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Butchi 711
Please provide the Japanese text that you would like translated.
Kiiiiiiii!
Sharpen…
Someone who probably wouldn’t talk for several thousand hours if not necessary.
>>4
It should be measured in years.
What was the kid that was brought in episode 1 and the woman who collected the kid’s corpse in episode 2?
>>5
There are hints even in unofficial superstructures.
It seems that the basic composition of the agent’s mission consists of men, women, and animals.
Gin
Saku…
A person in the background of a super black, huge, and cool sci-fi structural maze.
The facial muscles are too dead since the function was restored!
>>10
I wonder if I don’t have to eat or drink anymore… Is it that I no longer need to take in energy through my mouth?
>>16
It’s like a senile wandering old man repeating actions from his youth, reflecting an early human-like aspect.
I hope they make another movie…
I want it to be adapted into a visual format based on the original work.
It’s fine to change the finer details and story, but please stop with the cheap visual composition where Sanakan just shoots lasers…
Lift of Suppression
This guy shoots wildly without caring about the place…
I like Stiff battles.
>>15
It’s kind of sad to see that even though Stiff overwhelms in speed and technique, all the damage is still just 1.
>>33
The fear of being grabbed and beaten to death seems intense.
I realized when re-reading that one eye was gone in the final part, but it is restored in the last episode.
>>17
Is it the same individual, I wonder…?
The fact that buildings are infinitely expanding and reaching into space is so exciting.
Is it true that it even swallows galaxies?
>>19
To Jupiter is confirmed.
I wonder if BLAME! online is ready yet…
>>20
I won’t meet anyone…
If someone with internet terminal genes appears, things will somehow work out, really.
>>21
So the first episode was quite a pity…
The gravity particle radiation emitter is strong! Let’s keep defeating those silicon life forms!
(Walking Kiri-i)
Go o o o o o……
(Giant Structure)
(Moving Fog Boar)
(Background of the pull)
(Moving Fog Boar)
(A huge building)
(The intricately interconnected parts of a massive structure)
And that’s the end of the first episode.
>>27
I want to play this as a liminal space-themed exploration game.
>>27
This is
With this
It’s a super strong safeguard, right? I don’t remember anymore.
>>28
In the original work, the agent of the system before the safeguard.
In the anime, Sanakan recognizes that they stole the safeguard’s cyberbody.
In the beginning, I feel like I was comforting people on the verge of death, saying things like “It’s okay, help is coming.”
Even severed limbs can reattach, and even if more than half of the body tissue evaporates, it will revive; surely the eyes will heal quickly too.
Don’t worry, they said something like “the treatment type has arrived.”
>>32
There is no therapist.
Don’t lie.
The woman with the dog in the very beginning is, in a way, the closest to the core.
Isn’t it too different in personality since Shibo first came out and obtained the body?
Hardcore Girls’ Last Journey
There are so many bodies!
It seems that after reading the side story, the chaos has somewhat settled down, which is a relief.
>>39
It seems that the communication with the net sphere has been restored, and the proliferation appears to be over.
At least they no longer recklessly deploy safeguards.
Shibo… What is that?
There are a lot of bodies!
There are a lot of bodies!
Riding the elevator for a ridiculously long time.
You’ve been really loud about wanting to die for a while now!
Domochevsky and Ikosuki
It is easy to see where it is featured in the Afternoon.
Because it’s black.
Shibo, who was in the heroine position, has somehow ended up in a yuri relationship with Sanakan and has a child…
Why aren’t they publishing the NetSphere Engineer series?
I think it’s amazing that all the serialized manga are interesting.
This kind of thing is not about being silent; it means not saying anything at all.
Awesome! It’s Gantz!
>>53
(It’s Sanakan…)
I feel like back then, even Shadow Skill was dark.
I read it a long time ago, but I clearly remember the feeling of “seriously?” when Sanakan’s personality changed and Shibo left so easily…
I am searching for the internet terminal gene…
ABARA has also been revived recently.
>>58
This area was the most oily, right?
The writing is amazing.
When you read this after that time, your fingers really get black, you know?
>>59
It becomes completely black even in a paperback.
Sanakan has the same intonation as a canned mackerel.
A governance bureau kind to humanity…
The human population around Seiden is too large.
Looking at it now, it has quite a flatfish face…
Is it different from the stars of the doll country?
I feel like there was a structure underground that couldn’t be breached without a gravity gun.
>>68
That’s more like Sidonia, isn’t it?
>>68
The star of the doll country is one of the seed ships mentioned in Knights of Sidonia, isn’t it?
It might just be that they have the same name.
Don’t move, fuckhead.
>>70
I like how it’s explained in the art book, picking up the one-shot version as well, like “The cyborgs of the network criminals who became the predecessors of silicon-based life forms.”
It’s not the case that the child dies in the first episode in the final story, right?
>>72
After that, there is a side story where I properly connected to the netsphere and the chaos was settled.
>>72
It is certain that a time will come when the chaos of the internet will settle and silicon-based life forms will be pushed out, so perhaps that child is the one who normalized the internet…
You shouldn’t use the star system to consider whether it’s the same world or not!
I wonder if the extermination type that was chatting with Kirii at the beginning is the same advanced type as Sankan…
It was repopped as if it were a matter of course.
Reading Tower Dungeon, I now think that BLAME! felt more like a fantasy with sci-fi elements than pure sci-fi.
There are knights and princesses.
I really love Biomega and Sidonia, so I want to read this as well.
The new edition is just the cover being new compared to the old edition.
>>76
Indeed.
The gimmick of the doll country is a real projectile and a moldy spear.
Gravity Shielding Propulsion Vehicle System
Speaking of the land of dolls, it’s the appearance of Kudo Denji and instant death, right!
The author’s unhappy times are more interesting.
I see, it’s just a star system.
Like Toa Heavy Industries.
Why did you kill the person who was observing the cavity…?
>>84
That is a silicon-based life form.
>>84
That is a silicon-based life form.
The inspection officer has an incredibly nice design.
I like aprons.
It feels like a story about launching a superstructure.
“Back when we were talking, there were times when we would tell gentle lies and get really angry at the actions of Seiden-sha, showing some human feelings.”
>>88
If you hadn’t thrown a tantrum over there, we could have gone up to Seiden-sha a bit more peacefully… We might have even cooperated with them.
>>88
Since the electric-based fisherman, I haven’t found nearly any human settlements…
A story about stag beetles generally shooting out hard things.
Megastructure
Get dark.
The tower dungeon is still fun after all.
I think it was a story that was published in a one-shot format rather than a serialized format, within the range of volumes 1 to 2.
What have you all been doing for 200 years?!
>>100
What the heck!
>>105
Wow!
>>96
I think Made in Abyss is also influenced a lot.
I really love Biomega.
It is incredibly hard to understand, but it’s clear by the end.
>>102
Dr. Wildenstein is really useless.
>>102
I didn’t really understand the part about the last switch.
I don’t really understand the mechanism, but I wonder why such things are provided.
I wonder if the female officer is still patrolling.
>>103
I wonder if the sword that can cut anything has been captured and is being hunted down and killed by silicon-based life forms…
I might just have multiple ones because I also have the capsule.
>>124
No, I’m just getting it back normally.
It’s been a while, President!
What the hell is this guy?
What are you doing?
Where is this place?
It’s a manga that continues endlessly from the first episode to the finale.
A manga with few lines but many clichés.
Maybe Volume 1 has the most dialogue.
It seems thatShakisaku is not food.
>>110
Why are you eating grease…?
Crunch.
Saku
Industrial grease
I love the look on their face when they find out that the facility for producing silicon-based life forms has been destroyed.
Reprint the art book! What have you all been doing for two hundred years?!
The first child is a different person, and the functional recovery has been successful.
Maybe the last child.
It’s fine that the person from the rocket who talked next to Shibo was just erased…
>>120
It’s probably just a mix of illegally copied personalities added on top of the original personality backup, after all…
>>120
It’s an illegal overwrite, you know…
I thought it was too dark! But after reading ABARA, it was even darker.
The work that got me, a junior high school student, to start reading Afternoon magazine.
While reading Narutaru and Parasyte, I felt out of place among those around me.
Ivy is nice, isn’t she…
>>123
It’s surprising that there is a mom with 48 children.
I seriously love the supersonic battle scenes in ABARA.
I have no idea what is happening at the end of the story…
The depiction of silent ultra-fast battles like in ABARA and Bio Mega, you know.
I really like it.
Is that “blame and so on” not being re-released?
Bram School
The scene of placing the ballpoint pen cap strangely sticks in my mind.
>>133
(I’ve never seen a structure like this, but it looks like an old part from an ancient era, so I guess I’ll just put it in the old room…)
NOISE and Blam Academy are also good, aren’t they?
I don’t dislike the current drawing, but I wonder if it’s no longer possible to achieve the hard texture like in the reference image, Mr. Nihei.
>>136
I said it was impossible.
What are you talking about?
Mensa-sensei! Bardamba-kun is eating his lunch early!
>>138
👹
A simple, strong extermination-type final boss.
>>140
Once permission is granted, that safeguard can summon those things one after another—it’s crazy.
The female officer is a cyborg that gathers the essence from before the net sphere, so I think she belongs to a generation close to Kirai, but she has a really unique visual, doesn’t she?
Duh-ho-ho-ho-ho!
I’m going to take a gamble and warp!
What is up with those creepy guys from Seiden Company who effortlessly bent and dodged the gravity wave emitter, which was pretty much a lethal weapon until the end?
>>146
I really like the feeling of unique evolution of humanity around there.
>>146
First of all, the truck is floating and hovering in place, so I think they normally have gravity control technology.
“That is a gravitational wave radiation emission device!!” The ordinary worker who almost got killed immediately recognized it, so it is still impossible to replicate, but it seems like everyone knows about it.
Although we were crushed by the safeguard, we managed to connect to the internet, and their level of technological revival is incredibly high.
I quite like Kirii when the setting is still shaky in the early stages.
I like Digimortal.
It was cool that monsters are generated in NOISE with ENTER.
The things being done to the twin babies are gruesome.
At Blume Academy, it’s possible to enjoy teacher moe and gags, isn’t it?
It connects to Sidonia.
It looked amazing in the thumbnail ^^
The shock when Daphinellin Vega was wearing bloomers.
There was a hint that since the pair consists of a man and a woman, the woman is the capsule, but still…
It is understood that Tsutomu Nihei influenced later authors; where did Tsutomu Nihei draw his influences from?
What is the flow that led to this emerging in the field of science fiction novels?
>>155
I understand Bekshinsky.
>>155
Is it Makoto Shiina?
>>155
Giger?
>>168
It’s Enkibiral, right?
>>155
Wasn’t the armed Shimada warehouse part of the original source?
>>155
Since I originally worked as an architectural designer, I think it will be in that direction.
Do your job, Governance Bureau!
>>156
I’m really sorry… We feel disappointed as well…
>>156
(Hurry up and find an official user…)
>>156
Your personality no longer exists.
I’m really sorry.
The feeling of this scene where he falls asleep while getting the ampule stuck is incredible.
>>157
It was quite a big deal…
There are rumors that sometimes it is under the influence of Angel’s Egg, but it hasn’t been explicitly stated.
I feel like there might be because the same motif appears quite often.
Duo ho ho ho ho.
Daffine Le Linvega
The setting starts to solidify from the point where the baby factory of silicon-based life forms gets destroyed, but the story before that also has a unique charm, doesn’t it?
I liked that in the published version of BLAME! Academy, there was a character introduction on the side.
Smells like carbon~
I understand that Tsukumizu-sensei is respected.
I wonder if readers were shocked by Blam Academy back then.
The main story has very few moe elements.
A stag beetle flaunting a plastic model in the editing.
>>177
(I thought the manuscript was finished, but the editor…)
>>177
If you want to draw mechanical objects, you need a model of the machinery, right?
The lines from volume 8
Wait. Retrieve the capsule.
Only 11 characters.
>>178
It seems.
Ken
You had a shield that could also protect against silicon lifeforms, right?
>>180
If you want, I can snap my fingers with just my palm…
It seems to be influenced by previous works like Pandrodeshine.
>>181
I believe the contributor on the band of the art book was Enki Bilal.
The sword that Yui has is also a mystery, isn’t it?
>>185
Why is an illegal arms dealer picking it up rather than dealing with technical matters…?
>>185
It was the cutting-edge weapon of the internet age given to the so-called secret envoy.
What the capsule is using is probably that dead copy or something like that.
Maybe that’s how it is.
The female dog seemed to have some detailed explanations in the novel version…
Uchikata Tō’s thing
There was a collection of paintings by Mr. Nibori, right?
Damn thick one.
The armed Shimada warehouse, like the abandoned Sumi and the Legal Bureau, is very obvious.
I guess it’s influenced by all of Shiina’s works.
Stiff has an amazing design.
>>192
Seriously fast on my feet.
I really like the story of Kirui helping the surviving silicon life forms.
There was an interview with Director Del Toro in the art book.
I like long shotguns that I’ve used once.
I feel like there was a manga that is overtly following Nihei in either Comic Daioh or Maoh.
I lost track of reading because it’s so obscured that I can’t tell what’s happening compared to Bram.
I want to reread it for the first time in a while…
The new Monster Hunter game is coming out the day after tomorrow…
>>198
(I might start reading from around volume 5…)
(I guess I’ll start reading from volume 1…)
Time thieves are great, aren’t they!
What was the foreshadowing about the previous system of the governing bureau’s secret messenger… or whatever it was!
>>199
Just like that.
You’re safe because I’m not a safeguard agent.
>>199
I understood that it’s something similar to a safeguard, right?
The action between Kirihai and Stif is really cool, right…?
The way you’re posing while breaking through the wall is too cool.
Is the dungeon still going?
>>202
It’s continuing, but the main character’s party has started a stable romcom, so it feels like a multi-perspective ensemble drama.
Daphinelrin Vega is a really cool name, isn’t it?
I feel like the comic artist Moebius was also drawing huge structures like this.
>>203
Naushika
Currently, there is no one accessing the network officially…
It was quite shocking to see a lineup of named silicon appear all at once after finishing the Toa Heavy Industry edition.
I watched Junk Head on Amazon Prime and it was so BLAME.
Tawadan is normally interesting.
I want them to stop with the abrupt endings.
I like the 4000XL.