>>1

It’s so different…

The opening theme is good, but the ending theme is good too, isn’t it?

Both of them match perfectly with the story of Ninku, including the original work.

The original author, who became mentally ill and couldn’t continue the story, thought while watching the anime, “I should have made it like this…”

It’s not often featured, but the name of the sky is also a masterpiece.

At the very least, it’s already quite different from the original work from the start of the program’s narration.

Please divide several volumes into four quarters.

>>10

Nothing

Reason

>>13

Done!

Is this the one titled “A Frog and a Gay Man”?

Which came first, the anime or the original work of “The Knife’s Tombstone”?

>>16

Is that so!? I didn’t know…

>>19

Wasn’t there a technique like the mirror technique that was just like that?

>>19

The first comment about the anime adaptation was the same as for Ninku! That’s why…

>>18

I remember having a bit of a drawing otaku vibe and talking about “Run, Melos!” in the extras of the manga volume.

Seriously, how did this anime come from that original work?

>>17

The staff of Yu Yu Hakusho slid right over, and since the minimum settings were kept as they were, the anime production side was allowed to create it however they liked.

It is a good example of an original anime with high viewership ratings and relatively successful related products.

I think the early part of NARUTO has a pretty similar atmosphere to NINKU.

It was the first work where I became conscious of Rika Matsumoto.

The atmosphere of the ED is the best.

Hamachi is nice, isn’t it…?

I only know about manga, but it’s just consistently gloomy.

I love command armor.

The anime strangely matches a worldview like that of isekai (another world) reincarnation.

Karate it

It’s not an exaggeration to say that the author’s baseball manga is the most boring manga in the world, but the baseball episode of Ninku is mysteriously interesting.

It’s surprisingly forgotten considering how much of a hit it was at that time…

I felt lonely because it hasn’t been discussed much, even though it’s the Year of the Snake.

>>33

Because all the Zodiac Ninjas are appearing in the second part after the restart, it makes it difficult to do that kind of thing…

I really like the author’s sense of dialogue.

The propeller also wants to stand on its own at this age.

>>36

Delicious, oh my! It’s so tasty that I want some furikake!

When I see the bonus manga in the paperback, it looks like they struggled quite a bit to draw it.

The original work has moments that make you burst out laughing, but I think it falls into the category of manga that’s hard to recommend to others.

The protagonist party has the unusual ages of 30, 20, and 10.

I remember there was a special move in the Ninku fighting game where a female executive sang the OP in karaoke.

The death rate of mob characters is high, after all…

The visuals are just too lacking in charm…

At that time, what was I drawn to when I was watching?

>>45

OP

>>47

At that time, making the characters’ eyes sparkle was the mainstream, so it left a strong impression as a style.

A relatively grim original work that is more suited to having people brutally murdered or raped than to being adapted into a late-night anime at the end of the last century.

The anime Ainz is really weak, you know.

In the original work, they are not particularly strong, but they are losing to mobs and civilians.

>>49

It’s easy to create a story because it’s a delinquent who approaches in an easy-to-understand way.

>>49

I thought, “Were you intentionally doing that, getting hit by a special attack from the final boss?”

When it comes to half-remembered drawings, everyone seems to draw Orange next to perfect.

I only know this expression about farts being bitter.

>>51

Rather than smelling bad, it was more like it was bitter! That line really stuck in my memory from back then.

An episode where the character becomes extremely ugly.

The animation is way too amazing at the opening.

Complete a full year at the same quality.

When I say Hiroyuki, it’s this penguin.

Are Ajitara and Mekira original to the anime?

>>57

It’s a completely different thing to the level that it’s quicker to find parts that aren’t from the anime original.

>>57

Although she is in the original work, Huang Jun is almost like an anime-original character.

The empire itself is made up of completely different guys from the original work…

The original story mainly revolves around battles between the remnants of the Ninku.

>>67

It’s fine, right? If you could just stop killing people with Ninku, the ones who chose to end the war by killing were you, the captain-level people, right? That’s what I’m being told.

I think it was a kind of revolutionary invention to do a traditional Japanese world in contemporary times, or rather a roughness in doing so.

It’s hard to evaluate this, isn’t it?

I keep remembering something like the OP’s feng shui plate.

>>61

That part changes key and the screen gets darker, so it’s easy to remember.

The production in that opening was really well done.

The original character Kazusuke seems quite enlightened, probably because he has experienced setbacks in war…

On the battlefield, no one can help anyone; there are countless people who can’t even protect their own lives.

Turning a popular character into a traitor in an anime is a controversial issue.

Assuming that the original author has given consent.

I prefer anime that has this kind of change.

Even though the lines, jokes, and scenery are almost the same, they have turned the whole thing into a lyrical poem.

Other than the appearance of something like Huang Jun, it’s almost all original anime content.

Isn’t it more like a past chapter of the original work rather than just a modification?

First of all, the original work is different from a town like Narou.

But there are no stray elephants or stray giraffes in the anime…

Few people know that Asuma’s younger days were depicted in Naruto’s anime original, and he resembled Daiki.

The original work’s Huang Chun is YOSHIKI.

No matter how many times I listen to it, the opening song is just too great.

I still think, “It’s Katsu-mi smoke!” right after taking a bath, so I like it that much.

The artwork is insane.

If we can’t draw it to the end, then maybe it’s fine to just wrap it up with an anime original.

It’s difficult because it’s based on being interesting, but…

I really liked Yumeko Suzuki’s singing voice.

When I went to karaoke, I was singing with my friends.

I thought Aito should have been using air pressure fists normally back then.

I wonder if I can’t use it with Bird Ninja.

>>83

It’s usable, but since I’m not used to it, I’m wearing out quickly?

The only technique of Tori Shinobi is to jump and charge in.

The blue view transformed into a hidden machine.

The lyrics of both the OP and ED seem to express Kazusuke’s feelings and wishes.

The anime is completely different from the original, but after reading the original Fūsuke’s actions and words, it resonates even more.

There are many stories about how just being able to use a shuriken can make it easy for lawless people to kill, which can lead to terrible outcomes.

In the manga Bobobo-bo Bo-bobo, there’s a scene that left an impression on me where the Hair Hunting Squad is threatened by a robber and hands over this volume.

I only know of this pattern in this work where a weak enemy claims to be able to use Ninku, but actually can use it and is stronger than us.

It’s kind of a world like after the end of Fist of the North Star.