>>1

Delicious Drop 21

>>81

It stinks.

It feels like things only have value when they are used.

>>4

Thanks to that, the shock of the masterpiece being destroyed was mitigated, so it was good…

It only takes a few frames to finish, but making soba dumplings is really difficult.

The smallness of Karijin-kun’s capacity…

It appears calm and gentle, but the flames of uncontrollable anger are visible.

It seems that Mr. Tōjin isn’t too shocked by the destruction.

>>14

Aren’t you shocked? You might not be angry, though.

There are circumstances that can only be understood by those who have been oppressed.

>>17

I want to believe that this isn’t just a play at this point.

>>51

I think he just defended him normally because Yuzan gets angry right away, like a hot water heater, regardless of the play.

Sencha is play.

>>62

I was protected from that Uminahara Yūzan.

That’s enough just as it is.

>>19

In the last panel of the next page, it’s already calm…

As expected, the contrarians have come out.

In the beginning, there isn’t much strange talk.

>>25

It’s true that around volume 21 is referred to as the early stages, but how should I put it…

>>113

The early days were when Yamaoka was doing horse racing and was edgy.

It’s still early until Mr. Futaki appears.

Until marriage is the beginning.

I think there is a faction like that.

Since humans die, they are precious, and if pottery is the same, isn’t it reasonable to atone for it with life?

>>26

Ceramics can be mended with gold lacquer, but human life cannot be repaired.

>>27

This old man is the kind of person who can’t even create a satisfactory piece of work once a year, despite saying so himself.

Especially if something you carefully prepared to give to someone else is broken right in front of you, it can’t be resolved by just your own discretion.

I also quite like Yamauka-san from the bean sprout episode.

I bet this kind of episode also reaches Oyama’s ears, and Shirou must be smiling slyly, that mesh old man.

Mr. Futaki, who gives this bowl the name “Sobagaki,” is also great in this episode.

>

This is totally SM play…

>>40

Most people regret it after eating.

Yozan says things like “I don’t want the plate! I’m going home!”

It seems that making sobakaki is quite difficult.

I thought they would be blended with buckwheat flour.

Zako ❤ zako ❤ shock resistance is weak ❤

>>48

Well, wouldn’t it be like, “Don’t bring up such important things while we’re eating”?

>>82

It’s not in the middle, but rather… a kind of fuzzy tea confection, isn’t it?

I love this expression “being conceited” and I often use it when I brag.

First of all, don’t tell me not to brag.

I ended up breaking it more than I thought.

Do you not need fragments for the soba cake?

I think the waiter is being too careless, but well, you never know what kind of mistakes a person might make.

From Yamaoka’s perspective, this is an incredible piece that would become a representative work of Professor Tōjin.

If it gets broken, I would be furious.

It seems like it’s fallen from quite a height.

Aren’t you aiming for Futaki’s head?

I’ll never know how good I am at this…

>>61

This old man is one of the most reasonable characters in the story… Considering his position and the character of his family, he seems like he would act like a wealthy person in a Fukamoto manga.

It’s a work that has just been created, unlike those that already have a reputation and established evaluations.

Mr. Futaki might have been in a position where he had to appear calm in front of the teacher, rather than truly feeling that way.

The way to open the sliding door looks correct, but…

I feel like the way the food is served is strange…

Normally, I wouldn’t get this angry, but the anime does an excellent job of clearly conveying my bad mood caused by Yamaoka’s attitude with the background music.

That aside, I would like to see some monetary compensation.

>>68

Don’t place it on the table at the restaurant you frequently visit.

>

Is “Oishinbo” really that interesting?

>>69

Anime has chosen interesting stories, and the selection is quite good, making it feel more entertaining and valuable!

I came across a video on YouTube that recreates this.

I thought it was questionable to break the vessel just to treat this as a joke.

It’s hard to admit your mistakes as you get older…

>

It’s a nice story, but the size of the vessel isn’t stable…

I understand Chairman Futaki’s anger, but it was cool to see Yamauoka-san’s composure when he said, “The way of tea is related to Zen, yet being caught up in material desires and getting angry at others’ failures is completely the opposite…”

I wonder how the legal liability for compensation will be.

>>76

Of course, there is the right to claim compensation from the store, but how much it will be is a delicate matter.

Chairman Futaki seems to have a sense of being one rank above humans according to the company owner.

Well, it feels like the legal handling around that will be somewhat lax, as they will address it in future services.

It’s a place that people from the upper class use for entertaining, rather than just a chain store.

It’s said that it’s not a money issue, but it seems like it could become quite a serious problem if it turns into one.

Currently, things like kintsugi are highly valued overseas.

Ideologically

Just fix it, right?

>>89

Making such a fuss over a single vessel… Has the Japanese spirit turned to ceramic as well, I wonder…?

Wow, what should I do… The feeling of the grandfather who is completely at a loss is really good.

It’s inevitable that it broke, but it seems like it would taste good once put together! That really makes me say “Yeah!”

I’m glad there are only accomplished people around.

“Umami Yama consistently has the style of saying, ‘Those who obsess over spending a lot of money on tea ceremony utensils are fools.'”

That being said, true tea masters also use the best tools.

>>95

I thought that in the flow of conversation, when Futaki said “die!” it was a response to say “I’ll die to atone!” but it was only Ōyama who said “die!”… The maid is saying she will atone with her life herself…

Mr. Futaki is saying things that are quite obvious, like he can’t change it into money or that he is a fool…

The scene where the wife is hit in the image clearly has sound in the anime…

So the fact that Yuuzan is not shaken at all by being criticized means he is accustomed to being criticized regularly.

It may be different in reality, but it feels like everyone played their roles to smooth over this problem.

Everyone is well-mannered, and I’m impressed that the commotion has settled down without any lingering issues.

Black with kintsugi will definitely stand out, and if the Chinese teacher does it, it might level up to a whole new appeal.

Isn’t it a thought that those who are grateful for things just because they are expensive, without knowing their true value, should just die?

You know about Curry’s thing where the value increases when it’s sustained by money, right?

It’s something that the failing Chinese teacher left behind even after taking over…

>>102

Despite being a senile old man obsessed with colors, this geezer is quite strict about his own work…

This guy is overestimating the eternal existence that definitely won’t break, like plastic and metal.

Shirou is like this, and even Youzan relies quite a bit on the Chinese teacher, to the point of taking a plate when there’s something going on…

>>106

I’m surprised at how close it feels, like with a relative uncle…

Mr. Tang is too sweet!

The stone ends up lasting the longest, after all…

On a scale of tens of thousands of years

Toojin-kun’s girlfriend hardly messes up from start to finish, even just by hitting a mackerel.

>>108

No matter how the story progresses and how much of a good person you continue to be.

“I can’t help but think, ‘When that guy dies, a huge inheritance will come rolling in…'”

>>112

In the second half, there is a big issue involving Mr. Yōzan and Mr. Ryōzō, caused by the fact that a man related to Mr. Tōjin’s wife sold a forgery of Mr. Tōjin’s works.

My wife hasn’t done anything wrong, but we have relatives like that in the family…

They are both valuable people who can properly express their opinions to Shirou and Yuuzan.

Is this frantic-looking Futaki-san related to Futaki-san?

Specialties tend to last longer than a person’s lifespan…

Soba-gaki may be fresh pottery that might remain from now on, but the ones that young Yamaoka broke are truly precious pieces that have endured.

What you’re saying crosses the line, and that’s true.

>>114

If it becomes a masterpiece that lasts for hundreds of years… well, there’s nothing but despair.

>>118

It seems to be from before the Edo period if it’s old Bizen.

When you think about it, Shirou has run away from home after breaking a large number of Ou’s works, so there isn’t really anyone who can surpass him when it comes to destroying artworks…

You have the boldness to tell someone not to get so worked up.

If we’re not careful, Yamaoka might have known Dr. Tojin since he was a baby.

It might be better to promote it with this episode attached so that the price could go higher.

Was it Mr. Futaki’s grandfather?

I don’t really care, but Ninaki-san and Hanamura (Mitiya) have somewhat overlapping character designs, don’t they?

Regardless of later evaluations, if it was just made by a Living National Treasure, its value at that time might be in the range of one million yen.

Mr. Zhou is actually quite a decent person, only that the phrase “Japanese people are also bad” is often highlighted.

Regarding our daughter, my husband is about half to blame…

>>124

Is it really that strange to say that line, even if it is being discussed?

Wasn’t it a cliché context to say that there are also problems with consumers who make choices?

Mr. Yamaoka was sharp until he got dropped from the bridge during the giant udon episode.

Wasn’t there a time when Zhou seemed to give off an atmosphere of being a big player in the underworld?

>>126

It seems that just being in control of Yokohama Chinatown doesn’t necessarily make one a mafia.

>>126

I think that was just giving off a vibe of being a bigshot among the overseas Chinese in Japan.

Far from being just decent, Master Zhou is consistently amazing.

It’s a bit hard to say that this insult was part of a couple’s play.

I think the strong impact of the lines used as material by Mr. Zhou and Mr. Kyogoku makes it difficult to see the fact that they would be classified as decent people in that world.

When I was actually told that I bullied and killed my wife, I was so shocked that I was like, “What?!” So I was aware of it…

However, all the depictions of that couple’s play are from Yamaoka’s subjective recollections, so there’s also the question of how accurate they are…

Mr. Kyogoku was a bit too angry when he first appeared, though.

Mr. Zhou was supposed to be someone who genuinely didn’t have any points lost.

Many of the stories in Oishinbo feature powerful figures easily admitting defeat and reflecting on their actions.

Curry himself is the kind of person who absolutely will not admit his mistakes…

>>137

“Hey, you (to my son’s friend, the Australian), you’d better not pick a fight with me… I’ve mastered the reverb blow…”

That’s just the kind of person they are, right?

>>137

So, the serialization hasn’t resumed yet.

A few days ago, there was a thread about Howzan collapsing and Yamaoka taking charge of the club, so I reread the volume that covers that area, and I had the impression that there are still a lot of interesting stories around that part…

Once it was understood that improvements had been made regarding the son-in-law, Lord Shu was the first to acknowledge it.

It’s impressive how right after having an abnormal outburst, they’re eating soba dumplings with a “Hmm…”

It’s fine if it’s play between the couple, but if it affects the children, then it becomes abuse…

Mocking words towards metal craftsmen.

I think the impression would be quite different depending on whether you’ve read works prior to Oishinbo or not.

Who was the manga artist who moved to Australia but came back crying due to severe discrimination?

I know it’s a manga convenience, but I’m always curious about how they start making sobakiri right after breaking the bowl without even washing it.

>>147

Are you saying it’s not a problem to shave bonito flakes with a broken tumbler just because it’s been washed?

The Futaki clan has a good eye because they like Yamaoka as an individual.

Yamaoka should have endured a little difficulty in pleasing his wife and entered the Futaki family as a son-in-law.

>>148

It’s not just about Nituki, but Kurita has too many negatives since the marriage…

I think using a chipped teacup as it is is dangerous because pieces might mix in.

I really like the evaluation that until Yamaoka-san was missing, it was very useful and feels a proper respect.

People from the Showa era don’t mind if there are pieces of pottery mixed in…

Hmm, this page clearly conveys a relationship where there’s obvious human connection without being overly wet, it’s really good.

Well, aside from that, it’s kind of nice that instead of claiming damages, you’re just resolving it with insults.

This tea set is at least in the several million class.

>>156

If it’s new, the teaware won’t cost that much.

At most a few million.

If the memories can be resolved through gameplay, it’s too much for Yamaoka to bear seeing his mother being insulted and then hit…

>>158

It was all a ridiculous SM play filled with love, and it really shouldn’t have been a setting to include.

>>158

I dislike the safe argument in SM play because it ignores the emotional scars of young Yamaoka.

I think about 99% of the people saying it are joking.

>>164

The official part is in the remaining 10%…

If this story remains, it will be worth an unbelievable price in 100 years.

It’s better to watch it before the marriage episode starts.

You don’t need to watch it after that.

Hey Shirou! The pottery teacher there is completely like a grandpa and his grandson.

I think Mr. Tōjin maintained a position of integrity throughout.

It’s interesting that Tōjin-kun is in a position to speak out against Ōyama, being a person of character.

Isn’t it boring to say that winning in a cooking competition is because the ingredients were good? I really like how Tōjin-kun says such amazing things.

There are people who talk about it in comparison, but I think that Yujiro’s flaws are still portrayed as flaws even now.

I feel that it might have been better to depict that Yuzan also has some blame in the situation.

>>168

The statement that a person who is essentially a murderous social misfit has no language other than violence is clearly evidenced by the saying that “my dad has a disease.”

Furthermore, with the addition of the homo-rapist, it’s all a mess.

It’s such a good flow, but in the end, you’re criticizing plastic, and it feels like you’re betting your life on bringing something down.

The value of well-made pottery is at most just like getting a six-digit repeating number.

It is clearly lighter than a person’s life.

Kintsugi has a nice gold accent, right?

It stands out especially in such a pitch-black vessel.