The boss has always had a pretty silly constitution…

>>1

I was wondering if my father is somehow involved.

It probably won’t be talked about anymore now.

It seems like it’s an extension of the feeling where you know DIO is nearby the Joestar family, but you don’t know exactly where.

Does being able to do it mean that I’ve done it before? I wonder when I did something so pinpointed like this…

If Doppio is the main personality and Diavolo emerges later.

Is it not possible…?

>>5

That doesn’t make any sense that you can mimic Trish, a girl I’ve only just met!

>>9

It’s more like pretending… If we exclude unnecessary elements like the soul, it’s more like “the opponent can’t see and is identifying others by smell, so let’s trick them by using the same perfume as my daughter.”

>>7

The unreasonable demands on Doppio are too much.

>>7

Well, this adaptability is essentially the essence of the boss.

Even though Kinkuri is not actually invincible, it’s precisely because of the boss’s strategy that thoroughly covers its weaknesses.

I wonder if when you become a Stand user, you can sense when a blood relative is nearby.

I wonder if it’s an extension of lending only the Epitaph and the arm of King Crimson to Doppio.

If you don’t have the courage to punch even when you don’t fully understand your abilities, you can’t be the boss of a stand organization.

Only the events that happened in the flashback were talked about, but the boss itself was never mentioned at all.

The Trish here (boss) is super cute, right?

>>14

In response to the statement “You’re not a woman, are you?”

“Is it a bad thing to be a woman!?” Their quick comeback cuts off further probing.

When the soul departs in a requiem, the boss effortlessly chooses the host themselves and is exceptionally skilled at handling souls.

I don’t really understand it since birth, boss…

The souls of blood relatives influence each other in this world.

It would be more convincing to say they are bizarre beings other than vampires or rock humanoids.

It seems that he isn’t an ordinary person based on his background, but the boss doesn’t particularly touch on that aspect…

There are quite a few situations where being recognized as a close-range power type puts me in a pinch.

Maybe they are mistaking the boss’s scent in Doppio for Trish, but I think Doppio is just saying that because he maintains the setting of being a different person from the boss.

If I say I’ll give him something, Doppio will be convinced, right?

Bruno Bucciarati’s five senses are indeed dead.

It’s too confusing to understand how Mista, after getting his stomach shot by the boss and swapping souls with Trish, returns without any issues.

>>26

If it’s Trish, it’s an instant death, but if it’s Mista, he can endure.

>>26

If it were Trish, she would be dead, but since he returned to Mister.

Now that I think about it, Boss and Trish have only really had contact when he unexpectedly cut off her arm and took her away…

Well, regardless of whether I’m spending a rich family time or not, the fact that it mimics the form of the soul… doesn’t change.

Doppio is cute, you know…

Doppio the otter suddenly forced to do a beautiful girl adaptation in improvisation against the enemy.

Becoming the boss from Doppio is somewhat reminiscent of a Stand ability, so I guess I can do this much.

>>34

It’s a weird constitution that’s completely unrelated to stands, isn’t it, boss?

There are at least one of these settings in each part, which seem to be secondary abilities thought up on the spot.

>>35

What are you talking about?

What was that about the stand ability being half of what it was when it first appeared? It’s different from the details revealed the following week, isn’t it!?

It’s like I’ve only revealed the “female” part of my soul.

There’s no way Mr. is going to die just because he got his gut shot out after taking three hits to the head.

During the final battle, everyone is generally improvising…

I wonder if they had any plans to utilize Giorno’s ears for something…

Doppio has a dual personality of Doppio and the Boss.

Doppio’s own personality being somewhat dual-natured makes things complicated.

It’s like a slippery final battle is underway, so everyone is like “Whoa! I don’t really understand, but take this!” It’s quite common.

>>44

I’m going to find out the boss’s true identity! Oooooooh! Since the boss came along, let’s have the final showdown right here! Oooooooh!!!!!!!!!

How did you feel when you were talking about having a house in the suburbs and saying it would be good to live there, Doppio?

When I look back at the final battle, I can’t help but laugh at how much of a death flag Narancia has.

I understand that if I categorize it, it’s on the side that creates manga-like templates.

There are quite a few parts that are being deceived by the amazing flavor.

Well, when I’m reading it, I can just brush it off like that, so it’s fine… but sometimes I can’t let it go.

In Season 5, it feels like Mister is overworked.

Isn’t that guy in a lot of battles?!

>>50

Moderately weak and moderately strong, making it easy to move.

>>50

Giorno’s ability and its compatibility are incredibly good…

>>50

It’s the perfect strength.

Whether we win or lose

There must be quite a few stand users with a high aptitude for spiritual abilities…

It has a different taste… in some way.

The Spice Girls give a sense of having completed work just by existing.

>>55

I personally really like the true identity of Chariot’s Requiem.

I think it’s a genius idea to shape it so that there is one shadow with multiple light sources, instead of the usual where there is one light source creating many shadows.

>>55

The shadow is always stretching towards where I’m looking, so there’s a secret here!! ← I get it.

Immediately afterwards, it is interpreted that there is light behind ← Did you skip a week?

I understand well how the fifth season’s Bucciarati team has a mix of thoughts like “This is a good idea, but it’s difficult to use…” and “This guy is really easy to maneuver in battle!”

A man named Fugo, who was too difficult to use, deserved to be fired.

>>58

I feel like I saw something that suggested they initially planned to reintroduce the character as an enemy, but I wonder if that’s true.

>>63

Written in the author’s comment of the paperback edition.

I was supposed to come to Rome as an enemy, but I stopped because Bucciarati was too pitiful.

Instead, Chocolata and Secco came.

>>77

It’s unfortunate that the Roman citizens ended up in a sad situation instead of Bucciarati…

>>58

Spreading the murder virus around! Even the person can’t control it!

No matter how you think about it, it’s not a good ability to have on the side of allies.

It’s unclear whether it was deduced from Rolling Stone or added later, but because a fate that does not die awaits, no matter how much he goes through near-death experiences, Mr. keeps living.

I wonder why I’m still alive after taking a bullet to the head…

>>59

Pistols have the ability to manipulate bullets, so they can also stop them.

That’s why I survived; the bullet that shot into my head got stopped by my hat.

I think that technique was conceived precisely because of the experience from the Kraftwerk battle.

It’s convenient that even if the Pistols are roughly half killed, it’s still okay as long as Mister falls down.

Well, in Part 7, it really feels like Mister and Mister are traveling together in a tag team sort of way.

The boss is the kind of man who can set aside incomprehensible reasoning and focus on handling the situation.

It’s pointless to think about the fact that Polnareff is alive over there, so I won’t think about it.

>>64

The reader wonders why that guy is even alive.

Fugo is too difficult to use, and Abbacchio is too easy to use, making him hard to use in a comic sense…

Well, if you think about it, it’s a world where it’s normal for companions who died at the point of Part 3 to ascend.

You have virus resistance, so you should be able to team up with Giorno, right, Fugo?

The virus is evolving, but…

Is there something wrong with being a woman?!

…I see, she should come here too.

>>72

Although we were in a completely alert state,

I said something thoughtless… It seems like you’re being a bit too hard on yourself, Polpol-kun.

Something

I don’t understand, but…

Take this!

The final arrow battle is a bit interesting because everyone is in a state of not knowing what is happening.

>>74

To be honest, not everyone really understands what the final GE Requiem did either.

>>79

Giorno and the others crash-landed into the truth.

>>79

I don’t really understand anything, but it feels like I won!

If we’re talking about bad things, then everything is bad, but the depiction is just too lacking to begin with.

A man named Diavolo, whom it’s hard to definitively say is a villain.

>>76

Isn’t he a villain since he’s a selfish mafia boss who treats others, even his own daughter, merely as tools?

>>76

He’s a mafia boss who spreads drugs and carries out assassinations, so he’s definitely a bad guy.

The Bucciarati team is also a subordinate of that mafia, so they’re not in a position to criticize others for doing bad things…

>>90

Even Jotaro says, “I’m a stingy petty criminal who does dine-and-dash, but I can tell a despicable villain when I see one…” So there are hierarchies even in evil… (legally too)

>>76

I wonder why Perry Koro was so loyal.

Fugo can fight bosses in the special mode of PS2, but he can usually defeat them instantly…

I can only think that’s just how it is, so I did that, but after finishing reading, I realized that it’s so incomprehensible for Bucciarati to be moving with just his soul…

>>81

It is probably a concept where the spirit surpasses the body.

A depiction of human supremacy as a being that temporarily transcends death?

I think the expressive power of the strange convincing lines from Mitsuru Miyamoto, Tomokazu Seki, and Katsuyuki Konishi, even though they are all maxed out, is amazing.

I couldn’t help but laugh at the Diaboro Wave in the anime.

>>82

…h…h…h…h…h…

Uwaah… Uwaah… Uwaah… Uwaah…

Well, since it’s just the boss’s soul from that time, it might be something like an evil spirit, so maybe I’ve figured out some tricks for handling souls.

Rather than being revived, Bucciarati…

It feels like the person’s corpse has come to life and started moving.

It feels more like a story about defeating evil that spreads drugs than a narrative focused on the fifth part.

I have a strong image of a grand internal conflict between the mafia…

>>93

Giorno was originally a small-time crook who snatched tourists’ luggage…

>>97

Every time I reread it, it becomes interesting because it’s too far from what a man who admires gangsters would do.

I guess it’s because I can do things like this that my daughter’s existence feels critical.

If you look for the similarity in the stand abilities of actual dark ch, you probably won’t be able to reach the conclusion.

Regarding the boss’s ridiculous physical transformation, I forced an explanation that it’s like Billy Milligan, where a change in personality also changes the facial expression, so I guess that’s just how it is.

It seems that the boss initially wasn’t involved in distributing drugs.

I guess their thinking changed as the organization got bigger.

>>96

After burning my hometown in the flow.

I picked up arrows in Egypt by chance.

Sold to Enya-baba at a high price due to circumstances.

It seems that they started dealing drugs on a whim because they were creating a mafia with that funding.

>>108

The boss really lives for the moment, doesn’t he?

>>112

It’s a character from a weekly serialized manga.

Bruno Bucciarati, after being hit a few times by GE, was overwhelmed by sensations and thought he would die from shock if he continued to be hit like this—so it’s a bit scary to wonder what kind of sensations Chocolata, who was hit dozens of times, must be experiencing.

>>98

Well, it’s fine if that scum sees hell…

>>106

What a terrible nameless guy…

>>98

I will continue to savor the feeling of my body being crushed by a garbage truck as time flows slowly and my senses run wild…

If my daughter has the ability to soften objects.

The boss must have a similar ability.

We were planning for one person from the team to become the enemy.

I hadn’t decided on anyone, but as I progressed, it became clear that there was no one but Fugo, and the job offer had been made.

But becoming an enemy like this is too hard, so I stopped.

This is discussed as a bonus in the paperback edition.

What kind of mother continues to be pregnant for two years with sheer determination…?

The latter part of Volume 5 has a pretty reckless development and feels quite surreal, doesn’t it?

An enemy of humanity! An enemy of the city! Compared to the villains up to season four, this is just a conflict within the organization.

I think the presence of Trish and Polnareff is quite important to give validity to this side.

If you’re a self-righteous jerk who only thinks about your own peak state.

I don’t think you’re revered by some executives like Perry Koro and the others to that extent, boss.

>>109

I highly value Bucciarati and I guess I’ll bestow my affection on my personal favorites.

The assassination team has a low salary, but…

>>109

Well, it seems that they are saying impressive things on the surface to maintain the organization.

The outrageous actions of a boss whose drug crimes in Europe are said to increase tenfold, spoken of nonchalantly.

The sixth part was prominent, but from the fifth part, there were already hints of being fuzzy and incomprehensible.

I think my thoughts have changed as we built Passion and expanded the organization.

If they had that mindset from the beginning, they would probably hate the idea of increasing the number of Stand users within the organization because it would be too risky.

There is probably a certain level of complacency like thinking it’s okay to just go along with it since I can skip it with a kink.

Kinkuri’s expressions are so rich that it somehow makes me laugh even in serious scenes.

The thread image gives off a vibe that you can somewhat understand.

I don’t understand why the rock person is spitting out rap from their eyes.

Kinkuri is first funny because of their face…

>>121

😬

😬

A sudden landing towards the truth…

It definitely feels that way…

The fate passed down from the KinKuri, who rages in the voice of Konishi, to the White Snake, who rages in the voice of Seki Tomokazu.

What are you doing? There are some clearly understandable and interesting battles, like Doppio vs. Risotto.

It’s not about consistency or human anatomy or anything like that; it’s just that what they’re doing is very clearly conveyed visually.

Due to the difference in appearance, King Crimson seems more like the main body than Diavolo, right boss?

I have an image of King Kuro being made to speak instead of the boss in too many situations, always shouting while sweating nervously.

I never thought that Giorno and Bucciarati would finish taking over the organization in just one week, considering they were planning it for years.

Stand users are drawn to each other too much.

The boss got involved with drugs because he was able to have a subordinate who could transform salt into drugs.

That was an afterthought setting.

>>131

Isn’t it horrible that just by making drugs, it indirectly caused the boss’s death?

>>131

This is bad.

What would happen if we threw that into the sea?

>>131

It’s not technically an official setting because it’s a shameful pairing, right?

If it were a boss who valued his daughter, could he have betrayed the drug matter, Bucciarati?

Damn it!!

Against me!!

In this hand!!

That “arrow” is not in my hand!!

How dare you!! Such a thing!!

The reason the assassination team is coming individually is that if they take their time to surround, they could get away, so they’re targeting the nearest one first.

The schedule is too tight.

>>136

The in-story time is just too short, so it turns out the assassination team wasn’t actually foolish… which is a bit surprising.

>>137

Trains are particularly easy to understand, but if you miss it there, you won’t be able to chase after the Bucci in the turtle again.

I’m doing the bare minimum so the next teammates can chase after you… Incredible, isn’t it? Assassination team!

I want to hear about the author’s state of mind towards the end of part 5.

I feel like it ended beautifully, even if it was incomprehensible in the anime.

Since I’m drifting, the period is over a week just in case.

The number of days depicted is 7 days.

It’s the result of doing everything we could, but there are times when Iluzō could have finished off a few more and reduced their numbers.

Who are you all in this panel?

The assassination team was already in a bind once they gathered…

I’m afraid that groups like Little Feet or Beach Boys could be easily misused in so many ways.

>>146

The Beach Boy’s ability to pierce through anything other than a specific target is surprisingly powerful.

The feeling of the epitaph’s mascot character.

What even is the smell of a soul, anyway?!

In Part 7, DIO was picked up, and in Part 8, Kira was picked up, so I wonder if Diavolo won’t be picked up in Part 9.

The Beach Boy is such a strong Stand that even my older brother praises it highly…

On top of that, the main unit’s Pesh is quite intelligent too.

The highlights of this series are

“Poruporu-kun reflects a little, thinking, ‘I didn’t give enough consideration to sexuality…'”

The boss feels more like an evil spirit attached to Doppio rather than a multiple personality.

The boss is in their early forties, so it shouldn’t be entirely possible that Doppio is the true self.

If that’s the case, it means I haven’t changed in appearance for about 20 years.