>>2

I told you to stop…

Katahiranto

The character on its own isn’t bad.

Stay in a dimension that has nothing to do with this.

The flow of disaster is really hopeless.

I also have a Stand that works at the hospital without permission.

Why is the stand operating the hospital…

Is it even appropriate to classify this as a Stand…?

>>11

You must not start talking about what a Stand is!

But well, if I think of it as the accumulation of misfortune in Morioh Town during the second round, I feel this is enough.

I like the name for some reason.

I don’t really know why, but I defeated it.

I stopped at part 7, but after watching this, I want to read part 8.

The guy seems to have a surprisingly good reputation as the director and might have participated in dinners or year-end parties.

What kind of mentality would lead to someone like this being born and working as the director of a hospital?

I think that theoretically, if I have Epitaph and King Crimson, I can reach the main body.

>>19

It seems that a disaster is about to strike in the time I’ve jumped to.

This ASBR thing won, but I’m just glad it got away unscathed… it doesn’t feel like a victory.

I wonder what would happen if we let cars chase after it.

I wonder if I’ll be sent flying into space due to disaster power accidents.

>>23

That was something that could be done with Aijar’s red stone and Joseph’s intuition, so I guess it will end with capturing it before causing any more disasters.

It’s something much bigger that just appears by borrowing the form of a stand, like Rolling Stone.

Even if Tohryu-kun dies, he was still acting, so it’s no longer a stand, right?

The disaster has even come to like Tōryū-kun and is acting while wearing the stand’s skin.

Miragroman also has a stand form.

Is it something like a phenomenon?

>>27

Miragro-man is the stand of an ancient merchant.

Like Cheap Trick and Notorious B.I.G, it’s a pattern where only the stand remains even after death.

Even cigarette butts can penetrate the human body, so I think the calamity that can affect even Kars will start to activate.

>>28

In reality, the rain has the power to penetrate the body, and I think the idea of Cars being an invincible creature doesn’t quite fit with common sense.

The way Cars is defeated is like a disaster, after all.

It’s all thanks to Joseph’s protagonist privilege.

Unless magma erupts from the hospital, there’s nothing else we can do.

I don’t know the fighting specs of Stegoro Man.

When I see ASBR’s rain, it reminds me of Storm from MvC2, and I can’t help it.

Why are you putting distance between us?

Even if you deal a penetrating attack to Cars, it doesn’t cause damage, right?

I wonder what happens if it’s an attack without malice.

If an accident were to happen to this guy, it would truly be a disaster.

>>35

It’s not out of malice, but whether to chase this guy or not, so it just passes normally from an accident.

It’s too advantageous for me…

After all, it’s only a disaster that can cause humans to die…

It seems that the director, Akifuku Satoru, is just a person whose family register was taken away, so I think this person can masquerade as anyone and do any job.

Well, even if I corner them, Cars doesn’t have any effective attacks either…

I don’t really understand the abilities anymore and feel like I’m just going with the flow to clear it, but I quite like the appearance.

No matter how you look at it, they’re way too strong, but I guess that’s how final bosses are.

If I scatter squirrels and piranhas around the people, it will probably end with the Tōryū being killed eventually.

If I could use large-scale indiscriminate attacks for a different purpose, would that be acceptable?

>>44

In other words, it’s Chocolata…

The worst thing about this guy is that it continues to act even after the main body is dead.

Even this guy is the worst, so stop spreading those malicious bugs.

A stand that is extremely terrible, lacking any sense of shame, precisely because it is a creature with a parasitic lifestyle.

A stand that earns money for me.

Just indiscriminately attack while involving the surroundings, so spread it with Weather 🐸.

There were probably plenty of attack-type stands that don’t chase you until part 8, but it was hard to get into the way they were treated like, “There’s no way I can win against this… what should I do!”

In the first place, this guy can be completely shut down by Daiya-chan’s ability.

>>51

In the main story, even without Gobeyond, there are quite a few risky situations, right?

>>51

Just thinking about completely shutting it down with my abilities makes them activate, so it’s impossible.

>>58

The California King Bed is just taking away memories for what it thinks is good, so it works.

>>74

It has been called out for being “pursued.”

King Bed-chan is a set trap and has no malice, so I don’t understand.

>>79

Regardless of it being a trap or not, anything created with a stand will also be considered a disaster, and the presence of malice is irrelevant.

I wanted it to be a stand related to cause-and-effect relationships or eating relationships.

By the way, it’s also out if something created by the Stand chases you, so even if you’re aiming for an unforeseen accident over a wide area, it’s still out with Green Day.

I wonder if it would be possible if the Red Hot Chili Peppers were to play in a wide range under the same conditions?

If I recognize this guy, I can’t get involved, so I need him to come over on his own or I’ll be in trouble if I accidentally get caught up in it.

If you’re not hesitant to involve those around you, there are many ways to cope.

Well, in JoJo, even the protagonist doesn’t really care much about the damage to the background characters.

I wonder what the judgment would be if I approached while stopping time.

>>59

Gravity has penetrated, and disasters are phenomena unrelated to Stands, so they might penetrate too.

At the moment the attack is initiated, you’ll receive a tracking judgment.

Being defenseless like that is a weakness.

Hoi rock organism

I thought they brought out another boring gimmick boss…

It would be fine to let the Tōryū side pursue according to the main story.

It’s difficult to aim for that.

I was thinking that the art style changed completely from SBR to JoJolion!

I thought again that a lot has changed from JoJolion to JoJoLands!!!

Kishibe Rohan, what are you even? Seriously.

It’s a lifelong task of continuing to pursue Act 4 and a test of endurance.

Even if you try to cause harm, the activation conditions have a very wide range.

As long as Tōryū-kun himself is not caught up in the disaster, it will activate no matter what he does.

It’s not the ability to bring disaster.

It is often overlooked that there is an ability to manipulate and direct those that bring disaster.

>>68

The calamity itself exists in that world, you know.

I’m curious about what would happen if this guy faced off against the Love Train.

As expected, the misfortune evasion of Love Train seems stronger.

>>69

If it’s a love train, we can repel disasters, but I personally think that the love train side also has no effective attack methods against the thread image, and it seems likely to end in a draw.

I couldn’t really enjoy it after thinking that the gimmick seemed like it could change depending on the needs of the story.

As long as he is thought of as the director, he doesn’t spread calamity and his reputation is good.

The mimicry ability is amazing.

It’s enviable to be able to achieve the position of hospital director through independent action.

I wonder if, at the moment I tried to take the director into the hotel after the dinner, I would stumble and get hit by a car or something.

I wonder what hospital staff do when they need to communicate with the director.

>>77

The reporter who tried to expose the director based on Jousuke’s information was able to meet normally until the meeting.

As soon as it was understood to be “the one who followed,” it became a target of disaster, so it seems that there are certain restrictions placed on those officially meeting the director as part of their duties.

There is so little to deceive the Tōryū that it becomes all about the design and abilities of this Stand.

I think the only thing that can avoid an unavoidable fate is a “kinkuri.”

Still tough with the range and cooldown.

It’s tough when you have to deal with a Stand that you need to chase.

It’s good to keep it at the entrance.

It is an amulet against evil.

>>82

No, no, no, no.

Whether there is malicious intent or not, as the person says, doesn’t matter with this ability.

Only those things that come close to me and seem troublesome will be struck by the flow of disaster.

Go Beyond is too abrupt.

The range is too long.

The disaster guard operates even on the main body away from the stand.

That’s just too convenient, no matter how you look at it.

It was impossible to pretend to be the hospital director after all!!

The judgment of “chasing” changes from moment to moment, so discussing which stand can actively win is pointless.

Sometimes just trying to approach from far away can result in instant death attacks, while other times, like with Nijimura-san, it’s okay to get close up to a certain distance.

I feel like Part 8 had a lot of gimmick bosses.

It seems that Love Drain could be clearly advantageous.

I wonder if the staff searching for the hospital director who has to hand over this document will also be in trouble…

>>91

Since Yasuho-chan was able to date Tohryu-kun, I think she might be able to switch on and off to some extent…

The proper way is to push through with the love train, get close, and take them down.

The moment I remembered, “Oh right, there was a director,” just as I gave up chasing, disaster struck.

It’s just how he was born, but Tōryū-kun has such a virgin mindset that he falls in love with Kōho right away from that much contact.

It seems like Daiya-chan and I are really incompatible.

I wonder if it will activate just by looking at this photo.

The key point is that, although both hospital staff and the general public know each other’s faces, for some reason, they don’t recognize Josuke and the others.

It looks like the stand that Kira really wants.

That guy wants certainty, and if he really escapes, I guess the wonder of U wouldn’t suit him.

>>97

That’s not the case.

Because I can’t kill the one that’s chasing me.

It’s really stressful for someone who knows my true identity to be pursuing me.

I don’t know what works on this guy, but…

The subtitle “The Wonder of You (Your Miracle of Love)” is just too cool!

>>97

Isn’t Baitzadust more convenient?

There is a possibility that the opponent may recklessly spread information, so it is insufficient as a means to silence them.

Baitza can rewind time, so there’s no need to worry about that.

Kira also wants the ability to obliterate evidence.

“I liked the part where it says ‘It’s good to make someone chase after you.'”

If only there were no rock creatures.

I think there are quite a few people who want it, considering how unreliable the disaster’s attack power is and how much it fluctuates.

You need to have a certain level of indifference; otherwise, it’s impossible.

First, the difficulty of making them follow is too high, so it’s impossible.

In the end, the boss also goes out to kill (or doesn’t kill) the troublemakers himself, so he doesn’t want this.

Kira and the boss are the type who can’t stand living while carrying the burden of those who gave up and fled even though they knew the information.

The only way to kill the immortal Mamezuke-san.

Since it’s a power based on rock organisms, if I can get it as a set, then well…

There may be some original source, but I really think the character design is exquisite.

I don’t like Tohryu, but I like this one.

>>115

It’s so creepy that I’m singing “Wonder of You” while watching Kouho in pain.

The song is a masterpiece, but…

Let’s possess Cheap Trick.

The black appearance moves on its own and is counter-type, which reminded me of Chariot’s Requiem, but it had no particular relation.

Even though I didn’t absorb a strange corpse, my Stand is too powerful.

Before becoming the hospital director, during the competition for the position, when the opposing faction investigated who that person was, they were completely defeated and ended up rising to prominence automatically.

I wonder what will happen against D4C.

If judged as being chased, it’s out, so will it be crushed by disaster before launch, or if the launch is in time, can it achieve a mutually destructive outcome?

I don’t have a disagreement about this guy being a strong final boss, but I think the image of “strong enemy” is more strongly associated with Vitamin C.

That guy is crazy.

When Mamezumi first appeared, there were soap bubbles represented as threads, so I wonder if the concept of Go Beyond was already in mind around that time.

>>123

It’s like a setup to bring us to the theory of Go Beyond, so that makes sense.

The first appearance of Go Beyond is actually in Episode 1, but that feels like a later addition picking up on the early parts of the story.

The director is really cool, but the actual body is too immature, so it’s not quite right…

>>124

Anonymous! Stop this damn anonymous right now!

I don’t know what kind of medicine it is, and since there’s time until it activates, I wonder if the main body will move oddly and get caught up in it.

It feels like the hospital director was possessed by Toru-kun, right?

It feels like the disasters that exist in the world are merely utilizing the flow of immense power.

After all, the boss is Damokan.

I wonder how it would be incorporated if it were turned into a game…

>>131

JoJo’s Bizarre Adventure All-Star Battle R! Scheduled for release in 2022!

>>141

They’re already here…

>>143

Your voice is really cool!

>>152

You can hear it in the MAD video above.

It’s quite deep… Really, the voice of an otaku is deep.

>>131

It depends on the game, but in All-Star Battle, it was done quite well to resemble that.

I liked how Accel Putt was defeated in seconds.

>>144

Disasters are the world itself, so unlike living beings, they accelerate…

Personally, I love that scene of Toru being the final bee so much that it feels like I’m getting change back.

I don’t want to see your face.

As for the initial conditions for activating the Stand, if it were a stationary type with no intention of pursuing, it could have been defeated just like that.

Gradually, can the depiction surpass the laws of this world, such as curses and fate which are themes of the club?

I think the interpretation of what works varies from person to person because it will be settled with Go Beyond.

I think that if there were a vision not only for superpowers but also for supernatural phenomena, it would be fine with a level of looseness like a Stand when reading “Mukanai.”

There are also gods of muscle in this world.

In various ways, the main body is something else.

The stand feels more like the final boss than the main body.

The main body died first.

What’s amazing is that it can provide proper answers on its own that would look good to the general public and can handle interviews without any issues.

This isn’t a disaster in itself, right?

It’s just utilizing the existing concept of disasters, isn’t it similar to Sky High?

The main part is quite mundane and somewhat trivial, though.

However, it’s eerie that there are many unclear points in their background.

It feels like the calamity itself has transformed into a humanoid form and is being manipulated.

The operation is a Stand ability, so this itself is the embodiment of the concept of disaster.

It’s impossible to kill each other in a fair start, but it’s interesting to think of strategies for how to kill in a situation where Chocolata comes to Morioh.

Even if a saint walks without error… evil deeds sometimes occur and cannot be avoided… that is ‘calamity.’

I like the taste of JoJo.

The voice is cool.

The translucent dragon itself is just a thin and empty nothing, but the interesting part is that there’s a powerful and unfathomable stand behind it.

Because the subject doesn’t matter, the absurdity of the attack, lacking meaning or intention, shines like just a natural phenomenon.

That’s why I think Tōryū appears as a frivolous young man while the director appears as a serious old man, creating a contrasting appearance.

I think it effectively depicts the symbol of disaster, including its absurdity.

I can’t do anything about it, but still, I have to face it somehow and overcome it.

>>153

I wonder if this is related to the mention of the earthquake at the beginning of the series.

You cannot escape from disaster.

I like the conclusion that there’s nothing to do but overcome it.

I think the game’s stand and Tohryuu’s voice really fit perfectly.

In terms of dispelling impending disasters, it is overwhelmingly stronger than Paizadust.

But it’s invincible against an opponent that follows, but it’s not suited for chasing someone.