In the beginning, it’s cloudy, but as they start to dominate at ages 4 and 5, it will gradually get brighter.

Some unknown setting called “peak out” has appeared…

Well, anime should be enjoyed as anime.

Peak Out has appeared in the anime Season 1, Season 2, and also in the app and Single Race.

I wonder if the peak-out is not really helpful for storytelling…

It’s only a reason to retire…

The peak-out itself had been present since three periods ago, but…

The director said he thought about how to end the story of Kitasan and picked up the peak-out.

For decades, Kitajima has owned horses, but none of them have been promising at all.

Amidst all this, it’s the only promising candidate, so it’s already time for retirement or the final moments.

The ones who actually go crazy mentally are the horse owners.

I only had the impression of “Why did it seem like it retired at its peak?”

It was sad that they couldn’t take a regular bath during the special training episode.

It’s not a horse; it’s a horse girl.

Although it was a given that Kitasan would take the lead role, it’s unavoidable to say that you are more in the boss position, aren’t you?

>>17

It’s only recently that I’ve been treated as a boss character in the app…

Not that strong when treated on equal terms with diamonds.

>>17

I feel like a story where a rival challenges the strongest protagonist would have been good too.

I felt that it lacked excitement when the losing races were focused on in the winning race digest.

I wonder if you can only create drama from a comeback after a loss.

>>18

I laughed.

As soon as I reacted, it seemed like it started moving as if it had been prepared.

It was a wise decision to cut the part about Teioh’s victory in the Japan Cup, as it would have made the emotional ups and downs of the story strange.

Well, I feel like I would get really criticized if it were now.

>>20

In the third season, it seemed like they were targeting that, cutting all the winning races and only showing single images to create the impression that they couldn’t win at all.

Turbo, who hadn’t experienced a buildup of rough treatment from Teio in Season 2, is Schwalbe Grand.

Retired (for some reason still at the school)

Sub-chan, you’ve been a horse owner for a long time, but you’ve only won a G1 with Kitasan, haven’t you?

>>184

It has been mentioned many times that retirement from racing does not equal graduation from school, right!?

>>25

Since you’re not watching anyway, there’s no helping it.

In the app, the president is still active forever and ever, but I suppose if you think of it as a setting for the anime…

I’ve been thinking that it would have been good to peak out with Dia-chan.

>>29

If you’re not going to do that, then there’s no point in making it a rivalry…

>>31

There are ambiguous sunset backgrounds, so maybe they were motivated at first.

It was disappointing that there was a fact resembling a second-string horse race where Twinkle peaked out.

Even though I saved both Suzuka and Rice-chan, why didn’t I save Dura-chan? This is the painful cry of a Kansai comedian.

I should have just lost to the diamond at Arima and ended it by winning the Tenno Sho Spring.

It’s impossible to make a character that always wins the protagonist.

It’s more like an opera position, Kita-chan.

>>36

That said, 90% of sports stories in the world are about those who always win.

Rather, according to that standard, Kitasan is losing too much.

>>40

It was basically a tournament where if you lose, it’s over, and new rivals keep coming up.

In horse racing, unless there is a change in the route, you often end up competing against the same opponents, so it becomes tough as long as you stick to historical facts.

The way Dia-chan’s response during the original Satoimo period feels like a scam, and the peak-out depiction seems good.

I was watching and thinking that there doesn’t seem to be any staff who understand horse racing involved in the story structure.

Kitasato’s achievements as a racehorse were already exceptional, but it has only gotten worse since becoming a sire.

>>39

The others are balanced out with Durak, Kitasan, and Crown Schval, so this one stands out.

It seems like they made it according to the preferences of the second season, but I’m relieved that Cygames will take proper responsibility for making Single Graph.

>>41

Did you not have responsibility for the third term?

>>66

If I had it, I wouldn’t insert those cold gags that were poorly received during the second season.

>>170

The anime has a lot of gag scenes that are difficult to react to, doesn’t it?

It’s a bit unreasonable to cover the lifetime record in episodes 12 and 13.

That is suited only for Oguri and Teio.

>>44

Wait, Oguri is actually completely unsuitable for this! I mean, it’s not suited for it, which is why it became a manga!

Sports are basically in a tournament format, so they are always victorious.

The drawback of steering too much towards emotional routes.

It’s strange to think that you can’t create a story unless you lose.

Too lacking in depth.

It feels like all the consequences of the settings and the second season have come back and become unmanageable.

Selling 10,000 discs is certainly impressive, but the fact that sales decreased by 90% from the second season is remarkable in a different way.

Kitasato quickly offered his cooperation when other owners were hesitant, so I have no choice but to show my gratitude to him.

>>187

Even though it’s Sato, it still feels like the Crown version is not as much of a rival…

I think it might have been better if it had been made as Kitasan’s life without considering the past settings or ignoring the links between seasons 1 and 2.

It’s inevitable because of historical facts, but after all that special training, winning by a narrow margin feels really underwhelming…

If we’re talking about this era, it’s better to look at real Japanese horse racing.

It’s been less than 10 years, so there are a lot of videos and materials left online, and I can follow them all.

I thought it was unnecessary to delve into things like peak outs or Bourbon not being able to return.

The handling of the dream race has become different, but I guess it’s kind of like a parallel.

During the first term, it was more like the athlete’s life was still going on, unlike the actual horses.

The dream race ended up being a wobbly side-by-side situation.

I’m sorry for bringing up an unrelated topic, but the upcoming Single-Release isn’t going to be treated like Uma Musume Season 4, right? It’s like Single-Release Season 1?

>>61

Yes

It’s a different story, just like RTTT and the door to a new era.

>>61

It’s not pretty, so no.

It seems that the focus on realism has significantly reduced the level of enthusiasm and effort put in.

Well, it’s a common thing in sports-themed stories to wonder how many minutes it’ll take in the final straight, so it can’t be helped.

There is a feeling that things became distorted after deciding to focus mainly on Kitasan Black and making various adjustments.

In a way, that is typical of Kitasan Black.

In the first place, the term “peak out” itself, in the sense it is used in the work, is a manufactured English term and its meaning is vague.

Ah, this.

You can’t let Kitasan Black take the lead; it’s just too strong.

That’s all there is to it.

I wish a character that can win in the big match, even though I’m experiencing a streak of losses with Daiyūsaku, Logotype, and Hishi Miracle.

>>68

It’s strange to think that you can’t create a story without losing.

Since I was watching Kitazan in real time, all I could think was, “What is this script?”

The way Kitasan Black wins against older horses is more of a physical style that bulldozes through by maintaining a slight lead over the opponent, so it’s not really a heroic strategy.

>>71

If you get out in front well in the last Arima Kinen, it’s said you’ll almost win.

At the point when it was announced that the passing time at 1000m was 61 seconds, most people were already convinced that Kitasan would win.

And we were talking about how amazing the Nakayama Grand Jump was the day before.

There was a race where the camera switched excessively just once, really putting effort into the production…

>>187

In spring, I will lightly go with the ending.

Karen Mirotic…

Isn’t it the case that there was no fierce competition during the era of Kitasan?

In a race that we lost, it doesn’t make sense to have someone we were only ahead of as a rival, engaging in a back-and-forth rivalry like that.

The peak has passed… (Autumn conquest) is like “huh?”

>>82

To be honest, I couldn’t understand what was good about it, given that the owner, who spends a lot of money, had a poor eye for horses and finally managed to win.

>>82

I really like the sense of longing from that family.

>>94

It’s great for those who don’t know the original work to enjoy it that way.

If you know the original work, you’d just laugh it off…

>>124

It’s fine to laugh, but if you’re going to quote someone’s response and provoke them, could you at least say something with substance?

>>130

Uuuii

Satono is a newly entered flashy manufacturer that won with pachislot.

A horse owner who buys up high-profile deep-bred horses with money, lacking any sense of romance.

Furthermore, it’s just hard to take someone seriously when they talk about the Satono family’s long-cherished wish, especially when they don’t even have their own farm.

>>146

Although it is reconstructed based on real episodes to create a dramatic effect,

In the original work, someone who is sneering like “What are you talking about?” ends up becoming that person.

>>146

It seems like you’re saying the same thing to President Fujita as well.

>>124

It’s pretty silly that while people expect original elements from Kitasan, they think it’s okay to only touch on the beautiful aspects of Diamond.

>>124

Well, I can only say that you might not be cut out for it.

>>124

You’re not suited for watching things like Uma Musume or anthropomorphism…

What I was thinking throughout the 3rd season was that Kita-chan always leads and never escapes…

Even setting aside the fact that Golshi had never really shown his strength until then, it’s still not strong anymore.

It didn’t resonate at all with Kita-chan, who was entrusted with the task, and it was a pointless death.

>>84

It’s troublesome if you only show the results without demonstrating your strengths.

It’s not a manga where a new character with a big personality gets instantly defeated.

>>187

Aslan bites without an aura.

>>85

Zafutoredd is strong…

>>116

Don’t say it like a thoroughbred.

I don’t think there’s any point in bringing back Nature instead of introducing new characters.

In the first year, it felt like the app had just finished three years and still had a long way to go.

It seems like it became tough to run through the third year after the second year.

If we don’t achieve results in three years, the setting of replacing the trainer just becomes a way to discard the Uma Musume.

I wanted you to blur out the inconvenient parts.

It’s fine to have a stance that no one knows what their future holds.

>>89

On the contrary, there were parts that became unclear as a result of half-heartedly blurring things like Dura and Dia, so I feel like the initial selection and prioritization were off.

>>89

Rather than blurring it out, it has become as if it never existed.

Yuichi Bando got really angry about the tactics of the Satono camp, but it wasn’t mentioned at all in the story, was it?

To be honest, I think talking about Spica any more than this would be futile.

It would be better to handle it as a parallel world like RTTT and Shingre.

It becomes a world without dreams compared to figure skating.

You really lost there, huh?! It’s more of a comical feeling, especially in the 17th Takarazuka.

It’s a waste for Golshi’s story to end like that.

If I were to do it, I think it would have been better to use the setting of being a festival lover and set a goal to win the grand prix.

The script has changed between Season 1, Season 2, and Season 3?

It felt like, well, I wonder why they did that part with Daiya-chan under the Arc de Triomphe.

>>100

Instead of doing some incomprehensible peak out, just describe it more clearly.

Compared to the second season, there was a feeling that the race and the descriptions before and after were somewhat too casual.

I personally thought that the reason why the second season was a hit was because that aspect was passionate, but I wonder if the official judgment was different.

I was troubled because there was no development for the kids who looked like main characters in the opening.

Those weaker than Kitasan, who is on the verge of peaking out.

Since Season 3 flopped, it won’t go to Season 4 and will take a different route…

The characters appearing in the opening are probably going to be active… but then these guys don’t really have much screen time.

I think we definitely needed to do something about the mob girls mixing in at the very last winning live.

The movie was creative in including dreamlike landscapes during the race, depicting the inability to catch up with tachyons, and showing the breaking of one’s own shell.

Those who say things like “the movie is just blah blah blah” are probably air viewers.

>>108

Each race has a different perspective in its depiction.

The derby seemed very much like the third season, but in a bad way.

The third season of the anime was the toughest for Takarazuka 16.

It seems that I had more attachment to Maria Light than I thought.

>>109

Even if it’s a gag depiction, who—!? That’s just unimaginable…

>>114

The arrogance was well-expressed, and that was good in its own way.

>>121

If you were being arrogant, that would make sense, but it felt odd that you were whining to someone outside the team while not even knowing the name of your rival.

>>114

It’s strange that Eli has won, yet in all the races up to Takarazuka, including Arima, she has been on the board.

I was behind Kitazan…

Whether I won or lost, I just vented to nature and resolved it myself, so there wasn’t any drama at all.

It seems like they start saying something like “I’m glad I joined Spica” towards the end, but wouldn’t it have been better if they had joined Canopus instead?

Teioh and McQueen had a level of composure like the protagonists from the previous work.

Shingure looks like the main character, but I can’t help but think that Tama doesn’t really appear much in the first season, right?

It shouldn’t be that CB appears at all, but since they’re in the main cast, I wonder if there will be a lot of embellishments in the story.

I think it’s also because the historical facts of Supa and Teio were already too complete as a story.

Kitachan challenges Duramente.

Victory in GⅠ without Duramente

This time, I have become the one being challenged.

Rivals who are catching up.

In the end, prove your strength at Arima.

I thought a beautiful flow was created, but the classical part ended without me quite understanding it…

If properly arranged, it’s a record that is quite suitable for the protagonist, isn’t it, Kitasan?

Especially at age 5, it’s a constant repetition of exact revenge on those who lost to them next time.

What I wanted to do dramatically was wrapped up in about three episodes.

Who the hell are you?!

>>123

It had a strong presence at the beginning, but what was it?

In the second season, the hairstylist and jokes felt a bit excessive, and it seems that the flaws became relatively apparent.

Script issues

I wish Cygames Pictures would remake it as a short like RTTT, Kitta-chan.

>>129

Regardless of the original work, there has always been the idea that rivals are making cooking mistakes…

In the second season, even with its flaws, it’s managing thanks to the savings of its good points.

I thought Sub-chan’s song would be used somewhere, but that wasn’t the case.

If you knew the original work (from bits and pieces heard online)

Sounds of Earth and Royce and Royce are new characters, but they are too overshadowed.

It’s like I’m certain I’ll win, just like the second season Rice, while hesitating.

>>139

I haven’t done it.

It’s a story about motivation to aim for victory.

If you put out elements that only use the jockey’s name or things that resemble them, people would be happy, right?

I didn’t like that there was a misunderstanding like that overall.

>>140

It might be fine if it happens just once, but if it happens repeatedly, it could become tedious…

>>140

To be honest, I found the person who seemed like Nakanami from the second season annoying, so I was at a loss when even more of them appeared in the third season.

Well, there were probably many people who were that happy, though.

Well, those who watch it with a cynical attitude, saying things like “it’s supposed to be like this in the original, but it’s just a comedy,” are not welcome…

I was impressed when Duramente overlapped with Teio, but I felt like I couldn’t cook it well from there.

>>145

If I say something too straightforward, I’ll quit partway through, so I won’t be ignoring historical facts and reviving things; I just end up at a loss with it as it is…

Personally, I think it would have been fine to bend historical facts and let Durara win the Takarazuka, like the derby between El and Spe, but unlike the first season, it would probably cause an uproar.

It’s rare that the topic of the shopping district, which can’t be missed in the third season, hasn’t come up.

Satono Crown and Sounds of Earth have always been sad in the air.

For any owner, winning a G1 is a long-cherished dream, right?

I have to separate them by each medium, but it’s tough that I ended up disliking Kita-chan a little in the third season.

How many horse owners have their own ranch…?

I can understand it only during the classic period, but being so indecisive after becoming an older horse is too different from both the game Uma Musume and real historical events.

More than anything, it’s just plain boring as an anime…

>>161

Who is this? I couldn’t really find it funny.

Regardless of anime

>No.1289277671

I only know that he is a creepy horse racing uncle…

It might be a Sega Sammy hater who lost at pachinko slots.

Is Danon’s long-held wish to win the Derby impossible?

The reason why it’s nature is unclear, that’s true.

>>169

The Kikuka-sho is still understandable, but after that, it’s too much to go overboard just because of Nature’s popularity, right?

>>169

It’s fine to consult Nature when Kitasan is not winning during the classic period.

After that, I still feel like Nature keeps coming up???

I only received advice from my admired senior Teioh just once.

I wonder if the peak-out is almost useless in playwriting…

It’s not just limited to Kita-chan.

It’s not a horse, it’s a horse girl.

If we’re talking about this era, it’s better to look at real Japanese horse racing.

>>170

I should have lost to Diamonds in Arima and ended it by winning the Tenno Show Spring.

The peak-out has been emerging since before the third phase.

The peak out has been noticeable since before the third period.

I wished they had connected with Duramente more instead of Nature…

In Season 2, Nature shone brightly in a limited time, so I dislike the forced push in Season 3.

With that length, dig a little deeper into the synchronization.

Kitasan Black… I love it soooo much!!!! ❤❤

>>184

Yes

Retired (for some reason still at school)

Anime often features gags that make it hard to know how to react, don’t you think?

There are many things I want to say about the third season, but I think Schvalgran’s JC is the most lacking.

The training scenario for the three latecomers is interestingly crafted, and I think it would have been better to shift to a group drama after Kitasan’s Kiku.

It’s fine to achieve a long-desired G1 victory, but it’s strange that there’s no mention of the short prime period above that, Satono.

The number of horses has increased from here, so we might do it there.

Retired (for some reason still at school)

I should have just lost to Diamonds at Arima and then won the Tenno Sho Spring to end things there.

In the third season, it seemed like they were aiming for that kind of thing, cutting all the winning races and only showing single images, creating an impression that they couldn’t win at all.

Most viewers don’t care whether it matches the original racehorse’s characteristics or not, as long as it’s an interesting story as an anime.

Even if there are some grounds for the tie in the Derby of a certain year based on time, the changes are quite significant, but only a few hardcore fans really care about them.

It was a peak out for Kitasan, but if it had been interesting, it would have been that kind of thing. Unfortunately, it wasn’t interesting, so I just couldn’t accept it.

It’s really strange to see someone around junior high school age considering retirement.

It’s all about screaming and putting out an aura to win.

Is this the only level of production?

Kitasato immediately offered support when other owners were hesitant, so I have no choice but to show my gratitude.

I was watching Kitasa-san in real-time, and I had no other impression than “What is this script?”

The Durashuwa Crown is too different from the app and characters.

There is no sense of discomfort because Earth and Lois hardly talked.

“I wanted to do ‘This is how a man knows when to step back,’ so I calculated various things to make it happen.”

It feels like abandoning various points of consistency and not giving most of the rival characters their moment to shine backfired, leading to a lack of excitement.

It was wrong to directly apply the Tokai Teio story method to Kitasan Black.

I wonder if the peak-out is not very useful in storytelling…

It was a wise decision to cut the story about Teioh’s victory in the Japan Cup, as it would create unnecessary emotional ups and downs.

That said, 90% of sports stories in the world are about constant victories.

It’s a failure to apply the story method of Toukaid Teio directly to Kitasan Black.

Just let Teio be Kita-chan’s advisor normally… that’s how I feel.

Amidst this, retirement or the end is already being talked about, as this is the only promising stock.