I was happy to see chaotic and flustered scenes during the battle, along with arrows falling, and I reported multiple times that I was glad I didn’t have to run away; it had a unique charm to it.

When it is adapted into a visual format, King Crimson looks stylish and cool.

I know it’s persistent, but I’m really glad you didn’t run away.

The stand battle itself is good, boss.

>>5

Polnareff has figured out the distance of the stand, and he’s using a counter strategy that makes the most of his ability, making him almost invincible when facing head-on.

>>6

When the boss is frustrated, both King Crimson and Epitaph are grinding their teeth, which is surreal.

>>11

The discovery of a hidden child would just end up being a family dispute if you don’t think of living in hiding as the ultimate thrill…

>>11

Even if we assume that condoms were used or the pill was taken, it feels like a margin of error because Trish would have miraculously been born regardless of that.

No matter how much you grow and become cunning as you age.

There’s nothing you can do about the careless mistakes of youth…

Trish’s birth is truly nothing short of the biggest mistake for the boss, just a rash decision from his youth…

Fear comes from the past; that’s a famous saying.

This is where we “withdraw”…

Hiding from the “arrow” and waiting for the right moment to counterattack…

Stepping back here temporarily is not a defeat…!!

I have the ability to rise back to the top!

Because it was revealed that Trish was there, the assassination team had to move and provide protection.

If you use Trish to drive in a nail, almost all of the Bouchard team will rebel.

If you take Trish’s escape seriously and confront it, you will suffer infinitely with GER.

It’s not a trump card to grasp the true identity, but it certainly messes with the boss’s life at critical points…

Even with his toes amputated, I underestimated Polnareff’s life force, thinking he could still move like this.

I have to do something because my daughter’s existence is linked to the full-force opposition of the assassination team.

I was almost killed when I faced Risotto.

It’s great how seriously he’s scared by the words “I’ll blow off Doppio’s legs!”

It’s a pity that they weren’t particularly troubled even when their true identity was discovered.

King Crimson might not even be able to imagine the ability to soften anything…

>>25

It’s really scary for the boss that, regardless of the stand, they can somehow sense where their parent and child are.

The stand ability won’t be detected, but since it’s a blood relation, the soul can be sensed…

I don’t usually cheer for the villains, but…

For some reason, I like the boss.

>>29

He may be a bad guy, but I might appreciate that he directly participates and puts himself on the line quite a bit.

It has a slightly cheap feel to it, which makes it feel kind of familiar.

>>29

He’s quite an impossible jerk, but sometimes he’s so desperate that it makes me want to cheer him on.

In the end, a good villain who feels refreshed after losing.

I was told by a fortune-teller that we would be invincible as a pair, but I ended up alone.

>>34

Probably some members of Passione have been killed in the past, and because of the arrows, Doppio was lost, so for the boss, Polnareff is like a plague, just like Trish…

>>38

From the looks of the remaining leftover capabilities of the bodyguards, I think Polnareff probably defeated most of the main forces.

The talking heads are clearly being made to do something different from their usual work.

>>138

Meeting the boss directly in chapter 5 Narref makes it very convincing, right?

>>138

In the main story, despite having a record of defeat and ending up clinging to a turtle, the more you think about it, the more terrifyingly strong Polnareff becomes.

It can be said that the story from part 3 to part 6 was about the bosses who could change fate through intervention in time in a world with a predetermined destiny.

I think they probably didn’t think that far ahead when they gave DIO the ability to stop time.

>>40

Since the final boss has a stand that can manipulate time in part 3, abilities below that level become unsatisfying, making it impossible to backtrack.

Even the boss can’t win against a small penis.

>>41

To be able to stay at the peak like that…

>>41

I love climaxing.

>>41

I like the theory that the penetrating effect of kinkiness allows sperm to slip through the condom.

Reading about the efforts from the enemy’s perspective makes me want to cheer for them.

I also like Yoshikage Kira.

Abbacchio’s life-risking recording of his young face looks fatally different…!

>>47

Well, if someone goes to such lengths to conceal their identity, it wouldn’t be strange if they had undergone cosmetic surgery.

>>49

If I get plastic surgery like the person from part 4, it feels like the doctor might get killed.

Doppio! I can’t believe I’ve taken this much damage! Hand the controller over to me! I’ll defeat this boss!

In the end, I couldn’t figure out the boss’s abilities, and being tossed around by the Chariot’s Requiem made it less exciting.

Isn’t there only a risk to exposing Doppio?

>>53

Usually, it’s riskier to be seen by the boss, so it’s better to be Doppio.

I had a terrible experience because Risotto has a keen eye for observation.

>>53

Doppio itself only carries risks, but the dual personality supports the peak of destiny.

No matter how many times I look, it doesn’t seem like a peak life, just a life full of hiding…

Presidents and figures like Kira are a bit different from ordinary human beings’ mentality…

I’m at my peak among the bosses.

A life like the heart of a Kira plant is ideal, but…

It seems difficult unless the base stats are quite high.

I like the boss too.

I really like how you’re desperately struggling to win.

>>64

However, Bucciarati got angry about the boss’s theory of the emperor!

First, there was no need to pull a prank on Bucciarati, right?

Trish, just secretly kill them.

>>65

Since they just became executives, I have to make sure they don’t get too arrogant like an assassination team, so I need to intimidate them a bit…

>>65

It’s like sending dismembered bodies to the assassination team.

Until now, you have been scaring people into obeying you with unnecessary displays of cruelty.

I was attracted to Chocolata.

Although he is a bad person, he has a bit of restraint which makes him charming.

It would be great if I could really live like a plant, but I can’t stand being underestimated, and I end up killing women.

>>67

Isn’t retaliating when you’re disrespected inconsistent with not wanting to accumulate stress?

Isn’t it a bit embarrassing for you to call yourself Diavolo (the devil), boss?

>>69

The name Dopio (Double) could also give away his true identity, so is he someone with no sense of naming…?

Considering his overly cautious personality, it was a huge service to show Bucciarati part of his ability.

>>70

It’s partly because I’ll deal with it right away, but they’re saying it’s a selection process, so that place is really just about the spirit of service.

>>75

I had really valued you as a good worker, boss.

So why are you angry!? I’m really surprised.

>>75

After all, if your mental state is unreasonable, you’ll lose in situations like this.

>>143

Well, since I’m pretending to be the boss of a gang, I feel like I should at least have a bit of pride.

>>70

Well, even if I was being evaluated and considered a rebel, I have some respect as a boss.

Even the risotto is being taken advantage of by this respect…

I don’t really know what it is, but take this! The spirit of that is important.

I think the mentality of attacking even when you know your opponent has a defensive card is essential, especially in games, particularly in DCG (Digital Card Games).

Ah.

I want to be at my peak, but not really knowing what the peak is has its own charm.

A life that excessively fears being known for its past or appearance doesn’t seem interesting at all.

The Bucciarati team might also have some aspects of being a gang, after all.

The boss had a tendency to inform me directly when dealing with someone, like when he said he would teach Polnareff something as he was dying.

Right after that, Polnareff reached the answer on his own, so I hurriedly took care of it.

The length of the boss’s appearance after switching with Bucciarati makes it funny to see the stark contrast of the real boss’s small-time vibe when he returns.

>>80

When Mister and Giorno got into an argument, it was amusing how he immediately advised Giorno to investigate, having a charisma that surpassed even Giorno himself.

The boss theory exists, so there are standards for being a scoundrel and a mindset that values subordinates.

It is difficult for ordinary people to understand, but

…Nuuuouwa!?

…Nuuoooh!?

…Nuuooh!?

I think it’s a passionate performance.

It really annoys me to be looked down upon, but when my daughter says it, it annoys me even more.

The expression of the infinite boss makes no sense at all.

I like it as it is.

I wanted to see what the usual boss style looked like, with a sharp suit and a stiff demeanor during the shadowy times.

The personality of the kinkuri that makes facial expressions is very charming.

Ever since he appeared, he’s been completely blacked out, so when Crimson-kun reacted and I thought he revealed his true identity, he just switched places with Bucciarati and returned to being beaten up, a sad boss…

I also like the line, “Don’t act like you know just because you’re feeling good!!”

It looks cold.

As a boss, Bucciarati is a trustworthy subordinate.

You’ve worked hard up to this point. If you dig any deeper, it’ll end up like this (Trish’s severed arm), you know?

I intended to scare them while sending them off peacefully.

However, I somehow triggered Bucciarati’s wrath… Why?

Personally, I had always imagined Miyamoto Mitsu as the voice actor, but I was surprised that Konishi also fits well.

Since there are few scenes of the boss in their true form, it ends up giving the impression that this form is more of a hapless character.

The first time I would be killed by a thug (a drug addict) who I’ve been spreading drugs to and treating like trash is…

I truly find it beautiful and likable as a matter of cause and effect.

>>97

Though it’s a stretch, the second dissection is a sliced sorbet.

The third time being barked at by a dog and dying from being run over, they claimed to be like a worthless dog, wearing a collar out of fear.

Trish is frightened by her fourth little daughter.

I like that it feels like a form of retribution for the deeds each of them has brought upon themselves.

>>106

This is definitely not my hobby!

>>96

Isn’t it strange that when Trish was attacked, her soul ascended, but when Mista’s soul returned, it was just “guh”?

I love how the boss is being swayed by Doppio’s competitive spirit.

>>96

What’s strange is not Mr. Body, but the soul of Mr.

I want to show the boss a little something good!

Kinkuri is also quite expressive and cute, isn’t it?

I think it’s a terrible game that even though I’ve dealt certain damage to both Pol and Bucciarati, they’re not dead, and I’m being cornered because of them.

As that fortune teller said, with Doppio, I can stay at my peak.

So if Doppio disappears…

>>105

But what should I have done?

Should I go help Dopio, who had turned into the Bucciarati body in Chariot’s Requiem…?

>>109

Two people enter the Bouchabody and either fight or flee from the front.

I don’t have that kind of courage…

>>152

Since Bucciarati’s body is already dead, it would be game over if you entered.

A man who encounters “Huh? Why aren’t you dead?” twice in his life.

In games of the Soul series, when a boss enemy starts to stop moving and shows some kind of preparatory action, I often just instinctively think, “I don’t know what this is, but take this!”

I think it would be checkmate at that point if Doppio got inside Bucciarati’s body since Bucciarati’s body was already out of life fuel.

Despite being born as a non-human monster, the person feels extremely human-like.

It’s scary that Bucciarati and Doppio have swapped places.

If Bucci and Diavolo swapped places, Diavolo might have died in Bucci’s body, right?

I’m glad I didn’t run away, maybe it was Doppo who was prone to running away… or something like that.

As long as there is a secret of a split personality, one can stay in ecstasy.

I think it was quite fatal for Doppio to become Diavolo in front of Polnareff.

>>115

Because you didn’t properly cut off the head to confirm that the heart has stopped.

>>117

I wonder if that boss is the bad one?!

>>115

Because I showed it there, the boss has two personalities = it’s a hobby to possess people! I ended up being cornered and figured out.

Where was the spirit of the turtle?

The Polnareff body was completely dead, right?

Were you clinging on until Chariot’s Requiem was about to be destroyed?

>>116

Isn’t the speed at which the turtle’s soul flies away a bit slow?

The tabletop slapping scene in the thread is too pathetic.

I’ve been told this so many times, but how the hell did Polnareff get saved by that?

>>122

I thought someone would write about it when spin-offs became popular, but no one touched on it.

Even if my heart had really stopped, it wouldn’t have mattered…

Right after the scene where Bucciarati’s soul ascends to heaven in the anime.

The tankas spewed out from this toilet! The one who controls the arrows is this Diavolo!

Because of the passionate performance, I don’t know whether I should laugh or cry.

The gap in Konishi’s acting when he’s feeling confident and when he’s panicking is incredible.

I like that, not just the bosses, but the enemies in JoJo get genuinely flustered when they are cornered.

Bucciarati was resolutely intent on making himself the successor to Mr. Pericolo, wasn’t he?

I’m planning to make it my right arm, so I showed my abilities as well.

I wonder if I wanted to instill some fear in Bucciarati…

>>129

I had no idea that a subordinate I trusted quite a bit was planning to rebel from the start.

The boss that Bucciarati entered was incredibly cool, so it made me realize that the substance is really important.

>>130

The boss with Bucciarati has such sparkling eyes, it’s too funny.

It’s nice how the final boss always has that human smell.

While time skipping, you can’t interfere with objects. Even though I explained it, I’ve also severed wrists and blinded people during time skip, so I don’t really understand King Crimson…

>>132

Before releasing, spray blood near the eyes so that it doesn’t slip through.

Sever the wrist at the same time as the release.

Kinkuri and Epitaph-kun are too expressive, boss!

Koniwa’s acting range is amazing… even when the characters have swapped bodies, they still carry it out perfectly…! What a great anime boss!

I love how the entire 5-part anime is so incredibly well-made.

Damn it!!!! I think the patheticness is among the top class in all of JoJo’s anime.

The boss is quite evil, but it’s interesting when they hold back against someone who’s excessively crazy.

>>137

The goal is simply to reach the peak.

It’s creepy that the doctor we hired before has a hobby of experimenting on patients and watching them die… I really don’t want to use him if possible…

The character is really the strongest in the story, but they have a very human side, so it makes sense that there would be a similar free game with infinite hell later on; I love their way of dying.

Not dead, but…

Look closely! Who is suitable!? Think carefully one more time!

Who is the king worthy of holding a bow in this world!?

I really like this scene because it has such a pathetic self-assertion.

>>144

In the end, it’s still not worthy of holding, and the stand collapses and becomes transparent, leading to the arrow reaching Giorno, which is also the best part.

>>144

Don’t talk passionately about arrows instead of Bucci.

Bucha and Giorno are intent on defeating the boss, so even if they don’t provoke Bucha there, they will ultimately reach Por eventually.

It seems like he’s living a hidden life far from that kind of peak because he was cornered by Polnareff…

JoJo takes the time to thoroughly depict the boss, which brings out the charm of the enemy really well.

There are surprisingly many works that haven’t been completed.

Araki also talks in his book about how “works that aren’t bad but are a little lacking often have enemies that are also lacking,” so he must be aware of that.

>>148

So, after all, the boss of part 8 is…

The boss has an increasing sense of “What is this guy?” ever since he was born in the original anime.

The boss won’t appear directly unless the situation becomes critically connected to their true identity to the extent that they can be recognized.

Polpo-kun is amazing for being able to take on the boss directly without Trish and Moody Blues.

(Diavolo rushed to the scene upon hearing about the festival, unable to hold back)

You should definitely watch it… the anime of Part 5…!

It’s really great, the final version of the traitor’s requiem special performance.

I’m wet…

My cute Doppio…♥

This is a “trial,” and moments like the battle with Polnareff showcase a cool side, but since the ability itself is incredibly cool, it makes the gap when he acts petty stand out even more, doesn’t it, Boss?

It’s so funny how the boss is desperately trying to hold back Doppio, who says he wouldn’t hesitate to risk his life for the boss!

It’s so mesmerizing to watch, isn’t it?

With Dio, Kars, DIO, and Yoshikage Kira, the fifth final boss has arrived, and ah… ♡ I know I’m being persistent, but I’m really glad I didn’t run away… ♡ I truly think it’s amazing that I can present this, even though it may seem repetitive.

I prefer the theory that Doppio is the main personality.

>>162

Since it will be sending a message to Doppio indirectly, the boss basically doesn’t have complete control over Doppio…

>>168

By the way, it seems like the swap is something Doppio is consulting on… The boss is really pathetic in the details.

It sounds interesting just to write “the son of the final boss from the previous chapter vs the final boss of the current chapter.”

>>163

It seems that “DIO” means “god” in Italian, but ironically, “Diavolo” means “devil” in Italian, creating a beautiful contrast. Was this intentional?

>>169

There’s no connection except for the arrow that was sold to Enya Baba.

Isn’t it just related to having a personality that does bad things or something along those lines?

>>163

It’s often reminiscent of Dio, but that’s not really the main point, which is a nice balance.

The scene where Sticky Fingers comes out of Diavolo’s body in the manga is one of the coolest scenes in the entire history of JoJo.

I quite like that my failures, such as picking up Chocolata and nearly killing Polnareff, are hindering me despite having no shortcomings myself.

I don’t really understand, but take that!

Wait! Stop, Doppio!

You let Polnareff escape; your follow-up was weak.

>>173

It’s only natural to think that Polnareff died after seeing that!

If you describe the ability to intervene in the future in a way that makes only yourself invincible, it sounds incredibly strong, and it’s really not an exaggeration to call it a king-like ability…

A petty personality.

>>174

First of all, there’s the idea that if you’re not a weak person at your core, you won’t become an enemy.

It’s thanks to the arrow that DIO awakened his stand and that Holi and Josuke developed high fevers as a result.

Kira was able to commit murder without leaving evidence, thanks to the arrow.

It was thanks to Arrow that Pucci was able to extract DISC from people and collect them.

It’s the thread image that dug up all the arrows that is to blame.

>>175

The excavation team had it anyway, so it’s bad that they stole it and sold it to Granny Enya.

Regardless of the species, among all the bosses in JoJo’s history, Diavolo has the most monstrous origin and is truly a devil.

I really love how the boss panics when it’s like, “At this rate, my legs are going to get blown off! I’ll do it!!”

What the heck are you doing going to Egypt to work part-time…

>>180

I wonder if they went to raise funds to create Passione.

Choosing excavation work is also kind of interesting.

I saw a future where my legs get blown away, but I’ll do it, boss!

What the hell, Doppio!

I guess I should give Bucciarrati a little show after he has protected my daughter this far… if I don’t…

>>185

Even after Bucciarati lost his temper over there, it would be fine if he just went home quietly… It’s really terrible how you can see that Bucciarati himself is genuinely invested in this.

I think it’s quite a miraculous balance that the scariest episode related to birth involves a boss who is very human-like, and despite having such abilities, they cannot be complacent and always remain on guard.

If we’re talking about intensity and danger, then Doppio, who has made up his mind and entered Epitaph, is probably the most intense.