It has a bit of a vintage Conan-kun flavor.

>>3

I think having big ears makes it look like an old painting.

Recently, Conan has been quite angular, so I like this style that resembles the older animation.

>>5

It looks like the opening when B’z are singing.

I want Conan to change its character design to a fresh one, just like One Piece.

Next week’s taxi also has a similar art style.

I’ve been unable to relax on Saturdays lately and have missed out, so this is helpful.

It’s nice to be cool, but I also want a bit of that boyish charm.

>>9

In this collaborative episode, the 6-year-old was seen struggling while walking 8 kilometers through the Yakusugi forest, and there were moments when Lan-nee-chan fed him, which boosted the shotacon points significantly.

Here, Serah occasionally comes up.

>>11

I like the art of the person who draws Jin’s older brother in TCG.

Will it be like the 1412 version?

>>12

Maybe it was because I got used to the Tom’s version, but it felt really strange, seriously. 1412

>

Cute

I like the character design around just after the Saturday move the most.

>>16

The still image breaking down is one thing, but the movement is terrible.

I won’t understand unless I watch the main story.

Also, Conan is famously known for having a low salary compared to its name value…

His jawline is sharp, isn’t it? The current Conan.

>>21

It’s been sharp for about 10 years!

Last week, the old man’s drawing was terrible.

My head hurts more than my jaw, and it’s too crushed to be cute.

It seems that the Goryō star has undergone significant revisions in the BD, so the production must be quite tough.

>>25

While broadcasting on TV and releasing movies at the same time every year, they have been continually surpassing previous works in recent years, so the pressure must be immense…

I love the roundness of Tominaga Mari’s drawings.

I really liked the character design from last year’s compilation, and I wish they would do the main series with that design too.

>>28

The picture is new, but the colors are reminiscent of the past, which gives it a strange feeling.

I was so caught up in the story that I didn’t even notice the animation.

>>31

The impact of the criminal is too big.

I was excited to see the two artists from Conan after a long time.

>>33

I love this usual OP self-parody, but was the Kid version deleted…?

I found Haibara and Akai, but I can’t find Kid…

It may have been during the promotional period for the movie.

I think it’s tough to always be expected to reach the level of the right side, since the left side is honestly about what you’d expect for that kind of licensed artwork.

If it were figures, that would be one thing, but if you’re putting serious supervision into even the merchandise illustrations, it would never end!

Well, I’m not really serializing anything right now, so I have time, don’t I?

I like the illustrations up to around volume 5.

The artwork around the life-and-death resurrection was divine.

The magic Kaito I drew during that time was really beautiful.

>>41

Is it about the story where Maji-Kai faced off against Shinichi?

The illustrations by Master Goshō from volumes 23 to 30 are amazing, aren’t they?

When I was small, I used to carefully look at each frame and imitate it…

The animation of Conan has never really looked like the original artwork since the beginning, right?

I hadn’t thought too deeply about anime character design, but recently I’ve been seeing trailers for YAIBA.

I can’t help but feel like Conan can’t do this either…

>>47

The character design of YAIBA is just exceptionally good, and it’s just that the original creator is the same.

Since it’s being promoted on a large scale alongside Conan, it’s hard not to compare them…

As I read through it, I felt that there was a decline in the original artwork starting around the bourbon section.

It doesn’t really change much except for the initial stage.

>>48

It’s the same for Rumiko, but as you get older, you just can’t draw curved lines anymore.