It feels like they are creating it while cutting away at their own life.

Recent songs like “Pure Heroes” and “Idol” are really good, but overall, I tend to like the early trilogy the most.

Speaking of memories correction, yeah.

>>1

Ranked number one in popularity polls for five consecutive years and currently in second place.

>>4

So I’m saying it’s not that big of a deal.

The septet has a beginning that is too much like Beethoven.

>>7

Until recently, I was reading it as “Konjuden.”

Isn’t it about five years ago?

After all, STG is more fun with simple and exciting music.

The septet is a good song, but honestly, it feels like character popularity plays a significant role in it.

Prince!

When was “recently”?!

>>12

This collaboration is already about 10 years ago…

Wasn’t navy blue only about five years ago…?

>>14

The indigo sky demon rainbow beast is every two years, so it’s already been comfortably 10 years.

Well, the shrine has been active in recent manga as well…

Basically, I like songs where ZUN pets and the piano are wild.

And such songs are particularly numerous in the early stages.

Recently, I like Memento.

>>18

Which one?

I prefer greedy beasts, but what about you?

>>21

It’s an organism…

I belong to the camp that believes the one-sided piece is supreme in the spring harbor.

I feel that Eiei’s life, which has been most diminished, is what I love.

I love Sakuya’s rock-like stuff.

I haven’t been able to play the new release, but I’m keeping up with the music, and there’s a lot of it.

It’s only been about 5 years since Hikaru or so…

It still feels new around characters like Kosen-chan and Kokoro-chan.

The serialization of Ibara Kasen started 15 years ago…?

Honestly, I think all the songs from Double Spoiler are amazing.

There are only new songs and trash.

When I was in elementary school, I talked about the story of “Kurenai ~ Naga,” but it seems that the current elementary school students are talking about “Yukkuri.”

Lunait Elf is good, isn’t it…

The Night Parade of 100 Demons is great, isn’t it?

Plastic Mind

This is my recommendation.

>>37

Is it Alice’s song?

I think it was said that the title was something like a pair of ceramic hearts.

There are no misses in the songs of “Youmu Dream.”

>>41

Well, most of the years will amount to zero…

>>41

Like a hundred medicines.

I like listening to the title track of Suimusou because it gives me the feeling of a slightly cool summer night.

Recently, I’ve been into the classics too, and I like colors like yellow.

Some of the nameless have also been aging and are starting to catch up with the ones from Eientei…

The uncle said, “No matter how long I stand here, the Wind God Record is the newer one, right?”

It’s an uncle who can’t shake off his feelings.

>>46

When I actually do it, the UI is really too old, so it’s definitely too outdated.

A new path from the renewed radiance!

If we’re talking about recent songs, it’s “Tenma no Yama” and “Chupacabra.”

It’s rather like thinking that ten years ago was still just like that.

Perhaps it was because new releases were at a pace of about six months from 2007 to 2010.

Recently, I like it after the voyage of 380,000 kilometers, it’s lunatic time!

Certainly, I have the impression that from “Kou” to “Hoshi,” it was a whirlwind of momentum.

Though I group the three initial works together, each of them has a different impression at the audio level.

Red is blatantly obvious, but Yokai and Naga are quite different too.

It becomes exceptionally better from Yuyuyume.

Eternal Night is seriously amazing.

“Embodiment of Scarlet Devil has thin sounds.”

The sound sources and tones used are completely different between older works, early works, and recent ones, so it’s no wonder there are differences in preference… that’s what I think.

>>56

I love chiptune, so the old works always resonate with me.

I like dream disappearance the most.

>>84

Chip tune seems like it doesn’t use FM synthesis much, but maybe that’s not the case.

It’s amazing how you realize that it’s that kind of season during the first stage’s background music, isn’t it?

>>58

I think the sense of the boundary between the imaginary world and the seasons is amazing.

I want more unique songs like “Three Fairies” and others.

There are nutrients that can only be obtained from Voyage 1970, listened to on a morning after an all-nighter.

Sumireko, who used to laugh at Sanae, who was treated like a high school girl saying “PS2 is the latest game,” is starting to realize she’s at an age where she can’t laugh anymore.

The arrangement of “Tanabata-zaka” feels dreamy and fluffy compared to the original composition, and I couldn’t connect with anything other than the lament known to the Jizo.

I love all the original songs, especially Tinker Bell.

Since Scarlet Devil Mansion was released in 2002, it seems that Shrine Maiden’s Tale, Heartfelt Fancy, and Legacy of Lunatic Kingdom are already in the veteran position…

The period from the Spirit Temple to now is longer than from the Scarlet Devil Mansion to the Spirit Temple.

>>63

Well, the distribution interval has changed as well.

I like the latest tracks where the erhu is fully featured and the one with the girls moaning.

When Memento flowed with beasts, my excitement skyrocketed, and I ended up loving it just like that.

The colors of the demon world have a distorted scale, but that distortion is incredibly unique…

>>67

It might be slightly off, but listening to the song by Kurenai makes my head hurt.

I don’t dislike the septet, but it’s more of a mellow song, and I wonder if it’s really a song that can stay at number 2 for so many years…

Owen still makes sense because it tickles the hearts of those with a chuuni spirit.

Where is that lively market now?

The arrangement of “Tsukasa” from the original song of Tanabata Slope is good!

The Girl’s Secret Club is great, isn’t it…

Phantom Factory is great, isn’t it…

The legend of Aokigahara is good, isn’t it…?

G Free is nice, isn’t it?

Unknown flowers, a journey of fascination, isn’t it nice…

The barrier of Amanotorifune Shrine is nice, isn’t it…?

The Izanagi object is nice, isn’t it?

The forbidden membrane wall is nice, isn’t it?

Bar Old Adam is nice, isn’t it?

The wolf of Nanatsuseki, it’s nice to run to catch the clouds…

Mugen Nō ~ Taboo Marionette is nice, isn’t it…

>>71

You just like the Secret Sealing Club, right?

I think Strawberry Crisis is an Apple Paradise.

I think the expressions of the seasons, “Mukai no Sato” and “Fall of Fall,” are too strong.

>>74

Mix it in with the spring harbor too.

>>74

It’s strong on its own, but the synergy when connected with Crystallized Silver and the Mountain of Yokai is huge.

I was listening to Barold Adam and thought that I really like songs that feature hand claps.

I can’t immediately think of any in the East.

>>75

Hiroshige No. 36

I’ve come to realize lately that I have a penchant for tracks with a sense of tension and urgency, like “Last Remote” and “Extend Ash.”

I like the smoking dragon in the Tanabata-zaka arrangement; it has a certain vibe.

I can somewhat understand that the septet feels different from other songs.

It tends to be treated as plain, but I really love the drums unique to Hanamai-zuka.

I like the music of Bullet Philia; it feels like modern Touhou.

Especially the 100th black market.

>>83

I like the early boss music because it has a training mode feel to it.

It feels somewhat unusual in East Japan.

The trivial natural history of the two is nice, isn’t it…

>>86

It’s really exciting and good, right?

I feel that the septet is lacking without the sound effects of the game.

>>87

It must be the excitement that comes in around the chorus that makes it popular.

>>87

The sound that fits too well is like a chirping that you only hear from a septet’s piano and a geisha’s kunai.

Seraphic Chicken loves the rhythm that feels like a staggered step or nodding one’s head.

I love the strong desire version with its full-on clucking and peeping vibe.

It’s good to gather mysteries from all over Japan…

Let’s live in a wonderful graveyard, okay…?

When I ride the Shinkansen, I can’t help but associate it with Hiroshige and feel ecstatic.

I think the title of “The Gensokyo That the Gods Fell in Love With” contributes significantly to its appeal, in addition to the music itself being good.

The recent title song is “The World is Made to be Cute.”

>>94

I think it’s too advantageous that the development from the start of the song is so convincing with that title.

I realized that my attachment to the background music is proportional to the game playtime.

I love love love you.

>>100

I really like that the 86 sound source is properly included.

The septet’s music has a chaotic feel that fits well with bullet hell shooters, reminiscent of mad piano pieces, which is great.

I absolutely love the title “The Space Shaman Appears”.

What I regrettably wanted to hear was an oriental dark flight arranged in the style of U2 or a twilight arrangement…

>>103

It seems to be quite worn out…

I’ve been waiting for the secret arrangement of Gensou Juuryuu.

Since I’m not ZUN, this topic never comes up for discussion, but I really like “Kuaizuki.”

I can totally understand why it’s so popular.

By the way, have you been doing anything recently?

It leaves a strong impression that Fūjinroku has a lot of famous stage tracks.

>>108

All the background music along the way is good, right?

Suiyue → I love the flow of Onigashima from the fairy tale country so much that it feels insufficient without the set.

I like Fall of Fall, but it directly rips off the old Bridgestone tire commercial song. I wonder if they won’t get in trouble for that.

>>110

Doujin often goes unnoticed, disregarded, or overlooked by others…

>>110

Only this and the light blue rain makes me feel a bit… yeah…

You probably know it for sure due to the generation.

I haven’t played much of the early version on Win, but I like the music.

I really like the Legend of the Great God, but I can’t help but think there are other stories as well.

What I like next is the part of the Star-Spangled Banner with the clown… I love the place where something like drum and bass comes in after the silent part and the second silent part.

>>113

I love the part where it goes “pyororopyororopyororopyororopyororopyororopyoh.”

>>120

I love you so much!

I love the saxophone in “Souryuuden.”

Since the game system is designed with the premise that the BGM changes with the gods, the music differs significantly between gameplay and the standalone track, right?

>>115

The impression changes quite a bit with Mamizou’s songs or in a trance state.

I love those buildups that seem like they’re about to lead into the chorus of songs like “Last Remote” or “Pandemonic Planet,” but then hold off and burst into an incredibly cool chorus.

“Saigetsu became a popular song, so it became a signature song from Hi.”

That arrangement is just unbelievable.

Super cool

In the case of ballyhoo, the black market doesn’t choose a place, but I like it the most.

Demons are good as idols, but ceramic staff-and-sword people are also great…

>>122

I love how it suddenly switches between feeling like an old-school shoot ’em up and a modern one.

Since my first play of the series was “Mountain of Faith,” I have a strong attachment to almost everything.

>>123

Comrade

They say that playing “Touhou Hisoutensoku” in ED will somehow work out, but I think it would be nice to play “Kuaigetsu” as well.

>>125

Flow the Eastern Dream Penetration as well.

Mororai Dine Paro has quite a few works that have allegations of plagiarism regarding the music.

Retrospective, etc…

The period of the Earth element has a good balance of offense and defense.

I like heritage.

Tomorrow is a sunny day, and yesterday was good, right?

>>131

First, the title is good.

There are songs that get extremely hype when it becomes a danmaku set, right?

The part where you dodge the fast bullets of Guse Flash in sync with the climax of the prince’s song is absolutely amazing.

Most of those who came in from the wind are Nico fans.

Stealing a one phrase from a song doesn’t really cause much of a stir…

In the end, Touhou is just a doujin.

>>135

I think it’s a bit unfair to say that Touhou is just doujin when it has been extensively commercialized.

In the first place, it is being rolled out nationwide, although it is individual sales…

>>135

In other words, there are quite a few cases where, even in ordinary pop songs, you can clearly see that they are doing this, yet no one says anything about it.

>>159

Winter flowers and Jeanne’s moonlight flower.

What is it?

At this hour.

The wind suddenly expands the view from two eerie sides, creating a deceitful display of the realm where gods fell in love.

I’ve heard it’s not very popular, but I really love the Ceramics Sword person’s rust.

It feels like a march.

>>139

It’s the coolest haniwa song in the world.

>>139

Clearly, it’s good with a different musical style and atmosphere compared to the BGM of youkai and humans.

The influence of Nico Nico Douga was incredible.

I really love Demystify Feast and wanted it to be in Hisouten too.

>>146

I climaxed with the Hifuu version.

ED Touhou Suimusou gives a nice feeling of “Ah, the party is coming to an end.”

I feel like Romantic Children and other older works are quite well-known in the Touhou arrangement scene.

>>149

I really love medleys of Romantic Children → Plastic Mind → Alice in Wonderland → the Grimoire of Alice.

I really like many of the boss themes since they generally have a sense of unease.

Overall, there are a lot of songs with a nice flow, as if everything is connected.

It seems like people are quite divided on whether they prefer Yache’s songs in the demon version or the beast version.

I became fond of it after listening to the beast version.

In the spring harbor, a tiny, tiny wise general endured even the truly heartbreaking song that was Star L.

>>156

🟦Three

I’m looking forward to the new integer release that will probably come this year…

It’s a song about sea urchin, but I like the arguments back and forth.

It’s something that can’t be conveyed just by explaining the title, but you’ll understand once you hear it.

I have the impression that you often cite phrases.

Fūjinroku is truly amazing in that, as the title suggests, you can feel various styles of wind from almost all the tracks throughout the game.

It’s amazing how the air feels stagnant in the sea of trees, as if it doesn’t feel the wind at all.

Whenever I feel like crying, I’ve just been listening to Bad Apple!!

I wonder if it will be like this from now on.

Unknown X has been rearranged three times, but I wonder if it’s liked.

The average score for the Seirensen is high, isn’t it?

I love everything from the port of spring to the skyscraper.

>>165

Don’t forget the Heian alien.

It doesn’t feel very ZUN-like, but it has a mysterious feeling of being like Touhou.

I’m the type who falls in love with songs I’ve listened to a lot, so my favorite songs are concentrated in Bun, Dub Spot, and Kon.

The music from the Palace of the Earth Spirits has a distinct darkness that can also be found in the later series and in the Secret Sealing Club.

>>168

It seems like you were subconsciously influenced, but even walking along the relatively bright old Hell Road feels like a festival happening in the darkness.

>>185

I really love that festival atmosphere.

Overall, I prefer the songs from the earlier works, but when “Sousei no Kekkai” came out, “Haruno Minato” really struck a chord with me.

I later came to understand that the song was created during my college days.

There was a song that mixed Sunny’s music and Owen’s, right?

I like that.

>>170

The red mist anomaly of Sunny Milk is nice because the Sunny Lu-chil Reflection component is hot and moist…

https://sp.nicovideo.jp/watch/sm33273553

I like this person.

>>171

I might like you…

The sound effect “beeenn beeenn” in the flow of solar worship of spiritual knowledge is irresistible.

I am forever trapped in the Shanghai Tea House.

I like the deep secret revealed in the ending credits of “Uni” or “Twilight” the most.

It’s a bit heavy.

In the case of the Star Puppet Ship, the ghost ship is just too one-of-a-kind…

>>177

Burst

>>177

Bang!

>>177

(Windows system sound)

The fire of the Dharma world… it’s nice, isn’t it…

I think the average of the songs from Hikari no Shizuku Castle is really high.

When the ZUNTATA members arranged Native Face, I burst out laughing.

>>180

Is there really such a thing… I want to hear it!

I did a little research and found this, but it’s probably out of bounds; however, since it’s a doujin game, I don’t think I’ll be sued, maybe.

I don’t know about morals or manners.

Is the u.n. Owen in the thread picture her? I also like it.

Including the slight deviation in pitch.

I like the color yellow.

The universal first battle BGM for sea urchin is too extravagant every time.

The best music during the journey, the time of twilight that I’ve been eagerly waiting for is within me.

The Sun Worship of Spiritual Knowledge must be listened to along with the explosive WARNING! WARNING! SE.

Recently, I like the ethereal egoist tonight.

I thought that, but isn’t it recent from 7 or 8 years ago? It might be recent…

>>190

It’s a song from about three years ago, right…?

I hope the music of “Hyoui Ka” gets more recognition.

“Just before the performance starts.”

Recently, I like the morning coming to Tanabata Hill.

I can imagine a misty morning.

I keep challenging myself and listening repeatedly, yet I can keep listening forever.

>>195

But the clown might make me go “ugh” a little…

I don’t know the title called “BGM of Hihi’s Scenario,” but I know the song.

>>196

Four-character kanji are hard to remember!

There are too many masterpieces along the way of the wind.

I generally like the journey, and the rainbow is nice too.

Even if you don’t consciously try to copy something, it seems that unconsciously resembling it happens often in creation…

I can listen to the old tracks included in the album, but I still want to listen to them while playing the game.

The arrangement of the main theme in the Uni series is always great in every installment.

I like the folklore of the outside world and the approaching start.