anything or if I stopped halfway.

>>48

The story itself is simple, right?

The dialogue and cyber hack parts are just for flavor, so you don’t need to worry about them.

Does IG hold the rights to the Ghost in the Shell anime?

>>49

Science SARU is making an anime that follows the original story, so it might not be that way, right?

>>57

Atsuko Tanaka and Hiromi Tsuru are not here… I wonder who will play the major?

>>69

Maaya

It’s a relationship that started from GITS.

>>57

Does this mean that Oshii’s Ghost in the Shell will be getting a new line of products?

The Innocence remaster screening is happening right now, and it’s a celebration!

The original Ghost in the Shell is basically the mentality of the police force…

In the movie, for some reason, it gets flipped over.

>>50

When I requested the director for the early Patlabor OVA, the script, characters, and mechs were already taking shape.

Although there were complaints about the lack of room for intervention, it seems they reluctantly accepted it.

However, I was instructed to want something old and worn out.

Yutaka Debuchi said that he was convinced to bring out the 95 type, resembling heavy machinery.

Making a sequel to Innocence won’t lead to anything good.

But you’ll watch it once it’s released, right?

>>52

I’ll watch it with the same feelings as with Shin Eva and how to live…

>>52

If you come to the stream and you’re really bored.

I just learned about Blood Lab for the first time, but I wonder if it’s related to BLOOD: THE LAST VAMPIRE.

>>58

The screw type is still more relevant.

>>58

Completely unrelated.

If we’re going to do it, I want a story where Motoko is properly present, even if her voice is changed, not a story where she’s absent.

Make sure it’s a properly sellable entertainment work.

>>63

To say something unreasonable.

Budolove has good character design and gives off a nostalgic anime feel, ending before you realize it.

Are both movies currently having limited releases?

I don’t dislike Bladrab, but from the perspective of whether it will sell or become popular, it’s definitely impossible as an anime.

If Yoshiko Sakakibara is involved, it must be an Oshii work.

For now, it’s better than Innocence!

It’s not the 2.5 included with the Garm DVD.

An aunt and another aunt doing kung fu.

If you’re going to make it properly, I’ll watch it, so don’t keep me waiting too long.

Finally, ORION is here?!

It feels like Oshii’s version has reached a stage where it might not feature the Major anymore.

But I think it’s going to be difficult to have a cast like Innocence anymore.

That was a top-level staff for Japanese anime, right?

It’s unrelated, but I’m looking for a hat like this. What is it called?

>>78

It’s a watch, right?

>>78

Beanie

Originally, it wasn’t planned for Atsuko Tanaka to be the guardian angel of Innocence, was it?

>>80

Toshio Suzuki tried to have Tomoko Yamaguchi, but Oshii strongly opposed it.

>>89

That old man really does nothing but unnecessary things…

I’ve heard that in the original story at the point of 2, the major becomes a different entity.

>>82

It’s the same after fusing with the puppeteer, even in Innocence.

>>82

It’s like a separate entity that, after merging with a puppeteer, roams around as a new organism.

>>82

A separate existence… or rather, a part of a larger fundamental life form…

Is it different from a watch cap?

In the thumbnail, it only looks like Shohei Hino.

Super technique, cybernetic shell ORION, someone make it!

Even though Producer Suzuki was involved, the promotional push for Innocence was insane.

Everyone says that an anime based on Masamune Shirow would be great, but there’s a strong feeling that even if it were to happen, it wouldn’t be commercially viable.

>>93

But as a Shiro Masa fan, I can’t help but watch it.

>>93

I can’t say anything until Science SARU is completed.

Let’s make a movie where Batou eats soba while messing with dogs.

I have a feeling that the Ghost in the Shell the world demands is indeed Kamiyama’s Ghost in the Shell.

That said, I can’t imagine Oshii will just stick to the original vibe, so I wonder what he plans to do.

Hardcore Shiromasa fans may feel somewhat satisfied with the red pants…

>>97

You want to do something like Innocence, right?

The question is whether it can surpass the previous work.

Why does it look like my work?

“The image of ‘the original Ghost in the Shell is like this, unlike the Oshii version’ is only until the middle of 1.0, right?”

As the story reaches its climax with the puppeteer, it becomes complex, and honestly, version 2.0 becomes a more difficult world than Oshii’s version.

He is literally a mountain man, Toshio Suzuki.

This is something…!

Lupin!

>>102

Sai

Rama

>>102

I picked up the elements with Green vs Red…

>>102

I already did that.

The adaptation that seriously picked up on the original elements, “Kugare no Pandora,” has finally come to an end.

>>106

Starting from the prequel to Ghost in the Shell, it also touches upon the details of the Appleseed project.

It has become a grand finale of Shirow Masamune that depicts the moment of the establishment of Ghost in the Shell and then leaps to the era of Appleseed…

What I didn’t manage to do in Ghost in the Shell was standing sushi and Oshii comedy!

>>107

There’s no one who can make comedy funny at this age…

Is it HAGE?

It seemed like there were many interesting people, but they couldn’t understand.

>>110

Rather, the main points are easier to understand than GIS.

It just makes me really sleepy.

I don’t think he’s someone who can only make incomprehensible movies.

I do think that considerable tuning is necessary for it to function as a piece of entertainment intended for the general public.

Oshii Lupin has already been done, right?

The fossil of the angel.

>>112

It was relatively good.

It might be more accurate to say that Oshii created the image rather than Kamiyama.

A PS game that operates Fuchikoma is the closest I have to the ideal Shiro Masamune Ghost in the Shell anime.

>>115

It does seem like a standalone episode from the original work, but when it comes to conveying the overall atmosphere of Ghost in the Shell, not so much.

In that sense, I am curious about how a new work that adheres to the original will turn out.

I want Shiromasa’s works to be increasingly adapted into visual media, but I feel that this old man doesn’t need to get involved.

>>116

Nobuyoshi Aramaki too…

In hindsight, Innocence has a lot of exaggerated storytelling, but the plot itself is faithful to the original work.

I feel like simply doing a sequel to the anime wouldn’t be worthwhile.

I’m curious about why they suddenly started saying things that suggest they have regrets now.

>>120

It seems like there was a concept for 3, as it has been mentioned for a long time, so it feels like there might be a chance.

This might be the last opportunity to do it for various reasons.

The first time I encountered Ghost in the Shell was on the PS version.

Specifically, it’s the demo version that came with the magazine.

Ghost in the Shell 1.5 is something that’s simply enjoyable to read.

I like Ghost in the Shell, but I want to know what the Fallout project that was brought to Netflix and got rejected was like.

>>123

I didn’t know that happened.

It seemed like Netflix would joyfully create a new work by Oshii.

Surprisingly, not many games come out for Ghost in the Shell.

It seems like a shooter could be released in a cyberpunk style.

>>125

If you put your heart into making it, it seems like it would appeal to foreigners.

>>125

It’s one thing if it’s a lighter game, but the cost of making games right now…

I hope the era comes when we can release licensed games with a light heart.

I feel bad for those who like SAC, but that’s not the original Ghost in the Shell.

>>126

It’s quite leaning towards a detective drama, and it’s more like 1.5 to be honest.

At this age, you should throw away your pride and shame and do something like Bottoms.

I’m looking forward to Science SARU respecting the original work.

In terms of letting Shiromasa do what he wants, Pandora could be considered more orthodox.

>>132

It feels like it’s not just the setting, but also that ideas for the scenario are being generated at the end.

It’s almost like it’s the original creator, just with a different style of output.

For now, can’t we just call Sawashiro for Motoko and make it work somehow?

>>133

If anything, it’s Maaya through the connection of Chibi Moshi.

I got two chances with Innocence and Sky Crawlers.

As a result of both of those things, the scale of the works I could create kept getting smaller and smaller, so it’s already impossible.

>>134

The work itself is interesting, but… it might be tough for movies to combine this type of work with the box office and bring in numbers that appeal to everyone.

I thought the ARISE new play line could be explored a bit more, but is that really the end?

The impression that the girl from the original dubbing was inexplicably yelled at by the old man who came to help her remained unchanged and felt very unreasonable.

>>138

I understand Batou’s feelings of empathizing more with Hadari than with the rich man who was killed or the captured child after watching until the end.

Pandora was adapted into a simple moe sci-fi before the main story had even really begun, which is just terrible.

Start over from scratch.

SAC also had an interesting aspect of anticipating future social issues at that time.

2045 no longer had a sense of the future.

I think it may sound like nitpicking, but at that time, it was just my impression that I saw something amazing.

>>145

It’s strange that the vision of the future created in 1989 would still hold true until 2025.

It’s the destiny of sci-fi or its expiration date.

>>145

I think it’s because SAC was created at the best timing.

Even at the time of SAC2, it already felt like unnecessary additions.

If Pandora were to remake it from scratch, I don’t think it would be possible without changing the art style to eliminate the existing image.

>>147

If we go with a serious style and atmosphere, it wouldn’t be Pandora anymore…

I think it’s a work that has been depicted in a way that doesn’t get too dark until the very end.

As expected, Nene’s past arc was dark.

I want to see visuals crafted at the insane level of Mamoru Oshii, no matter what.

It doesn’t have to be Ghost in the Shell, but it can also be Ghost in the Shell.

>>148

They already said that they don’t have the stamina to push through like that anymore…

I just thought about it, but despite the different interpretations, Oshii hasn’t included any original settings, right?

>>150

But the setting of not being in Seburo and having installed shooting apps was not in the original work.

Well, there have been plenty of good cyberpunk works since the time when the Ghost in the Shell anime was released.

At first, the red pants were bewildered by connectors in the crotch and transformations.

Science fiction is always evolving, isn’t it?

If it’s made with new technology and ideas, it will be something completely different.

They have already made four masterpiece films, including Beautiful Dreamer, Patlabor 1, Patlabor 2, and Ghost in the Shell, so that’s more than enough, isn’t it?

>>158

Can you include “Tachikui-shi Retsuden” there as well?

Is it no good? …I see…

>>158

Innocence is divisive, but it’s at a level sufficient to be a representative work, and as an anime director, it’s truly outstanding.

ARISE was also subtle, and it feels like the recent Ghost in the Shell works haven’t had a high success rate.

ARISE is no longer limited to recent years, is it?

>>159

I think the ending of Kōkaku was really beautiful.

Perhaps it isn’t recognized as Ghost in the Shell by anyone other than true Shiromasa fans.

Oshii, please create one last work that clearly shows where the final Protect Gear is.

While Mr. Chiba and Mr. Genda are still alive

When I watch Ghost in the Shell now, I can’t help but think it would be better to have all the work done by AI rather than hiring cyborg humans, and the appeal of the futuristic world I once saw is gradually changing.

But what Anonymous wants to see is a cyborg, right?

At this point, even if Oshii were to make something, it probably wouldn’t be very interesting.

Even the Sky Crawlers I made some time ago had content that resembled an old man’s sermon.

>>165

Well, it’s a tendency that has been present in the works that have been praised so far.

The depiction of gadgets that connect the gaps and the action is getting thinner and thinner.

I probably won’t be able to gather those people again.

Is the movie adaptation of Chimera finally stalled?

Don’t you think you haven’t bullied Batou enough yet?

Write a lot of game-related stories like “Order of the Mercenaries.”

Thinking about it that way, it feels like the network as a whole that was present in the original work has become quite an unclear topic now.

It is easier to understand when they are more subdivided and stuck in their individual areas.

>>171

If it’s about 2, would it be fine to think of it like cloud computing that connects people?

While parallelizing, each individual creates different experiences, knowledge, and ways of thinking, and further influences each other.

>>171

Moreover, instead of disappearing as a result of informatization, hatred towards countries and ethnicities has increased.

Humans are dumber than I thought, and at that time, I couldn’t have imagined that the internet would spread even to such foolish people, or what kind of ridiculous world would result from it.

I want to see Phobos in an anime…

You haven’t made anything good since Assault Girls, have you?

Is Mr. Tamio Ooki still alive?

Personally, I prefer the director’s voice over that person.

>>175

He/She has already passed away.

I think the live-action Patlabor was pretty good.

Aside from movies

>>176

I think the DC version of the movie is good too…

>>176

The movie was good too…

For fans of Gekipato 2, it was irresistible…

Before 2020, it was really like checking answers, and the original work and SAC were amazing.

The original work is from the 80s, which is strange, isn’t it?

>>178

That just shows how amazing sci-fi was back then.

>>184

I think that generation of creators is usually influenced by “2001: A Space Odyssey.”

It seems like an interesting story could be made even without Moto talking…

It would be good to participate in the omnibus film that Katsuhiro Otomo occasionally does.

>>181

Since Otomo announced the Akira remake, there hasn’t been any movement at all…

I just want to see a regular police drama with cybernetics, optical camouflage, and multi-legged tanks!

In the first place, it’s based on the original work.

What does “conclusion” mean?

Honestly, I want to see the continuation of Kamiyama’s Ghost in the Shell, not Oshii’s.

>>189

Yes!

2045!

I wonder if Mamoru Oshii can gather a team that can guarantee the quality of something like Innocence now.

When is Chimera going to happen anyway?

>>190

If it’s something like Innocence, they should be a major shareholder in IG and could do it.

I want to see Appleseed.

>>193

I hope they create a version that is faithful to the original and completes the story.

I was tricked by Aramaki, that bastard.

Mr. Akio had Yamachan on his YouTube channel and did a simultaneous viewing of SAC Episode 1.

Everyone really loves Ghost in the Shell, don’t they?

But the old-fashioned science fiction is still being showcased in games, and it’s super fun!

I don’t think it’s impossible just because it’s an anime.