>>1

It feels like that guy who was treated to a mysterious dessert by the chef.

Is canned food a commercially available item and not a secret tool?

History research is annoying, so…

There’s something like the Sengoku Self-Defense Force, right?

I couldn’t dominate as much as I thought I would.

>>6

The adaptability of people in the Warring States period is too high…

I wonder if people in this era were eating meat and fish.

>>7

It depends on the place and time.

It seems that throughout all ages, fishermen who primarily consumed fish and meat had the best nutritional status and were also the tallest.

>>82

I see.

>>8

I looked it up too, but it’s not there.

I want a convenient magic.

You can’t create a development like “This is a well,” can you?

>>10

I’m taking out a tool that releases water on pages that aren’t glued.

>>11

If someone is so stupid that you wonder how they have lived until now, even someone from another world would feel nothing but discomfort…

>>11

The local people of ancient Japan were all idiots! If you say that, then you’re basically saying you’re a descendant of those idiots.

When the setting is a popular era, it turns into a self-insert fanfiction that tramples over popular characters.

Rather than being unrivaled, it feels more like working together on an equal footing.

There haven’t been many tuberculosis treatments until recently…

>>14

Basically, if you were born as a subordinate or family member of Oda Nobunaga and lived off his life, you wouldn’t have to think about the plot summary!

If you don’t want to die at Honnō-ji, you need to think about the next steps…

>>84

Even if you’re born to the people around the Three Heroes or are one of the Three Heroes themselves, it’s full of death events that make you wonder how anyone survived, so it seems like surviving there will ultimately feel like a struggle for your life.

It’s way more than the old foreign stages.

Nobita fails in trying to outsmart cavemen.

If “Muso” means the local people are incredibly dumb and the protagonist is the strongest, there’s not much of that.

Rising to power immediately after being recognized for abilities in the past is already a standard genre.

I want magical and supernatural elements, so I’d like to see things like onmyoji, tengu, and esoteric Buddhism included as well.

The raccoon doctor who uses mysterious and magical techniques is scary…

Doesn’t it change genres because it feels like a time-space alteration?

There are plenty of them, but without knowledge, it’s impossible, so most of them sink quickly.

This guest heroine is so cute, isn’t she?

I’ve already reincarnated from Nobunaga and expanded to include Saito Dosan’s son and Oda Nobuhiro.

>>30

If we had used a helicopter, it would have been easy…

>>30

The Self-Defense Forces lack the contemporary premise that hesitates to engage in proactive activities, so I end up thinking, “It’s just convenient for the discussion!”

It’s really hard to estimate how much knowledge, vocabulary, and corresponding thinking ability the residents have, whether in the past or in another world.

Even in modern times, estimating that for any individual or group is usually not accurate anyway.

No one does such a stupid thing! (Historical fact)

Doraemon is different in that he could be unbeatable even in a different era.

>>34

Unleash even more like in the age of dinosaurs or the primitive era.

Basically, it’s going to be a pinch.

>>42

In the end, both were actually dealing with time travelers…

The Self-Defense Force in the Warring States period wouldn’t even be in the Warring States period.

Even in modern times, you could dominate with Self-Defense Forces equipment, so it’s quite reckless to go to the Sengoku period.

For the sake of the story, it is unavoidable to weaken the characters.

I remembered yesterday that the Arara Boy Bandit Group was interesting.

The SDF in the Warring States taught us the weakness of tanks without accompanying infantry.

The movie “Sengoku Jieitai” has its share of criticisms, but it has a convincing storyline about losing, and the sheer number of soldiers makes it quite impressive to watch.

It brightened the dark night in an instant, healed the sick, provided delicious food, and made it rain.

No matter how you think about it, it’s a myth.

So, Oda Nobunaga! You are going to be killed by a rebellion from your subordinates!

The National Defense Force of the Warring States is also unable to supply essential equipment at all.

It’s strong, but in that sense, it’s isolated and unsupported, and that’s just how it is.

There is simply too much of a difference in popularity between historical fiction and otherworld fantasy…

>>48

It’s not about the difference in popularity, but rather that it’s hard to lie, isn’t it?

>>56

I think it’s different.

>>56

To be honest, if there’s an occult or supernatural element, that’s one thing, but if it’s just about managing something in a past world, I wouldn’t think to read it on a posting novel site.

If it’s actually curing illnesses and raining, then it’s not a trickster tanuki, but a tanuki deity.

>>49

Actually, there was an original episode where Doraemon was sent back to the past due to an accident with a secret gadget, and his struggle was left as a fairy tale called “The Earthbound Jizo.”

>>64

A rare scene of Doraemon pedaling a bicycle by hand because his legs can’t reach the pedals.

If it’s a time travel type, then even a presence like a time patrol from the future would appear, making it difficult to be invincible.

I’ve only seen the Sengoku Jieitai where Sato Eri attains enlightenment.

Why did it come to that…?

First, if you see someone who is not from the local area, they are a suspicious person! Kill them! We need to start by avoiding this era where people are mercilessly killed without question.

Nobita did fairly well when he went to the American West during the pioneer days.

Rather, that’s not the kind of thing that falls under modern knowledge domination or something like that…

>>54

I think there’s quite a romance in being unbeatable with a useless skill in modern times.

>>54

I have skills that can’t be used in modern Japan.

It’s a story about going to a place and time where one can fully demonstrate that.

Doraemon has both the ability to be unbeatable with secret gadgets and the tendency to get into trouble due to the mistakes of himself, Nobita, and Gian.

The design of the doctor’s bag looks good now.

It’s inspired by the bag that old doctors used to carry.

>>57

It’s the so-called doctor’s bag that has been specially customized for doctors among the Dulles bags.

It’s just that compared to another world, it requires less knowledge for storytelling.

There are quite a few history enthusiasts writing.

Historical novels tend to be less popular because they require readers to have a certain level of knowledge.

Everyone knows that general, but the reactions are so different between those who get excited about the development and those who say they don’t know who that is.

>>60

However, even the most obscure people are known by someone.

I have heard that sometimes they even go as far as the lunar age.

Doraemon is such an expert in otherworldly matters that even his creator, Mr. F, lamented, “There’s no more place for him to go in the theatrical versions.”

Historical stories, unlike those set in other worlds, require proper study.

Isn’t it extremely a lot?

>>65

There are many.

There are also those who are reborn as the son of Saitou Dousan, and I can quickly think of at least ten works.

It’s not like it’s extremely numerous.

It’s fairly common.

If I were to do something like Musou, it seems like history would change quite a bit, so it would require a lot of thinking to depict it.

>>70

Even if you don’t dominate that much, just changing the flow of battle a little would likely alter history significantly from there on.

I can’t imagine at all what history would look like after Nobunaga died at Okehazama with just a little push from someone from the future.

>>155

I understand because I’m also a fan of the butterfly effect.

I think the notion of historical revisionism is the pinnacle of nonsense.

>>168

I understand.

It’s just that the author can’t think of what happens next.

>>175

Writing a complicated history that you don’t know would just be overly self-indulgent and hard to take seriously.

JIN ultimately liked that modern medicine had changed a bit too.

Isn’t the assumption that there isn’t much just wrong?

I just think there are more novels and comics than on the web.

It’s relatively common, but the skill lies in how closely it adheres to historical facts and where it takes creative liberties.

If you modify it poorly, it will keep getting worse.

A work can become popular even if the readers don’t know the author.

It’s not about reincarnation in modern times, but how many people in the world were interested in Kingdom’s Li Xin?

There are too many because other worlds can be depicted carelessly by anyone.

You rarely see other worlds where civilization is more advanced than modern Japan.

Perhaps it’s hard to create stories for entertainment purposes.

>>78

There are those who are reincarnated in another world where they ride robots in a science fiction setting.

>>78

In a way, there is no need to turn it into another world.

Even if there is magic in the year 3000, which is an extension of reality, it can be justified as science fiction…

>>78

Once you go that far, it becomes science fiction rather than fantasy.

It’s fine if I’ve been abducted by aliens to a different planet or thrown into the distant future.

>>78

When I think about whether anyone can really draw it and if it’s low difficulty…

>>78

Isn’t it better to set it in another planet rather than another world?

>>78

Since it falls into the genre of sci-fi, well…

It does exist.

Outside of Japan, it was 136 years ago.

There are novels written about American engineers time-traveling to the time of King Arthur and becoming unbeatable.

This kind of genre probably exists all over the world.

Time slip stories based on historical events were more common in the past, weren’t they?

There were various live-action movies.

To be honest, there are many who just want a white chief, right?

It feels like many of them are being made into dramas.

There are too many people who get transported to the Sengoku period with an abundance of knowledge and trivia, as if they have a Wiki built into their heads.

>>96

Isn’t it strange that it’s been several years since the introduction of potatoes?

>>102

Convenient memory loss!!

>>96

In modern times, it seems that there are more people who haven’t input knowledge into their heads because of the internet.

However, if you pursue that kind of reality, you end up having to stand on the historical stage without any hints… which would probably lead to death, normally.

As manga artists grow older, they tend to want to work on historical works.

As food manga artists grow older, they tend to want to depict the Edo period.

>>97

It’s not that they want to do it, but since there’s a gap in age with young people, if we don’t shift to historical themes, there will be a disconnect…

>>97

Those who have their names recorded in history generally have a strong presence and also have events, so the effort required to draw a manga is reduced.

>>105

Isn’t the effort required for Histories rather increasing…?

>>114

That one is created by incorporating a vast amount of research into the interstices of historical facts and trivial details, so it’s no wonder the effort increases!

>>114

There are quite a few works that feature a main character without any notable famous episodes.

It’s easier to draw freely that way.

There were quite a few shoddily advanced civilizations in another world with magic, robots, and airships… There were also quite a few comic adaptations.

As for the writer, that’s one thing, but the reader doesn’t really need any knowledge for historical works…

On the contrary, I think having knowledge can sometimes make you feel a sense of incongruity.

Science fiction about a different planet where the things one can do are completely different from modern society.

The level of detachment from the real world is not much different from what is commonly referred to as another world…

Logistics! Logistics!

>>104

I don’t know anything about logistics paperwork…

I feel uneasy about saving certain individuals who were meant to die in this way with a time machine.

>>106

It won’t kill you, but that’s just how it is for Nobita.

>>106

Are you saying that TP and Doraemon are wrong?

Speaking of which, the person from Ramen Discovered was also writing about going back in the past and being invincible, right?

>>107

Is the serialization resuming yet…?

>>113

I want to read that more than the current ramen re-entry…

>>113

Ramen is very popular, so it seems there won’t be any for a while.

>>113

In my long career as a manga artist, I have never had my work attract this much attention.

They said to please wait a little longer for the resumption, sorry.

I thought I had never read “Sengoku Jieitai,” so I tried a sample reading and they were quite defeated in the first battle!

I believe that the theatrical version of the Sengoku Self-Defense Force, which includes rape by Self-Defense Force personnel, has a higher level of realism.

I don’t eat potatoes much… Oh! There was a wise ruler who spread them by putting up a sign saying “Don’t steal,” which ironically made people steal and eat them.

Regarding the treatment of women

>>116

It is undoubtedly an episode of a great ruler, but there is also an unpleasant aspect that makes you feel that humans really…

The creator of Urayasu also drew a story about a pro wrestler who goes back in time.

It said on the last page to tear it up and throw it away after reading.

A story where a person with average knowledge of the Sengoku period can’t do anything and ends up dying in the wild would be boring, right…?

>>120

What they’re saying is just a contrarian thought.

>>120

Are you saying that Time Traveler (the movie) is no good?

>>135

Satisfied with the time traveler (Famicom game)

Is Zipang also in this genre?

It’s really a lot, and it’s been around for a long time, hasn’t it?

In a way, I feel like Hideyoshi’s entire life resembles a story from a “Narou” novel, where a reincarnator from the future or another world becomes the ruler of the realm while living under the venture daimyo of Owari.

>>126

If it’s a story where I scouted my brother’s subordinates left back in the countryside and they ended up sticking with me through my unreasonable demands, it would be a frustrating development that would surely be criticized.

Even if we call it modern knowledge mastery, doesn’t it become impossible due to the huge amount of prerequisite knowledge and conditions?

In Kouta Hirano’s Drifters, a large number of drifters wash ashore besides the main characters, but most of them just die without being able to do anything.

It’s impressive how unfazed the children are by the blue talking raccoon.

In this era, it seems that most mysterious things can be dismissed as the work of youkai or gods.

>>132

If you say that, then it’s already strange that it’s accepted in modern times…

Historical research is not just a fixation of the author; it is a matter of courtesy to those from the past, so a certain level of it is necessary, whether we like it or not.

>>133

I don’t really know what it is, but are you saying that Bungo Stray Dogs, with its casually crafted characters, is strange?

>>133

I like the stance that great heroes who leave their names in history, like those drawn by the daughter of a Takugin, can’t possibly be incompetent, but I also understand that if all the characters are too intelligent and proceed with things too smoothly, it can make the story less interesting.

If there isn’t at least one or two foolish people or stubborn individuals who can’t reconcile their emotions, reading it becomes dull.

>>133

It’s a consideration for history buffs who care about that.

I have some idea about the Edo period and the Sengoku period, but I suddenly don’t have any knowledge about the period before the Sengoku.

>>134

That seems to be aimed at women.

>>137

It certainly seems like something might happen around Hikaru Genji or Princess Kaguya.

>>134

The biggest advantage is that you can use the knowledge the readers already have as a hook.

If it’s set in a time that readers are not very familiar with, it tends to get less attention, only receiving some detailed comments from a very small number of knowledgeable people.

>>134

The Birth of Japan in the Thread Image

>>134

When both the writer and the reader don’t really understand, it becomes no different from fantasy.

>>134

There are reference materials available up to the Edo period and the Warring States period, but before that, the materials are scarce, making it difficult.

It’s tough knowing that my favorite character is guaranteed to die in historical dramas.

As it gets too far back in time, the aspects of clothing, food, and shelter lose their vibrancy, so it seems difficult to depict them in that sense.

Well, if we’re going to set it on a stage, it should be an interesting era…

During the Heian period, it seems that musou was primarily focused on romance…

>>145

Shall I get a head start on a famous poet’s song…?

>>145

Well, the Heian period wasn’t actually that peaceful…

It mentions things like the new emperor.

>>145

I don’t want to get involved in the politics of that era…

>>152

Think in reverse.

Is there a time when you want to get involved in politics?

>>145

During the Heian period, it seems that there was really only the direction of romance for the unchallenged soldiers.

There is the Sōheikōkyō Rebellion.

This is a chance to be unmatched against Masakado and Sumitomo.

>>145

It might be something like using Onmyoji to leverage modern science, or empowering samurai with wisdom and martial power to overthrow nobles…

During the Sengoku and Edo periods, the culture is so distant from modern times that it’s almost like a different world or fantasy.

Jin is more about survival than being unmatched.

Even though the Heian period is referred to in one breath, it is quite long…

It’s about time I reincarnated after the war and became invincible.

>>157

It seems like a bubble will be futile.

>>162

It seems there might already be a story about soft-landing a bubble with modern knowledge and unmatched skills.

>>181

How can Takushoku Bank be helped?

>>157

I don’t feel like I can be unbeatable no matter what I do.

>>164

Your skill is wire detection.

The Self-Defense Forces during the Warring States period are representative and famous, but at that time, they were incredibly popular and being mass-produced.

Even if you haven’t read about the Sengoku era Nagashima Giants, I guess you’ve at least heard of them.

Historical research changes frequently, so even in the case of old period dramas, there are instances where the facts differ despite having been researched.

It’s just fiction, so that’s that.

The first appearance of the gashadokuro by Utagawa Kuniyoshi in yokai tales.

It’s rare to see manga that depict events after a major change in history.

I struggled even with benevolence, but it’s way too difficult to find materials for modern knowledge overpowered.

Even if I try to make soap, what should I do about caustic soda and its alternatives…?

>>165

I think there were times when we managed because the blacksmith was cheating.

>>165

Sure, after burning the plants, dissolve the ashes in water to extract alkalinity.

If there is too much potassium hydroxide, it will not solidify and become liquid soap, so be careful.

People who leave their names in history are certainly capable, but at the same time, they usually have human emotions as well.

There are different positions and corresponding objectives, and there are also various factors around that can hinder progress, so it should be possible to be smart enough to navigate through it…

>>167

You just need to write about humanity as well.

I understand that historical figures are not acting based on optimal solutions.

Selling military supplies that were swindled with modern knowledge in the black market, unstoppable!

It is a cruel act to serve delicious food through reincarnation or time slips because the locals will never be able to eat that meal again.

I occasionally see the claim that…

I wonder if it’s really that terrible, considering there are various experiences in reality where you can never eat that again.

The Heian period’s unbeatable might seems like it’s going to resemble a Korean court drama that was really popular for a while.

The artificial sun is scary…

>>176

What is it?

Are you saying that there was someone who almost made the artificial sun go out of control and cause the Earth to disappear?

I still don’t really understand why we won at Okehazama in the first place.

I don’t think it’s strange at all if the truth is that I recklessly launched an attack and found myself right in front of Yoshimoto’s main base, and ended up winning!

Giryū’s stuff is often posted here, yet I hardly see any discussions about the story.

Even if you look at old maps of Edo, there are compasses and they must be found if you search for them.

How many people can memorize everything without relying on things like Wikipedia?

In an alternate world, residents can be set as foolish as needed, allowing the protagonist’s side to have a relatively advantageous position in terms of intelligence, but that isn’t possible in a historical Japan setting.

How long will the current paradigm last in this era…?

It hasn’t even been 100 years since the end of the war.

The way for the Nankai Hawks and Kintetsu Buffaloes to survive without disappearing is…

>>189

Do you think there are people in the future who want to save others?

Even in this reality of history, I’ve heard that Japan seems to be experiencing a soft landing from the bubble economy.

What happens if it crashes for real?

The legend of Minamoto no Yorimitsu exists in the Heian period’s unmatched tales.