>>6

If it’s boring, it’s just a Sam 8, but if it’s interesting, then there’s no problem, right?

>>4

There are manga artists who have put so much effort into supervising anime that they have ruined their health and have been on hiatus for over a year.

I think you can manage just fine as things are now, so I hope you don’t push yourself too hard.

>>84

I’ve probably earned enough to last a lifetime, so there’s no meaning in working.

>>115

By the way, if you want to supervise it, you can go ahead.

>>115

It’s just Takahashi Rumiko and Aoyama Gosho doing silly things around there.

I want you to awaken to sexuality for some reason, like in Muhyo and Roji.

>>8

Both Kanroji and Zenitsu were fully open about their sexuality even at the time of Demon Slayer.

It might go towards the bL side.

I won’t draw anymore.

>>10

I think it’s a kind of interesting that is difficult to keep up with in terms of understanding.

>>18

No, I don’t intend to delve into that story.

The next time I draw a new piece, it seems like my drawing skills will have improved dramatically.

And it sells less than Demon Slayer.

>>12

I’m not suited to Haruta because my drawing skills are poor.

>>15

If anything, the After magazine suits me better.

I guess I’ll trip when I go to SF.

If we pour in the know-how we’ve cultivated from Demon Slayer, we can do it.

Why do I keep a man in my heart?

It might happen after the movie, or it might not.

If we’re going to do it, it would probably be after the anime settles down a bit.

Whether they have already burned out or if there is some trouble happening around them in real life…

>>24

I don’t want to think about the real troubles of popular authors…

>>24

It seemed like you were saying that you have a lot of unfamiliar relatives.

>>26

You could probably live for about ten lives, to be honest.

>>50

That’s why strangers claiming to be relatives come around.

If Mr. Wani were to release a new work, it would likely feature a one-armed, one-eyed protagonist with limbs flying off left and right.

>>28

If it’s cyberpunk, you can lose as much as you want…

If I let them do as they please, it seems like they might end up with a loss without thinking ahead.

If it’s at the level of Demon Slayer, no matter how much the author tries to hide it, it will probably be found out by those around them.

I guess I have no choice but to escape to an indifferent overseas.

>>31

The author of Demon Slayer!?

>>32

The area around the Mist Hashira was completely exposed.

>>37

I resigned myself to death the moment I lost my arm, but after that, it has been a long time.

It must be tough to acquire hundreds of millions at such a young age…

You can’t release it because you don’t want to ruin Demon Slayer, right?

Assuming the supervision of the media development is completely finished.

I wonder if I have the desire to draw something from scratch again.

In the final battle, I can finally kill these guys! There’s probably something like that.

Even a tenth of Demon Slayer would be a huge hit, I’m sure they want a new release.

At least it has to be after the Demon Slayer anime is complete.

I’m curious whether the Jump editorial department is begging for it or not.

Next time, it seems I want to draw a strong gag-filled sci-fi love story.

I wonder if that project is still alive.

They’re the type that shouldn’t be allowed to draw as they please…

A series like that, which feels like a one-shot, is impossible to serialize.

The editorial team is probably pleading, but if they escape to another magazine, it would be pointless, so they can’t force them.

They will probably release a complete edition and there will still be a lot of work related to Demon Slayer, I think.

It probably won’t be released until Demon Slayer completely ends.

You can just draw freely around Afternoon or Harta.

When I hear stories about unknown relatives suddenly appearing,

I think those kinds of people really have no sense of shame.

>>58

It’s the ultimate way to buy a lottery ticket.

If we hit it, we don’t have to worry about embarrassment together.

It seems that I can earn enough to live comfortably even into my grandchild’s generation.

It seems that being free to draw and being evaluated is more common in youth magazines…

I think the most amazing thing about this person is that they have never missed a serialization even once and have completed it successfully.

>>62

I’m also doing theater now.

It’s not limited to just the thread image, but I want to see stories where the suppressed fetishes of authors in shonen magazines are fully unleashed.

I like the work “Demon Slayer,” but I also feel like it’s a mega hit that came together through various miraculous factors. Even if they create a next work, they probably understand that it won’t hit that big again, so I can’t blame them if they don’t feel motivated.

I wonder which is more common: distant relatives who pull in thin connections like distant relatives during times like these, or complete strangers pretending to be relatives.

I often draw and collect pictures.

I think it would be good to have the person who did the spin-off from the original work by Wani do the illustrations for a new series.

>>70

I believe the spin-off featuring Giyu Tomioka and Kyojuro Rengoku sold over a million copies.

>>85

It’s not about the manga artist; it’s because of that character that it sold well.

If someone other than the original creator were to do it in a completely different way, it would likely end up as the Sam 8 course.

There is also Jump Plus.

If you’re going to publish it, you’d probably want to do it in a magazine.

The live feeling from around the Muzan fight to the final episode was really intense, and it seems like it must have been exhausting.

You’re not someone who originally aimed to be a manga artist, right?

>>73

It seems that they drew manga for the first time in their third year of high school, but that might be considered late in the industry.

The roughness of the artwork in the second half was quite amazing.

I want you to take your time and draw it in a monthly format.

I honestly feel like doing a weekly serialization once in my life is enough.

I’m definitely super busy.

>>76

Who is Teacher Yabuki, who returned after quite a long break…?

>>95

And for the readers.

>>93

That’s because I didn’t earn enough.

I think it’s really amazing that it was so popular that it was just one step away from reaching the first print run of One Piece.

>>77

The fact that the one-piece has been serialized in a magazine for 25 years is more impressive.

>>77

Isn’t it better to say that it’s selling twice as much as the best-selling movie of One Piece?

Let’s create a sci-fi.

I don’t really care if it doesn’t sell separately like the birds.

If you draw a short story you like, it would be nice if you could show it to me, really.

>>82

The fact that they won’t even do that means they either lost interest in manga or have nothing they want to write.

If it’s the same type as Mr. Toriyama, I don’t think I will do a long-term serialization anymore.

Even if we start a new series, we need to have editors who can weigh in on authors who have sold at this level…

>>88

It’s the pattern where the original person in charge, who knows roughly when the bottom period is, comes in and things go well.

>>88

So, either we call Katayama back from Jump+ or Gotouge can go to Jump+.

Sam 8 isn’t interesting, but the excitement of Sam 8 was fun, so I want you to draw it.

I’m waiting because you said you wanted to draw a sci-fi romantic comedy when the series ends.

I think that the way the merciless boss character consistently remained a complete jerk until the end was truly amazing.

Yabuki-sensei’s Black Cat was animated at a strange timing.

I wonder if the internal company politics at that time are involved.

Even though the serialization itself has ended, there will still be a lot of work related to Demon Slayer.

>>98

They probably wouldn’t cut corners on that kind of work due to their personality.

There are just an unbelievable number of collaborations with restaurants in Demon Slayer.

It’s a very bloody and grimy manga, not just about sorcery.

After reading the afterword of the final volume, I thought that maybe the manga was drawn as a cheer for someone specific who was suffering from an illness.

Maybe they passed away midway…

I know that the author of “Ase to Sekken” worked as an early assistant.

If I keep doing supervision, it feels like the 10th anniversary of Demon Slayer’s conclusion is already in sight.

It’s fine to do it after the Demon Slayer anime is over.

It must be tough to oversee while also doing a new serialization.

It doesn’t seem like you’re that skilled.

I feel like I’ve been busy behind the scenes for the Infinity Castle arc and haven’t been able to manage everything.

This person doesn’t appear on TV to make comments or promote things, right?

Well, I don’t think there’s anything to draw until the anime ends.

Even if they were to be reincarnated seven times, Wani and Mr. Isayama have earned enough that it wouldn’t be strange for them to retire as it is.

>>114

Shimbaluku and Watsuki have both made a normal comeback, and Shueisha is being lenient with criminals, right?

You need to mess up as much as Act-age.

There were discussions about the Love Pillar’s costume even during the serialization.

It’s probably just for the sake of going viral now.

That outfit for love was considered promiscuous back in that era.

Writers with weekly serialized works like jump definitely don’t have the luxury to be active on social media.

>>121

It would be better not to let them do it since they probably won’t have enough time.

>>134

When I see boiled foods, I can only agree.

I wonder if there’s anything like supervision in Demon Slayer.

The anime is dragging on.

It won’t end with just underage sexual activity or possession of child pornography.

According to that logic, there are probably only bicycle perverts.

I saw someone on social media waiting for the serialization of Act-Age to resume, but I wonder if my heart has been broken because it’s just too shocking…

>>126

The combo of arrest → everything ending is something that wouldn’t be surprising if it broke, if you liked it…

Because I didn’t know how to use a ruler…

If I were in the position of the person who drew that thread image, I definitely wouldn’t draw anymore.

It seems like they don’t really like drawing manga for the thread.

I really love the Monju Shiro brothers…

>>145

I feel like I’m lucky, including that aspect.

Say the usual thing.

“Weekly is not a job for humans – something like that.”

I like the salt match of the Muzan battle.

I dislike reincarnation in epilogues.

Next, you’re going to draw sci-fi, right?

>>143

Weekly Magazine of the Time

They said the brothel arc couldn’t be animated because it would violate broadcasting codes, so it’s probably the same reason.

Act-age was also moving just before the interruption with the story about the stage audition…

It’s funny that you’re all irritated.

>>156

Jealousy is ugly, isn’t it?

>>163

I was right below and it didn’t work out.

They might think it’s funny to write this, but they really are a pathetic person…

If asked for a paperback, it seems I might at least write something original.

But you know… I like hit works other than Demon Slayer…

It seems that if you don’t stay away from something like a monthly serialization on Jump Plus, which is a romantic comedy with no battles, people will be loud about Demon Slayer.

>>165

To be honest, if I draw next, I want to see it outside of Jump.

If it sells in public relations, then mountains of corpses won’t be born.

>>167

Sam8 could have sold a bit better.

There are some limits to a certain extent.

>>167

The crocodile whose PR strategy failed has died…

>>167

Please stop speaking ill of Andera!!

If I don’t change the name and go back to the original, I feel like I’ll always be told it’s Demon Slayer~.

What was bad about the thread image was that the editorial department misunderstood that we were amazing.

Even fans of crocodiles might feel uneasy about whether the next work can be considered a masterpiece, given the long gap in time.

I guess these kinds of threads must be frustrating… I understand…

Honestly, I thought the overseas demon arc and Tanjiro’s demon transformation arc would continue for a bit longer.

I think it’s amazing that Hiromu Arakawa took on Silver Spoon after Fullmetal Alchemist.

These days, it’s common that people who have a big hit with a serialized work stop drawing.

>>180

Please provide specific examples.

>>184

Attack on Titan or something.

>>189

I was drawing the name and cover for a voice actor project.

The next protagonist seems like a character who will be a fluffy, uninspiring descendant of Tanjiro.

If the main story of Demon Slayer continued any longer, it would almost certainly become messy and sluggish.

It seems that there are circumstances causing Teacher Wani to be burnt out and unable to create new works, but that’s fine.

I was surprised that they didn’t commission various manga artists for business with the Demon Slayer side story.

>>191

Is it that there wasn’t really anyone who could write a compelling story?

>>196

I didn’t want to do it or something like that.

>>211

There is a possibility that I didn’t want to expand the worldview in a strange way.

>>191

One spin-off book and six Kimetsu Academy books aren’t enough, huh?

>>191

Only Rengoku appeared in the spin-off, right?

At the very least, everyone in the pillars should release spin-offs…

Despite finally starting to draw a racing-themed story, it ended up becoming a battle manga, and Araki-sensei returned to JoJo…

To be honest, I wanted to see the racing route more.

>>192

Well, I guess what the readers were looking for was a stand battle.

Wasn’t Attack on Titan only serialized in the original work?

I mean, no one seems to share their thoughts on the manga about Levi that was included as a bonus in that ridiculously expensive art book, right?

The story is about what happened to Sam8, which started with an unusually high level of advertising.

The author of Gintama hasn’t been drawing manga much anymore, just illustrations.

>>202

I like the collaboration illustration with Demon Slayer.

The crocodile said that he wants to draw something like this next time.

>>203

It feels like an SF romantic comedy, similar to Urusei Yatsura.

>>203

The reason it hasn’t been announced is probably because I didn’t actually feel like drawing it.

The person from Bobobo was probably drawing Don Patch in a style similar to Yotsuba.

>>205

Was that interesting?

>>216

It might be interesting for those who find Yotsuba&! amusing.

It’s been 5 years since Demon Slayer finished its serialization, can you believe it…?

The character Ribcage is the mascot who serves as the protagonist’s partner.

“The scene where the protagonist is fighting is so painful to watch that I cover my eyes during the battle,” which is an unacceptable depiction for a shonen manga and made a deep impression on me at the time.

So when Demon Slayer started, I remember thinking it was Riboku-san’s person.

It seems like they might bring out something like a hunting game again.

>>214

Muzan is great, but I also wanted to see Tokigawa-san become the boss.

Due to the demand from COVID and the excessive advertising by TV, it sold incredibly well, but I wonder how much was earned.

I wish they could draw freely in Jump or around SQ, but I suppose they won’t let that happen.

A manga that sold 150 million copies with data from four years ago.

You’re at a level where saying “I’m not good at manga!” is totally ridiculous.

SF seems easy to drop casually.

Incorporate a romantic comedy there to cover it up.

It seems like they have no intention of drawing anymore since they haven’t drawn a manga in 5 years.

If it’s Rumiko Takahashi, she’d keep drawing even if it hits.

Well, if it’s boring, no amount of marketing will make it a hit.